ESAT Bibliography Hom-How
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Homann, Greg 2009. Landscape and body. South African Theatre Journal, 23: 149-176.
Honegger, Gitta; Patipatpaopong, Rassami; Schechter, Joel 1984. An interview with Athol Fugard. Theater magazine, 16(11): 32-39.
Hookham, John 1991. We the rhino: Ethnographic aggies and the representation of the Bushmen. South African Theatre Journal, 5(1):24-34.
Hookham, John 1993. The aesthetic sheen: Reflections on banality and grace in the films of Paul Schrader. South African Theatre Journal, 7(2):105-116.
Hoosain, Mohamed Faruk 1992. Alternative cultural practices in drama studies : an exploratory study. Unpublished master’s thesis. Durban: University of Natal.
Hope, Kim 2005. ‘I love you—you're my woman!’. Research in drama education, 10(2): 241-245.
Horn, Andrew 1985. Ideology and Melodramatic Vision in Black South Africa and Nineteenth Century America. English in Africa 12/1:1-10.
Horn, A. 1985. Ideology and the melodramatic vision : popular theatre in Black South Africa and nineteenth-century America. English in Africa, 12(1) : 1-9.
Horn, Andrew 1986a. South African theatre; ideology and rebellion. Research in African literatures, 17 (2): 211-233.
Horn, Andrew 1986b. South African theatre; ideology and rebellion. In Barber, K. (ed.) Readings in African popular culture. Bloomington, Ind: Indiana University Press. P.73-80.
Horn, Andrew 1990. Introduction to Z.Mda The Plays of Zakes Mda. Johannesburg: Ravan Press.
Horn, M. 1988. Theater as a weapon. U.S. news & world report, 105(1): 50.
Horn, Peter 1996. What is a tribal dress? The ‘imbongi’ (praise-singer) and the ‘people’s poet’. Reactivation of a tradition in the liberation struggle. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 115-131.
Horne, H. 2008. Kaburu: ‘n drama vir die verhoog, D. Opperman. Reviewed in: South African journal of cultural history, 22(2): 155-156.
Horne, Hannes 1978. Van dramateks tot toneelopvoering. Scenaria, June/July: 63-64.
Horne, Hannes 1985. Die Suidwes-Afrikaanse Raad vir die Uitvoerende Kunste (SWARUK: 1966-1983). [The Performing Arts Council of South West Africa]. In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 101-105.
Horne, Jacobus Johannes 1970. Anna Neethling-Pohl se bydrae tot die Afrikaanse verhoogkuns. Pretoria: Universiteit van Pretoria. (M A Thesis).
Horne, J.J. 1987. Anna Neethling-Pohl. Lantern, 36(1): 3-13.
Horner, David 1967. Speech and drama. Fiat lux, 2: 297-300.
Horner, D. 1972. Theatre in the hills. Fiat lux, 7(1): 27. February.
Horner, D. 1976. All the world’s a stage – so pity the poor player. Journal of the University of Durban-Westville, 2(4): 33-42.
Hough, B. 1981. Interview with Athol Fugard – Port Elizabeth, 30 November 1977. Theoria 55: 37-48.
Hough, B. 1979. Fugard’s Boesman and Lena in perspective. Crux, 13(1): 29-36.
Hough, B. 1985. Exit the king [Dawie Malan]. De Kat, 1(2) : 95-98. August.
Hough, Barry. 1995. Fugard staan poedelnakend. Insig, 09/95: 43.
Houliston, Victor 1989. Shakespeare not our contemporary: classical rhetoric and the teaching of Shakespeare. Shakespeare in South Africa, 3: 67-77.
Howells, Stefan A. 1990. Cultural practice and powerful meanings: a study of black urban theatre in South Africa. Harvard University. (B.A. thesis).
Howlett, Leslie 2002. A midsummer night’s dream directed by Fred Abrahamse for the Maynardville Open Air Theatre, 11 January to 23 February 2002. Shakespeare in Southern Africa, 14: 50-51.
Click on the appropriate letters of the alphabet in the sub-list below.
H-Hat Hau Haw-Her Hes-Hol Hom-How Hug-Hun Hut Hy-Hz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
