ESAT Bibliography Peb-Ph
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Pechey, G. (1994) ‘Post- apartheid Narratives’. In Barker, Hulme, Iversen, (eds.) Colonial discourse, postcolonial theory. Manchester: Manchester University Press.
Pelser, Andries Jacobus 1983. Evangelistiese drama met die klem op verhoogstukke en rolprente. Pretoria: Universiteit van Pretoria. (M.A. Drama) thesis).
People’s College Comics (Tessa Welch) South African theatre journal, 2(2):119-124.
Pereira, Ernest 1977. Contemporary South African plays. Johannesburg: Ravan.
Performaing arts councils: the first four years. 1967. South African panorama, 12(3): 24-31. March.
Performing arts in South Africa: cultural aspirations of a young country. 1969. Pretoria : Dept. of Information.
PERFORMING ARTS NETWORK OF SOUTH AFRICA (PANSA) DOCUMENT. 2002. Towards a Vision for the Performing Arts in South Africa. http://www.at.artslink.co.za/~pansa.
Performing Arts Network of South Africa. 2002. Keeping the dream alive. www.artslink.co.za/pansa
Performing Arts Network of South Africa. 2005. Towards an understanding of the South African Theatre Industry. www.artslink.co.za/pansa
Performing xenophobia: a conversation with Jonathan Nkala and Bo Petersen conducted by Miki Flockemann, Wahseema Roberts, Andrea Castle, Antjie krog, and Kudzayi Ngara. South African theatre journal, 23: 207- 220.
PERKINS, KATHY A. (Ed) 1999. Black South African Women. An Anthology of Plays. Cape Town: Cape Town University Press (Simultaneously in UK and USA by Routledge)
Perritt, Jessica 1986. The South African Guild of Speech and Drama Teachers. NEON, 50 : 125-126.
Perspectives on transforming education through drama and theatre : papers presented at the 1991 Southern African Association of [i.e. for] Drama and Youth Theatre Conference. 1992. Pretoria: SAADYT.
Peterson, Bhekizizwe 1990. Apartheid and the political imagination in Black South African Tteatre. Journal of Southern African studies 16(2): 229-246.
Bhekizizwe Peterson 'A Rain a Fall but the Dirt It Tough': Scholarship on African Theatre in South Africa. Journal of Southern African Studies, Dec., 1995, vol. 21, no. 4, p. 573-584.
PETERSON, B. 1993. Introduction to And The Girls and Their Sunday Dresses. Johannesburg: Witwatersrand University Press.
Peterson, Bhekizizwe 1994. Apartheid and the political imagination in Black South African theatre. In Gunner, Liz (ed.) Politics and performance: theatre, poetry and song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 35-54.
Peterson, Bhekizizwe 1994. “I will open my mouth in parables”: theatre and evangelism in South Africa between 1900-1925. Theatre journal, 46(3): 349-362.
Peterson, Bhekizizwe 1995. ‘All work and no paly makes civilisation unattractive to the masses.’: theatre and mission education at Mariannhill, 1900-1925. African studies, 54(2): 32-51.
Peterson, Bhekizizwe 2000. Monarchs, missionaries & African intellectuals : African theatre and the unmaking of colonial marginality. Johannesburg : Witwatersrand University Press.
Phelps, J.M. 1979. 12 angry men: a co-operative play production. Education journal, 89(1): 31-36. April.
Pheto, Johannes Rakgomo 2002. Perspectives of tragedy in black South African drama : an analysis of selected plays by Zakes Mda, Mbongeni Ngema and Maishe Maponya. Potchefstroom: Potchefstroom University for Christian Higher Education. (M.A. thesis).
Phillips, Fransi 1982. Hoofkarakter sensor die drama. Graffier, 2(1): 15.
Philoctetes, pseud. 1985. But what do you do for a living ? 3. Actor. Scenaria, (48) : 14-16.
Phipson, Leigh 1989. Patterns of dominance, masculinity and politics in South Africa : a study of Athol Fugard, John Kani and Winston Nshona's The island, and Fugard's Dimetos, and Master Harold-- and the boys. Durban: University of Natal. (M.A. thesis).
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