ESAT Bibliography Bar-Bas
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Barber, Karin 1987. Theatre and cultural struggle in South Africa. by Robert Mshengu Kavanagh. Reviewed in: The journal of modern African studies, 25(3): 561-564.
Barker, Julie. 1998. After nines: an innovative and uplifting jazzy musical, that opens the closet doors on gay and lesbian history in South Africa. Vuka SA, 3(2): 7-8.
Barnard, C. 1968a. Sandra Prinsloo: boerenooi vol prikkel. Huisgenoot, 42(2405): 10-13.
Barnard, C. 1968b. Siegie byna 40 jaar al verkleurmannetjie. Huisgenoot, 42(2397): 24-26. March 8.
Barnard, C. 1968c. Twee vroue speel pop. Huisgenoot, 42(2423): 85. September 6.
Barnard, C.J. 1977. Geselsportret van Sandra Prinsloo. Huisgenoot, 16-19. September 30.
Barnard, Chris 1985. Chris Barnard gooi die kollig op die redes waarom die Afrikaanse beroepsteater op sterwe na dodd is. Die Suid-Afrikaan, (5): 37-38.
Barnard, G.R. 1984. Jaar van die vuur-os: W.A. de Klerk. Klasgids, 19(2): 14-25. Bespreking en antwoord Teaterforum, 4(1): 124-127. Bespreking. Standpunte, 37(6) : 58-64. Bespreking. Standpunte, 37(6) : 58-64.
Barnard, Rita 2007. Apartheid and beyond: South African writers and the politics of place. Oxford: Oxford University Press.
Barnard, Tercia 1997. Spel as ekspressie van die rituele in Reza de Wet se Trits. Stellenbosch : Universiteit van Stellenbosch. (M Dram-tesis.)
Barnes, Hazel 1997. Theatre for reconciliation: Desire and South African students. Theatre journal, 49(1): 41-52.
Barnes Hazel 1999. Theatre for reconciliation: David Lan's Desire as an interventionary vehicle. In Blumberg, M. and Walder, D. (eds). South African theatre as/and intervention. Cross/Cultures 38. Amsterdam: Rodopi BV. p. 169-180.
Barnes, Hazel 2000. Finding appropriate expression for multiculturalism in a student production. South African theatre journal, 14: 28-45.
Barnes, Hazel & Peters, D. 2002. Translating trauma: using arts therapies with survivors of violence. South African theatre journal, 16: 157 – 183.
Barnett, J. & Broer, L.D. 1977. Baxter theatre complex. Planning and building developments, 28: 19-25. September-October.
Barnett, J. & Broer, L.D. 1977. Baxter theatre, University of Cape Town. Architect and builder, 27(11): 2-9.
Barnett, Ursula A. 1983. A vision of order. A study of Black South African literature in English (1914-1980). London: Sinclair Browne.
Barney Simon talks about stagecraft. 1985. Theatre crafts, 19(8): 40, 61-62.
Barrios Herreo, O. 1991. The black theater movement in the United States and in South Africa: a comparative approach. Los Angeles: University of California. (Ph.D. thesis).
Barron, Chris 2007. “Patience Africa: Veteran voice of urban SA”. In: Sunday Times 1 July 2007 (News and Opinion, p 18)
Barrow, Brian & Williams-Short, Yvonne (eds). 1988. Theatre alive! The Baxter story 1977-1987. Cape Town: The Baxter Theatre.
Bassa, Dellarose 1995. An edition of selected plays of Kessie Govender : with a biographical and critical introduction. Durban: University of Natal. (M.A. thesis).
Basson, J. 1981. Showroom of the arts [State Theatre, Pretoria]. South African panorama, 26(8): 1-5.
Basson, Marthinus 1998. Boklied programnotas by die opvoering by die KKNK, Oudtshoorn.
Basson, Marthinus 2001. Tydbom verbloem as ’n boek. Insig, July 31, 2001.
Bastani, Nava Corinne 2007. A project proposal for the formation of People's Theatre :a community drama project for the moral development and empowerment of the youth in Hout Bay. Stellenbosch: University of Stellenbosch. (M.Phil thesis.)
Click on the appropriate letters of the alphabet in the sub-list below.
B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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