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Blues, T.S. 1995. Drama as a means of facilitating adult learning in rural areas: South African case studies at Akanani. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.
Blumberg, Marcia 1991. Languages of violence: Fugard's Boesman and Lena, in Redmond, Jams (ed.) Violence in Drama. Cambridge: Cambridge University Press. 239-249.
Blumberg, Marcia 1992. Athol Fugard: texts and contexts: Athol Fugard : a bibliography, compiled by John Read. Reviewed in: World Literature Written in English, 32(2):165-168.
Blumberg, Marcia 1993. Fragmentation and psychosis: Fugard's My children! My Africa! in Redmond, James (ed.) Madness in Drama. Cambridge: Cambridge University Press. 241-253.
Blumberg, Marcia 1994. Women journeying at the South African margins: Athol Fugard's The Road to Mecca, in Davis, Geoffrey V. (ed.). Southern African Writing: Voyages and Explorations. Amsterdam: Rodopi. 39-50.
Blumberg, Marcia 1995. Re-evaluating otherness, building for difference: South African theatre after the interregnum. South African Theatre Journal, 9(2):27-37.
Blumberg, Marcia 1996. Negotiating the in-between: Fugard's Valley Song. Journal of Literary Studies, 12(4):456-469.
Blumberg, Marcia 1997. More Market plays, ed. by John Kani; Mooi Street and other moves, by Paul Slabolepsky. Reviewed in: Theatre Journal, 49(1):85-87.
Blumberg, Marcia 1997. Staging AIDS: activating theatres. South African Theatre Journal, 11(1&2):155-181.
Blumberg, Marcia 1997. Two continents, no refuge: engendering the problematics of home (Reza de Wet). Performance Research, 2(3):30-44.
Blumberg, Marcia 1998. Domestic place as contestatory space: the kitchen as catalyst and crucible. New Theatre Quarterly, 14(3):195-201.
Blumberg, Marcia 1998. Performing bulimia, engendering dis-ease in the South African body politic: Janine Denison's All the Rage. Contemporary Theatre Review, 9(3):19-35.
Blumberg, Marcia 1998. Re-staging resistance, re-viewing women: 1990s productions of Fugard's Hello and Goodbye and Boesman and Lena, in Colleran, Jeanne & Spencer, Jenny (eds.). Staging Resistance: Essays on Political Theatre. Ann Arbor, MI: University of Michigan Press. 123-145.
Blumberg, Marcia 1999. The AIDS memorial quilt as performance: creating healing narratives, in Haldan, Duncan & Loppert, Susan (eds.). The Arts in Health Care: Learning From Experience. London: King’s Fund. 58-68.
Blumberg, Marcia 1999. Fatima Dike and the struggle: an interview, London, May 1996, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre As/And Intervention. Amsterdam: Rodopi. 231-240.
Blumberg, Marcia 1999. More realities: an interview with Reza de Wet, London, 1 September 1996, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre As/And Intervention. Amsterdam: Rodopi. 241-251.
Blumberg, Marcia 1999. Revaluing women’s storytelling in South African theatre, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre As/And Intervention. Amsterdam: Rodopi. 137-146.
Blumberg, Marcia & Walder, Dennis (eds,). 1999. South African Theatre As/And Intervention. Amsterdam: Rodopi.
Blumberg, Marcia 2000. Re-membering history, staging hybridity: Ubu and the Truth Commission, in Wylie, Hal & Lindfors, Bernth (eds.). Multiculturalism and Hybridity in African Literatures. Trenton, N.J.: Africa World Press. 309-318.
Blumberg, Marcia 2001. Puppets doing time in the age of AIDS, in Haedicke, Susan & Nellhaus, Tobin (eds.). Performing Democracy: International Perspectives on Urban Community-based Performance. Ann Arbor: University of Michigan Press. 254-268.
Blumberg, Marcia 2002 Introduction to Fatima Dike’s Glass House, in Banham, Martin, Gibbs, James & Osofisan, Femi (eds.).; Plastow, Jane (reviews ed.), African theatre. Women. Oxford: James Curry. 132-133.
Blumberg, Marcia 2002. Mapping counter truths and reconciliations: staging testimony in contemporary South Africa, in Maufort, Marc & Bellarsi, Franca (eds.). Crucible of Cultures: Anglophone Drama at the Dawn of a New Millennium. Brussels. P.I.E. Peter Lang. 271-284.
Blumberg, Marcia 2009. South African theatre beyond 2000: theatricalising the unspeakable. Current Writing: Text and Reception in Southern Africa, 21(1&2):238-260.
Blumberg, Marcia 2011. Lifting the veil, breaking silences: Muslim women in South Africa interrogate multiple marginalities. (Nadia Davids) Contemporary Theatre Review, 21(1):20-34.
Blumer, Arnold 1977. Betrokke literatuur: die dokumentêre drama, deel 1. Standpunte, 30(4):63-71.
Blumer, Arnold 1977. Betrokke literatuur: die dokumentêre drama, deel 2. Standpunte, 30(5):35-44.
Blumer, Arnold 1978. R.I.P. the 'deadly' theatre. Speak, 1(3):18-20.
Blumer, Arnold 1979. The great historical gangstershow: The Resistable Rise of Arturo Ui, by Bertolt Brecht, with Aletta Bezuidenhout. Reviewed in: Speak, (6):36-37.
Blumer, Arnold 1983. Brecht in South Africa. Communications from the International Brecht Society, 13(1):30-38.
Blumer, Arnold 1989a. Oog en Spel – Opstelle oor die Drama by Rina Pretorius. Reviewed in: South African Theatre Journal, 3(1):105-107.
Blumer, Arnold 1989b States of emergency: Some thoughts on Brecht’s Fear and Misery of the Third Reich. South African Theatre Journal, 3(1):39-54.
Blumer, Arnold 1990. Organise and Act by Astrid von Kotze. Reviewed in: South African Theatre Journal, 4(2):112-113.
Blumer, Arnold 1991. Hoe om lewe te blaas in ’n lyk. Vrye Weekblad. 4 Oktober 1991.
Blumer, Arnold 1996. The future of the performing arts councils in a new South Africa, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 260-271.
Blumer, Arnold 1998. Bertolt Brecht’s 100th Anniversary. South African Theatre Journal, 12(1&2):208-211.
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