ESAT Bibliography Lin-Loo
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L-Laz Lea-Lev Lew-Lim Lin-Loo Lop-Lz
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Lincoln, D. 1974. Taking off into Space. Personality, 50-53. June 28.
Lindenberg, Ernst 1961. Leipoldt contra Smith? Standpunte, 14(6):67.
Lindenberg, Ernst 1962. Duister Leipoldt. Standpunte, 15(4-5):48-55.
Lindeque, Lydia 1941. Trek Op die Skerm. Pretoria : Van Schaik.
Lindeque, Lydia 1947. Ons gehoor is soldate. Brandwag, 10(509) – 11(521). July 4 – September 26.
Lindeque, Lydia 1952. Our town should each have a national theatre. Outspan, 50(1300):33-35. January 25.
Linder, Cynthia 1971. (Four plays: Counsellors, Potluck and Irish Stew, Magnus, The Festival by H.W.D. Manson). [Literary criticism]. Contrast, 7(3):90-96. November.
Lindfors, Bernth 1979. A Zulu view of Victorian London Munger Africana Library Notes: 48
Lindfors, Bernth 1999a. Charles Dickens and the Zulus, in Lindfors, Bernth (ed.). Africans on stage : studies in ethnological show business. Bloomington, Ind.: Indiana University Press. 62-80.
Lindfors, Bernth 1999b. The rise and fall of Mbongeni Ngema: the AIDS play, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 181-191.
Lister, Mary, De Jager, Brian & Kettle, Adrian (eds.). 1997. 50 Years of the Cape Town Gilbert and Sullivan Society. Cape Town: Cape Town Gilbert and Sullivan Society.
Litkie, Celeste Avril 2003. Selected Black African dramatists south of the Zambezi. Unpublished doctoral dissertation. Stellenbosch: University of Stellenbosch.
Liu, Yao-kun 1994. Woza Albert! : a play of the age : an introduction for a Chinese readership. Unpublished master’s thesis. Durban: University of Natal.
Liu, Yao-kun 1997. A voice to the voiceless : on the development of black drama in South Africa. Unpublished doctoral dissertation. Pretoria: University of Pretoria.
Liu, Yao-kun 1999. Woza Albert! – a play of the age, in Smit, J.A. (ed.). The Dancing Dwarf From the Land of Spirits. Durban: CSSALL. 170-185.
Liu, Yao-kun 2001. uNosilimela - an African epic and mythology, in Lokangaka, Losambi & Sarinjeive D. (eds.). Pre-colonial and Post-colonial Theatre in Africa. Claremont, South Africa: New Africa Education. 60-71.
Liu, Yao-kun 2003. Zakes Mda’s We Shall Sing for the Fatherland: an illustration of African life using European dramatic modes. English in Africa, 30(1):123-124.
Liu, Yao-kun 2004. An experimental theatre laboratory - on Fugard's play The Coat. South African Theatre Journal, 18:39-49.
Living literature. 1972. South African Panorama, 17(9):48-49. [Coloured people theatre].
Lodge, J.O. 1976. Baxter Theatre in construction. Planning and Building Developments, 20:70-71. May-June.
Lombard, Chris Johannes 1974. 'n Ondersoek na die jeugtoneel met betrekking tot die eietydse adolessent. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Lombard, Chris 1985. Die Natalse Raad vir die Uitvoerende Kunste (1964-1983). The Natal Performing Arts Council, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 97-99.
Lombard, Chris 1983. Rol van ‘n verantwoordelike jeugteater met betrekking tot die eietydse adolessent. Fasette, 2(2):4-10.
London, Todd 1986. Theatre focus: Hudson Guild Theatre and Duma Ndlovu. Theatre Times, 6(1):10.
Long, Kathryn Louise 1985. The past and future with apartheid: the function of temporal elements in eight plays by Athol Fugard. Unpublished doctoral dissertation. Ann Arbor, MI: University of Michigan.
Loopbaan as teatertegnikus. 1971. My Loopbaan, 22:123-124. Augustus.
Loots, Lliane 1995 Colonised bodies: overcoming gender construction of bodies in dance and movement education in South Africa. South African Theatre Journal, 9(2):51-59.
Loots, Lliane 1996. “The personal is political”: gender in the context of apartheid South Africa: a look at two women playwrights. (Gcina Mhlope; Sue Pam-Grant) South African Theatre Journal, 10(1):63-70.
Loots, Lliane 1997. Re-remembering protest theatre in South Africa: a gendered review of the historical and cultural production of knowledge around two plays: The Hungry Earth and You Strike the Woman, You Strike the Rock. Critical Arts, 11(1&2):142-152.
Loots, Lliane 2010. The body as history and memory: a gendered reflection on the choreographic 'embodiment' of creating on the socially constructed text of the South African body. South African Theatre Journal, 24:105-124.
Click on the appropriate letters of the alphabet in the sub-list below.
L-Laz Lea-Lev Lew-Lim Lin-Loo Lop-Lz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
