Don Juan is the name of a fictional character about whom many literary and other works have been created.

The character

The original creation

The character Don Juan was created by Spanish playwright, Tirso de Molina[1], in his 1630 play El burlador de Sevilla y convidado de piedra ("The Trickster of Seville and the Stone Guest")[2], and the name of the character has since become common metaphor for concepts such as "libertine", "seducer" and "womaniser".

English titles for the De Molina play include The Trickster of Seville and the Stone Guest, The Seducer of Seville and the Stone Guest and The Playboy of Seville and the Stone Guest.

Various versions of the Don Juan myth

Besides Tirso de Molina's initial version, there have been numerous works written and produced about the character and tapping into the notion of the "Don Juan" in society.

Titles containing the name Don Juan

Below are some of the titles (with links) to a number of texts or adaptations bearing the title Don Juan, using Don Juan, or a person with Don Juan-like characteristics, as a character; which were produced in , or have links with, South Africa.

(For many other examples see for instance Armand E. Singer's excellent 1993 bibliography and Oscar Mandel's useful 1986 book, both listed under "Sources" below. See also the Wikipedia entry on Gluck's ballet[3]).

For more information on these plays, especially South African performances of the texts, go to the particular entry by clicking on the appropriate item.

Dom Juan, ou Le Festin de Pierre (Molière, 1665).

Don Juan, ou Le Festin de Pierre (Calzabigi and Gluck, 1761).

Don Giovanni[4] (Mozart and Da Ponte, 1787)

Don Juan, or The Libertine Destroyed (Delpini, 1790).

Little Don Giovanni, or Leporello and the Stone Statue (J.H. Byron, 1865)

Don Juan in Hell (George Bernard Shaw, 1907)

Don Juan oder Die Liebe zur Geometrie (Max Frisch, 1953)

Don Juan onder die Boere (Bartho Smit, 1960)

Don Juan or 'The Nightmare of Venus' (Chris Pretorius)

Don Gxubane Onner die Boere (Charles Fourie)

Other titles, but also based on the Don Juan myth

The Libertine (Thomas Shadwell, 1676)

The Joker of Seville (Derek Walcott, 1974).

Sources

https://en.wikipedia.org/wiki/Adventures_of_Don_Juan

Armand E. Singer. 1993. The Don Juan Theme: An Annotated Bibliography of Versions, Analogues, Uses, and Adaptions. West Virginia University Press[5]

Oscar Mandel.1986.The Theatre of Don Juan: A Collection of Plays and Views, 1630-1963, published by the University of Nebraska Press[6]).

Go to the ESAT Bibliography

Plays entitled Don Juan

Don Juan the ballet

Dom Juan or The Feast with the Statue Dom Juan, ou Le Festin de Pierre (Dom Juan or The Feast with the Statue) is a French comedy in five acts by Molière,

Also known as simply Don Juan, ou Le Festin de Pierre, Le Festin de Pierre or Don Juan.

The original text

Based on Molière's play, it is a ballet by Ranieri de' Calzabigi (libretto) and Christoph Willibald von Gluck (music), originally choreographed by Gasparo Angiolini Don Juan, ou Le Festin de Pierre (Don Juan, or the Stone Guest's Banquet) is a ballet by Ranieri de' Calzabigi (libretto) and Christoph Willibald von Gluck (music), originally choreographed by Gasparo Angiolini and first performed in Vienna, Austria on Saturday, 17 October 1761, at the Theater am Kärntnertor. The work tells of Don Juan's descent into Hell after killing his lover's father in a duel.

Performances in South Africa

Don Juan by Lord Byron

This was a satiric poem[7] by Lord Byron, based on the legend of Don Juan, which Byron reverses, portraying Juan not as a womaniser but as someone easily seduced by women.