The Lottery Ticket and The Lawyer's Clerk
The Lottery Ticket and The Lawyer's Clerk is a farce in one act by Samuel Beazley (1786–1851)[1], with attribution to Jean Baptiste Radet (1752-1830)[2]and Louis-Benoît Picard (1769-1828)[3].
(For instance a version published in New York and Philadelphia by Turner and Fisher [ca. 1830], is listed in the HathiTrust Digital Library as by Beazley as well as both French authors.)[4]
The shortened title, The Lottery Ticket, is often found.
Contents
The original text
An adaptation of La Maison en Loterie, a one act comedy by Radet and Picard. First performed on 8 December, 1817, in the Théâtre Royal de l'Odéon, Paris. Picard and Radet are often mentioned, singly or together, as additional authors of the English text.
The Beazley version was first Performed at the Theatre Royal, Drury Lane in December 1826. First published as The Lottery Ticket and The Lawyer's Clerk, with no author mentioned, by C. Chapple in 1827.
Translations and adaptations
There is also a later one act farce, entitled The Lottery Ticket, or The Lawyers's Clerk , credited to John Baldwin Buckstone (1802-1879), and published by Samuel French (No CXXXVII in the series The Minor Drama, 1880). It may possibly have been an adaptation by Buckstone of Beazley's original, but it is more likely that this was simply a wrong attribution by the publishers, since no play by this name appears in any list of Buckstone's many works. The Harvard Library catalogue entry[5] on the Samuel French text addresses this anomaly as follows: "Attribution: by J.B. Buckstone. ... Author / Creator: Beazley, Samuel, 1786-1851...Acting copy. An adaptation of La maison en loterie by Picard and Radet. Wrongly attributed to John Baldwin Buckstone."
(See also Hathi Trust Digital Library catalogue entry[6] and Caliban Book Shop website[7])
Performance history in South Africa
1846: First performed as The Lottery Ticket, or the Lawyer's Clerk in Cape Town by the All the World's a Stage on Friday, 4 September, with The Brigand (Planché) and The Original (Morton).
1855: Performed in Cape Town on Thursday 26 July 1855 by Sefton Parry as part of his farewell performance, alongside A Phenomenon in a Smock Frock (Brough) and Buried Alive, or The Visit to Japan (M'Pherson).
1857: Performed as The Lottery Ticket by Sefton Parry and company in the Harrington Street Theatre, Cape Town, on 3 November. Also part of the programme were The Maid and the Magpie, or Which is the Thief? (Pocock) and a performance on the "nautical hornpipe" by Mr Gough.
1861: Performed by Sefton Parry and company in the Theatre Royal, Cape Town on 13 June, along with London Assurance (Boucicault) and a "Fan Dance" by Miss Powell.
Sources
http://en.wikipedia.org/wiki/Samuel_Beazley
https://archive.org/stream/lotteryticketan00picagoog#page/n4/mode/2up
http://id.lib.harvard.edu/aleph/002662175/catalog
https://catalog.hathitrust.org/Record/001426280
https://catalog.hathitrust.org/Record/012435957
Library of Congress Internet Archive[8]
F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [9]: pp. 415, 433
https://catalog.hathitrust.org/Record/011207781]
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page