Difference between revisions of "ESAT Bibliography Cor-Cri"
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| − | Coray-Dapretto, L. 1995. Le | + | Coray-Dapretto, L. 1995. Le théâtre communautaire sud-africain: théâtre intertextuelle par excellence. Unpublished doctoral dissertation. Grenoble: Université Stendhal. |
| − | Cornell, Carohn 1988. Cape Town scenes: using short plays in class. Crux, 22(2): 4-9. April. | + | Cornell, Carohn 1988. Cape Town scenes: using short plays in class. Crux, 22(2):4-9. April. |
| − | Cornell, Carohn 1989. Script-writing for English second language classes in Cape Town: a contribution to liberatory education. Cape Town: University of Cape Town. | + | Cornell, Carohn 1989. Script-writing for English second language classes in Cape Town: a contribution to liberatory education. Unpublished master’s thesis. Cape Town: University of Cape Town. |
| + | |||
| + | Corporate sponsorship of the arts. 1981. Scenaria, (26):27. | ||
| − | + | The Corsair Drama Group and Siener in die suburbs. 1978. Scenaria, (9):37, 39. | |
| − | The | + | Cosser, Michael 1991. Dramatic discourse in the foreground of The Hill. South African Theatre Journal, 5(2):66-79. |
| − | + | Counihan, G. & De Bruin, W. 2000. Determined to open doors : success; Actors carve a niche in the market : corporate theatre : entrepreneurs. Finance Week, 27(90042):33-35. | |
| − | Counihan, G. & De Bruin, W. 2000. | + | Counihan, G. & De Bruin, W. 2000. Deurdruk lei tot deurbraak : sukses; Akteurs skep 'n nis in die mark : geld uit teater : entrepreneurs. Finansies & Tegniek, 159(9):33-35. |
| − | + | Couzens, Tim 1985. The New African: A Study of The Life and Work of H.I.E. Dhlomo. Johannesburg: Ravan Press. | |
| − | Couzens, Tim | + | Couzens, Tim 1988. A moment in the past: William Tsikinya-Chaka. Shakespeare in Southern Africa, 2:60-66. |
| − | + | Coveney, M. 1973. Challenging the silence (interview). Plays and players 21 (2):34-37. | |
| + | Cox, Frances Jayne 1991. The notion of physicality in vocal training for the performer in South African theatre, with particular reference to the Alexander technique. Unpublished master’s thesis. Grahamstown: Rhodes University. | ||
| + | Coyne, Pareick 1988. Play production in the primary school. Crux, 22(4):2-10. October. | ||
| − | + | Crail, Archie 1993. In search of a character. Canadian Theatre Review, 74:73-77. | |
| − | + | Crake, A.M. 1986. The Port Elizabeth Opera House : the architect’s view. Scenaria, (62) :13-15. | |
| − | + | Creux, A. 1965. Shakespeare at Maynardville. Lantern, 15(1):55-59. | |
| − | + | Crewe, J.V. 1972. Place for Manson? Standpunte, 25(3):19-31. February. | |
| − | + | Crewe, J. 1973. H W D Manson, in Lennox-Short, Alan (ed.). English and South Africa. Cape Town: Nasou. 87-89. | |
| − | + | Crisis of African theatre. 1973. Business South Africa, 8(4):32-33. April. | |
| − | + | Crisis of African theatre: discussion. 1973. Business South Africa, 8(5):7. | |
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| − | |||
| − | |||
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Revision as of 14:04, 6 January 2011
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Coray-Dapretto, L. 1995. Le théâtre communautaire sud-africain: théâtre intertextuelle par excellence. Unpublished doctoral dissertation. Grenoble: Université Stendhal.
Cornell, Carohn 1988. Cape Town scenes: using short plays in class. Crux, 22(2):4-9. April.
Cornell, Carohn 1989. Script-writing for English second language classes in Cape Town: a contribution to liberatory education. Unpublished master’s thesis. Cape Town: University of Cape Town.
Corporate sponsorship of the arts. 1981. Scenaria, (26):27.
The Corsair Drama Group and Siener in die suburbs. 1978. Scenaria, (9):37, 39.
Cosser, Michael 1991. Dramatic discourse in the foreground of The Hill. South African Theatre Journal, 5(2):66-79.
Counihan, G. & De Bruin, W. 2000. Determined to open doors : success; Actors carve a niche in the market : corporate theatre : entrepreneurs. Finance Week, 27(90042):33-35.
Counihan, G. & De Bruin, W. 2000. Deurdruk lei tot deurbraak : sukses; Akteurs skep 'n nis in die mark : geld uit teater : entrepreneurs. Finansies & Tegniek, 159(9):33-35.
Couzens, Tim 1985. The New African: A Study of The Life and Work of H.I.E. Dhlomo. Johannesburg: Ravan Press.
Couzens, Tim 1988. A moment in the past: William Tsikinya-Chaka. Shakespeare in Southern Africa, 2:60-66.
Coveney, M. 1973. Challenging the silence (interview). Plays and players 21 (2):34-37. Cox, Frances Jayne 1991. The notion of physicality in vocal training for the performer in South African theatre, with particular reference to the Alexander technique. Unpublished master’s thesis. Grahamstown: Rhodes University. Coyne, Pareick 1988. Play production in the primary school. Crux, 22(4):2-10. October.
Crail, Archie 1993. In search of a character. Canadian Theatre Review, 74:73-77.
Crake, A.M. 1986. The Port Elizabeth Opera House : the architect’s view. Scenaria, (62) :13-15.
Creux, A. 1965. Shakespeare at Maynardville. Lantern, 15(1):55-59.
Crewe, J.V. 1972. Place for Manson? Standpunte, 25(3):19-31. February.
Crewe, J. 1973. H W D Manson, in Lennox-Short, Alan (ed.). English and South Africa. Cape Town: Nasou. 87-89.
Crisis of African theatre. 1973. Business South Africa, 8(4):32-33. April.
Crisis of African theatre: discussion. 1973. Business South Africa, 8(5):7.
Click on the appropriate letters of the alphabet in the sub-list below.
Ca-Cha Che-Cl Coa-Col Com-Cop Cor-Cri Cro-Cz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
