Difference between revisions of "ESAT Bibliography Com-Cop"
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| − | Combrink, Annette L. 1985. Sociocultural and political values in selected plays by South African playwrights. Koers, 50(3) : 233-247. | + | Combrink, Annette L. 1985. Sociocultural and political values in selected plays by South African playwrights. Koers, 50(3):233-247. |
| − | Combrink, Annette L.1986 'A man's scenery is other men ...' : Athol Fugard's latest plays. Literator, | + | Combrink, Annette L.1986 'A man's scenery is other men ...' : Athol Fugard's latest plays. Literator, 7(1):58-68. |
| − | + | ||
| − | Combrink, Annette L. 1987. Shakespeare made easy, by Allan Durband. Reviewed in: South African | + | Combrink, Annette L. 1987. Shakespeare made easy, by Allan Durband. Reviewed in: South African Theatre Journal, 1(1):125-129. |
Combrink, Annette L. 1986. The Power and Precision of a skillfully crafted Miniature: Geraldine Aron’s playwrighting. Durban: Unpublished paper delivered at the AUETSA conference. | Combrink, Annette L. 1986. The Power and Precision of a skillfully crafted Miniature: Geraldine Aron’s playwrighting. Durban: Unpublished paper delivered at the AUETSA conference. | ||
| − | Combrink, Annette L. 1987. Seven | + | Combrink, Annette L. 1987. Seven Plays and Four Monologues, by Geraldine Aron. Reviewed in: South African Theatre Journal, 1(1):130-132. |
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| − | Combrink, | + | Combrink, Annette L. 1999. “The arts festival as healing force” (Athol Fugard): the role of the two major arts festivals and a possible resurgence in South African drama, in Blumberg, Marcia & Walder, Dennis (eds). South African Theatre As/And Intervention. Amsterdam: Rodopi. 195-205. |
| − | Combrink, Salomé | + | Combrink, Salomé 1978. Verskillende fasette van hoop in enkele moderne dramas. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education. |
| − | + | Combrink, Salomé 1986. Drama : registreerder van laat twintigste-eeuse stadsproblematiek. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education. | |
| − | + | Combrink, Salomé 1988. Drama as registreerder van laat twintigste-eeuse stadsproblematiek. Fasette, 7(2):42-45. December. | |
| − | + | Computer controls live theatre lighting. 1970. South African Electrical Review, 61(629):32. October. | |
| − | Conradie, P.J. | + | Conradie, P.J. 1962. Noodlot in die dramas van Leipoldt – ’n verdere poging. Tydskrif vir Letterkunde, 12(1):20-25. |
| − | Conradie, P.J. | + | Conradie, P.J. 1969. Afrikaanse dramaturge. Teater S.A., 1(3):2-3. |
| − | Conradie, P.J. | + | Conradie, P.J. 1974. Hoe Om ‘n Drama te Ontleed. Pretoria: Academica. |
| − | Conradie, P.J. | + | Conradie, P.J. 1978. Drama uit vaderlandse en Bybelse geskiedenis. [Literary criticism]. Standpunte, 31(2):32-39. |
| − | Conradie, P.J. 1982. Mag en onmag van die woord in die dramas van Henriëtte Grové. Tydskrif vir letterkunde, 20(4) : 44-52. | + | Conradie, P.J. 1980. Betrokkenheid in ‘n paar onlangse dramas. Standpunte, 33(2):57-64. |
| + | Conradie, P.J. 1982. Op die grense van die drama. Standpunte, 35(2):67-75. | ||
| + | Conradie, P.J. 1982. Mag en onmag van die woord in die dramas van Henriëtte Grové. Tydskrif vir letterkunde, 20(4) :44-52. | ||
| − | Conradie, P.J. 1984a. Eenheid van handeling en tyd – klassieke en moderne benaderings | + | Conradie, P.J. 1984a. Eenheid van handeling en tyd – klassieke en moderne benaderings, in [[Charles Malan|Malan, Charles]] (ed.) ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 7-22. |
Conradie, P.J. 1984b. Literêre kritikus en die drama. Standpunte, 37(3) : 22-27. | Conradie, P.J. 1984b. Literêre kritikus en die drama. Standpunte, 37(3) : 22-27. | ||
| Line 51: | Line 49: | ||
Conradie, P.J. 1985. Die literere kritikus en die drama. Teaterforum, 6(1) :73-90. | Conradie, P.J. 1985. Die literere kritikus en die drama. Teaterforum, 6(1) :73-90. | ||
| − | Conradie, P.J. 1990. Syncretism in Wole Soyinka’s play The Bacchae of Euripedes. South African | + | Conradie, P.J. 1990. Syncretism in Wole Soyinka’s play The Bacchae of Euripedes. South African Theatre Journal, 4(1): 61-74. |
| − | Conradie, P.J. 1991. P.C. Schoonees en die Afrikaanse drama van die twintigerjare. Tydskrif vir letterkunde, 29(1): 76-83. | + | Conradie, P.J. 1991. P.C. Schoonees en die Afrikaanse drama van die twintigerjare. Tydskrif vir letterkunde, 29(1):76-83. |
| − | Conradie, P.J. 1996. Debates surrounding an approach to African tragedy. South African theatre journal, 10(1): 25-34. | + | Conradie, P.J. 1996. Debates surrounding an approach to African tragedy. South African theatre journal, 10(1):25-34. |
| − | Conradie, P.J. 1998. Aristophanes en die tweede bedryf van Breyten Breytenbach se 'Boklied' : 'n verkenning. Akroterion, 16(43): 15-22. | + | Conradie, P.J. 1998. Aristophanes en die tweede bedryf van Breyten Breytenbach se 'Boklied' : 'n verkenning. Akroterion, 16(43):15-22. |
| − | Conradie, P.J. 2000 Tragic conflicts in three African plays. South African | + | Conradie, P.J. 2000 Tragic conflicts in three African plays. South African Theatre Journal, 14:129- 45. |
| − | Conradie, Piet & Blumer, Arnold 1985. Die literêre kritikus en die drama. Teaterforum, 6(1): 82. | + | Conradie, Piet & Blumer, Arnold 1985. Die literêre kritikus en die drama. Teaterforum, 6(1):82. |
Constantly filled Space. 1972. Artlook, 5(12): 22-24. December. | Constantly filled Space. 1972. Artlook, 5(12): 22-24. December. | ||
| Line 67: | Line 65: | ||
Conversations with Breytenbach. 1978. Scenaria, April/May:40-41. | Conversations with Breytenbach. 1978. Scenaria, April/May:40-41. | ||
| − | Conversations with giants: Athol Fugard. Dramatists Guild | + | Conversations with giants: Athol Fugard. Dramatists Guild Qquarterly, 27(4): 6, 15-24. |
| − | Cooke, Roy H. 1946. How the scenic artist is coming into his own. Outspan. 40(1035): 49. December 27. | + | Cooke, Roy H. 1946. How the scenic artist is coming into his own. Outspan. 40(1035):49. December 27. |
| − | Coplan, David 1987. Dialectics of tradition in Southern African Black popular theatre. Critical | + | Coplan, David 1987. Dialectics of tradition in Southern African Black popular theatre. Critical Arts, 4(3):5-27. |
| − | Coplan, David 1987 Retying The Bloodknot: Fugard on Broadway, South African Theatre Journal, 1(1):114- | + | Coplan, David 1987 Retying The Bloodknot: Fugard on Broadway, South African Theatre Journal, 1(1):114-117. |
| − | Coplan, David B. 1994. Politics and performance - theatre, poetry, and song in Southern Africa, edited by L. Gunner. Reviewed in: Social dynamics, 20(1): 150-151. | + | Coplan, David B. 1994. Politics and performance - theatre, poetry, and song in Southern Africa, edited by L. Gunner. Reviewed in: Social dynamics, 20(1):150-151. |
Coplan, David B. 2008. In township tonight! :South Africa's black city music and theatre. 2nd ed. Chicago, IL :University of Chicago Press. | Coplan, David B. 2008. In township tonight! :South Africa's black city music and theatre. 2nd ed. Chicago, IL :University of Chicago Press. | ||
| − | Copteros, Athina 2002. Workshop theatre in post-apartheid South Africa : a case study. Grahamstown: Rhodes University | + | Copteros, Athina 2002. Workshop theatre in post-apartheid South Africa : a case study. Unpublished master’s thesis. Grahamstown: Rhodes University. |
Revision as of 11:38, 6 January 2011
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Return to A Bibliography of South African South African Theatre and Performance
Combrink, Annette L. 1985. Sociocultural and political values in selected plays by South African playwrights. Koers, 50(3):233-247.
Combrink, Annette L.1986 'A man's scenery is other men ...' : Athol Fugard's latest plays. Literator, 7(1):58-68.
Combrink, Annette L. 1987. Shakespeare made easy, by Allan Durband. Reviewed in: South African Theatre Journal, 1(1):125-129.
Combrink, Annette L. 1986. The Power and Precision of a skillfully crafted Miniature: Geraldine Aron’s playwrighting. Durban: Unpublished paper delivered at the AUETSA conference.
Combrink, Annette L. 1987. Seven Plays and Four Monologues, by Geraldine Aron. Reviewed in: South African Theatre Journal, 1(1):130-132.
Combrink, Annette L. 1999. “The arts festival as healing force” (Athol Fugard): the role of the two major arts festivals and a possible resurgence in South African drama, in Blumberg, Marcia & Walder, Dennis (eds). South African Theatre As/And Intervention. Amsterdam: Rodopi. 195-205.
Combrink, Salomé 1978. Verskillende fasette van hoop in enkele moderne dramas. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.
Combrink, Salomé 1986. Drama : registreerder van laat twintigste-eeuse stadsproblematiek. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.
Combrink, Salomé 1988. Drama as registreerder van laat twintigste-eeuse stadsproblematiek. Fasette, 7(2):42-45. December.
Computer controls live theatre lighting. 1970. South African Electrical Review, 61(629):32. October.
Conradie, P.J. 1962. Noodlot in die dramas van Leipoldt – ’n verdere poging. Tydskrif vir Letterkunde, 12(1):20-25.
Conradie, P.J. 1969. Afrikaanse dramaturge. Teater S.A., 1(3):2-3.
Conradie, P.J. 1974. Hoe Om ‘n Drama te Ontleed. Pretoria: Academica.
Conradie, P.J. 1978. Drama uit vaderlandse en Bybelse geskiedenis. [Literary criticism]. Standpunte, 31(2):32-39.
Conradie, P.J. 1980. Betrokkenheid in ‘n paar onlangse dramas. Standpunte, 33(2):57-64. Conradie, P.J. 1982. Op die grense van die drama. Standpunte, 35(2):67-75. Conradie, P.J. 1982. Mag en onmag van die woord in die dramas van Henriëtte Grové. Tydskrif vir letterkunde, 20(4) :44-52.
Conradie, P.J. 1984a. Eenheid van handeling en tyd – klassieke en moderne benaderings, in Malan, Charles (ed.) Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 7-22.
Conradie, P.J. 1984b. Literêre kritikus en die drama. Standpunte, 37(3) : 22-27.
Conradie, P.J. 1985. Die literere kritikus en die drama. Teaterforum, 6(1) :73-90.
Conradie, P.J. 1990. Syncretism in Wole Soyinka’s play The Bacchae of Euripedes. South African Theatre Journal, 4(1): 61-74.
Conradie, P.J. 1991. P.C. Schoonees en die Afrikaanse drama van die twintigerjare. Tydskrif vir letterkunde, 29(1):76-83.
Conradie, P.J. 1996. Debates surrounding an approach to African tragedy. South African theatre journal, 10(1):25-34.
Conradie, P.J. 1998. Aristophanes en die tweede bedryf van Breyten Breytenbach se 'Boklied' : 'n verkenning. Akroterion, 16(43):15-22.
Conradie, P.J. 2000 Tragic conflicts in three African plays. South African Theatre Journal, 14:129- 45.
Conradie, Piet & Blumer, Arnold 1985. Die literêre kritikus en die drama. Teaterforum, 6(1):82.
Constantly filled Space. 1972. Artlook, 5(12): 22-24. December.
Conversations with Breytenbach. 1978. Scenaria, April/May:40-41.
Conversations with giants: Athol Fugard. Dramatists Guild Qquarterly, 27(4): 6, 15-24.
Cooke, Roy H. 1946. How the scenic artist is coming into his own. Outspan. 40(1035):49. December 27.
Coplan, David 1987. Dialectics of tradition in Southern African Black popular theatre. Critical Arts, 4(3):5-27.
Coplan, David 1987 Retying The Bloodknot: Fugard on Broadway, South African Theatre Journal, 1(1):114-117.
Coplan, David B. 1994. Politics and performance - theatre, poetry, and song in Southern Africa, edited by L. Gunner. Reviewed in: Social dynamics, 20(1):150-151.
Coplan, David B. 2008. In township tonight! :South Africa's black city music and theatre. 2nd ed. Chicago, IL :University of Chicago Press.
Copteros, Athina 2002. Workshop theatre in post-apartheid South Africa : a case study. Unpublished master’s thesis. Grahamstown: Rhodes University.
Click on the appropriate letters of the alphabet in the sub-list below.
Ca-Cha Che-Cl Coa-Col Com-Cop Cor-Cri Cro-Cz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
