Difference between revisions of "ESAT Bibliography Coa-Col"
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| − | A. Coetser|Coetser, A. 1984. Kontekstuele vrae [en antwoorde] oor Ontmoeting by Dwaaldrif van Grové Henriëtte|Henriëtte Grové. Klasgids, 19(1) – (2). | + | [[A. Coetser|Coetser, A.]] 1984. Kontekstuele vrae [en antwoorde] oor ''Ontmoeting by Dwaaldrif'' van [[Grové Henriëtte|Henriëtte Grové]]. ''Klasgids'', 19(1) – (2). |
| − | + | [[J.L. Coetser|Coetser, Johannes Lodewikus]] 1985. Die allegorie in die Afrikaanse drama. Unpublished master’s thesis. Pretoria: University of Pretoria. | |
| − | [[J.L. Coetser|Coetser, J.L.]] 1991. Dat die klip kan heers: Fourie, Pieter|Pieter Fourie se Die Koggelaar. Literator, 12(3):45-58. | + | [[J.L. Coetser|Coetser, J.L.]] 1991. Dat die klip kan heers: [[Fourie, Pieter|Pieter Fourie]] se ''Die Koggelaar''. ''Literator'', 12(3):45-58. |
| − | [[J.L. Coetser|Coetser, J.L.]] 1994. Die | + | [[J.L. Coetser|Coetser, J.L.]] 1994. ''Die Dieper Reg'' ([[Louw, N.P. van Wyk|N.P. van Wyk Louw]]): Royce, regsidee, resepsie. Literator, 15(2):35-53. |
| − | [[J.L. Coetser|Coetser, J.L.]] 1998. Drie Susters Twee, deur De Wet, Reza|Reza de Wet. Reviewed in: Tydskrif vir Letterkunde, 36(2):97. | + | [[J.L. Coetser|Coetser, J.L.]] 1998. ''Drie Susters Twee'', deur [[De Wet, Reza|Reza de Wet]]. Reviewed in: ''Tydskrif vir Letterkunde'', 36(2):97. |
[[J.L. Coetser|Coetser, J.L.]] 1998. Die Dramateks as Handleiding, deur Keuris, Marisa|Marisa Keuris. Reviewed in: Tydskrif vir Letterkunde,I 36(2):99. | [[J.L. Coetser|Coetser, J.L.]] 1998. Die Dramateks as Handleiding, deur Keuris, Marisa|Marisa Keuris. Reviewed in: Tydskrif vir Letterkunde,I 36(2):99. | ||
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[[P.J. Coetzee|Coetzee, P.J.]] 1978. Literêrteoretiese beginsels wat dialog beheers in die drama, met verwysing na D.J. Opperman se Periandros van Korinthe. Unie, 75:71-76. August. | [[P.J. Coetzee|Coetzee, P.J.]] 1978. Literêrteoretiese beginsels wat dialog beheers in die drama, met verwysing na D.J. Opperman se Periandros van Korinthe. Unie, 75:71-76. August. | ||
| − | [[P.J. Coetzee|Coetzee, P.J.]] 1983. Enkele gesigspunte oor die voorgeskrewewerk, Die Pluimsaad Waai Ver – N.P. van Wyk Louw (Bitter begin). Unie, 80:31-34. | + | [[P.J. Coetzee|Coetzee, P.J.]] 1983. Enkele gesigspunte oor die voorgeskrewewerk, Die Pluimsaad Waai Ver – Louw, N.P. van Wyk|N.P. van Wyk Louw (Bitter begin). Unie, 80:31-34. |
| − | Coetzee, Yvette 1998 Visibly invisible: How shifting the conventions of the traditionally invisible puppeteer allows for more dimensions in both the puppeteer-puppet relationship and the creation of theatrical meaning in Ubu and the Truth Commission. South African Theatre Journal, 12(1&2):35-51. | + | Yvette Cpetzee|Coetzee, Yvette 1998 Visibly invisible: How shifting the conventions of the traditionally invisible puppeteer allows for more dimensions in both the puppeteer-puppet relationship and the creation of theatrical meaning in Ubu and the Truth Commission. South African Theatre Journal, 12(1&2):35-51. |
| − | Cole, Catherine M. 2001. Africans on stage: studies in ethnological show business, ed. by Bernth Lindfors and The drama of South Africa: plays, pageants and publics, by Loren Kruger. Reviewed in: Theatre Journal, 53(1):179-181. | + | [[Catherine M/ Cole|Cole, Catherine M.]] 2001. Africans on stage: studies in ethnological show business, ed. by Lindfors, Bernth |Bernth Lindfors and The drama of South Africa: plays, pageants and publics, by Kruger, Loren|Loren Kruger. Reviewed in: Theatre Journal, 53(1):179-181. |
| − | Cole, Catherine M. 2004. Theatres of truth, acts of reconciliation: the TRC in South Africa, in Conteh-Morgan, John & Olaniyan, Tejumola (eds.). African Drama and Performance. Bloomington: Indiana University Press. 219-226. | + | [[Catherine M/ Cole|Cole, Catherine M.]] 2004. Theatres of truth, acts of reconciliation: the TRC in South Africa, in [[John Conteh-Morgan|Conteh-Morgan, John]] & [[Tejumola Olaniyan|Olaniyan, Tejumola]] (eds.). African Drama and Performance. Bloomington: Indiana University Press. 219-226. |
| − | Cole, Catherine M. 2007. Performance, transitional justice, and the law: South Africa’s Truth and Reconciliation Commission. Theatre Journal, 59(2):167-187. | + | [[Catherine M/ Cole|Cole, Catherine M.]] 2007. Performance, transitional justice, and the law: South Africa’s Truth and Reconciliation Commission. Theatre Journal, 59(2):167-187. |
| − | Cole, Catherine M. 2008. The rewind cantata. Theater, 38(3):84-109. | + | [[Catherine M/ Cole|Cole, Catherine M.]] 2008. The rewind cantata. Theater, 38(3):84-109. |
| − | Colleran, Jeanne Marie 1988. The dissenting writer in South Africa: a rhetorical analysis of the drama of Athol Fugard and the short fiction of Nadine Gordimer. Unpublished doctoral dissertation. Columbus, OH: Ohio State University. | + | [[Jeanne Colleran|Colleran, Jeanne]] Marie 1988. The dissenting writer in South Africa: a rhetorical analysis of the drama of Fugard, Athol|Athol Fugard and the short fiction of Nadine Gordimer. Unpublished doctoral dissertation. Columbus, OH: Ohio State University. |
| − | Colleran, Jeanne 1990. A | + | [[Jeanne Colleran|Colleran, Jeanne]] 1990. ''A Place With the Pigs'': Fugard, Athol|Athol Fugard’s Afrikaner parable. Modern drama, 33(1): 82-92. |
| − | Colleran, Jeanne 1995a. Athol Fugard and the problematics of the liberal critique. Modern Drama, 38(3):389-407. | + | [[Jeanne Colleran|Colleran, Jeanne]] 1995a. Fugard, Athol|Athol Fugard and the problematics of the liberal critique. Modern Drama, 38(3):389-407. |
| − | Colleran, Jeanne 1995b. Re-situating Fugard: re-thinking revolutionary theatre. South African Theatre Journal, 9(2):39-49. | + | [[Jeanne Colleran|Colleran, Jeanne]] 1995b. Re-situating Fugard: re-thinking revolutionary theatre. South African Theatre Journal, 9(2):39-49. |
| − | Colleran, Jeanne 1998. South African theatre in the United States: the allure of the familiar and of the exotic, in Attridge, Derek & Jolly, Rosemary (eds.). Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press. 221-236. | + | [[Jeanne Colleran|Colleran, Jeanne]] 1998. South African theatre in the United States: the allure of the familiar and of the exotic, in Attridge, Derek & Jolly, Rosemary (eds.). Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press. 221-236. |
| − | Colleran, Jeanne 1999. Lessons from a fair country, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre As/And Intervention. Amsterdam: Rodopi. 113-123. | + | [[Jeanne Colleran|Colleran, Jeanne]] 1999. Lessons from a fair country, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre As/And Intervention. Amsterdam: Rodopi. 113-123. |
| − | Collins, F. 1968. Barbara Kinghorn. Personality, 14-19. June 20. | + | F. Collins|Collins, F. 1968. Barbara Kinghorn. Personality, 14-19. June 20. |
| − | Collins, F. 1971. Leonard Schach: backroom boy of the theatre. Personality, 55-56. February 26. | + | F. Collins|Collins, F. 1971. Leonard Schach: backroom boy of the theatre. Personality, 55-56. February 26. |
| − | Collins, Jane 1999. King Lear in South Africa: an interview with director James Whyle. Shakespeare Bulletin, 17(1): 35-37. | + | Jane Collins|Collins, Jane 1999. King Lear in South Africa: an interview with director James Whyle. Shakespeare Bulletin, 17(1): 35-37. |
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Coetser, A. 1984. Kontekstuele vrae [en antwoorde] oor Ontmoeting by Dwaaldrif van Henriëtte Grové. Klasgids, 19(1) – (2).
Coetser, Johannes Lodewikus 1985. Die allegorie in die Afrikaanse drama. Unpublished master’s thesis. Pretoria: University of Pretoria.
Coetser, J.L. 1991. Dat die klip kan heers: Pieter Fourie se Die Koggelaar. Literator, 12(3):45-58.
Coetser, J.L. 1994. Die Dieper Reg (N.P. van Wyk Louw): Royce, regsidee, resepsie. Literator, 15(2):35-53.
Coetser, J.L. 1998. Drie Susters Twee, deur Reza de Wet. Reviewed in: Tydskrif vir Letterkunde, 36(2):97.
Coetser, J.L. 1998. Die Dramateks as Handleiding, deur Keuris, Marisa|Marisa Keuris. Reviewed in: Tydskrif vir Letterkunde,I 36(2):99.
Coetser, J.L. 1999. Die drama in Afrikaans: ‘n bewegende sentrum? Tydskrif vir Letterkunde, 37(2):44.
Coetser, J.L. 1999. Afrikaanse drama en toneel oor die Anglo-Boereoorlog, 1900-1920: Aspekte van identiteit . Tydskrif vir Nederlands en Afrikaans, 6(2):131-149.
Coetser, J.L. 2003. 'n Herinnering aan brokke toneelgeskiedenis : boekresensies. Literator, 24(1):172-176.
Coetser, J.L. 2006. Standaardwerk oor Suid-Afrikaanse toneelgeskiedenis: Voetligte en applous: die beginjare van die Afrikaanse beroepstoneel, deur Botha D.|D. Botha. Reviewed in: Literator, 27(2):159-161.
Coetser, J.L. 2003. “So little of it left”: remembrance, occasion and event in Afrikaans theatre. South African Theatre Journal, 17:8-36.
Coetser, J.L. 2008. Gemeenskapstoneel deur Pearce, Robert J.|Robert J. Pearce: aspekte van bewussyn (‘n eerste verkenning). South African Theatre Journal, 22:166-189.
Coetser, J.L. 2009. Kaburu: ‘n drama vir die verhoog deur Opperman, Deon|D. Opperman. Reviewed in: Tydskrif vir Geesteswetenskappe, 49(4):740-741.
Coetzee, A.J. 1971. ATKV huldig die dramaturg Gerhard Beukes|Beukes. Taalgenoot, 40(11):7. October.
Coetzee, A.J. 1978. Verlede: gedagtenis en noodlot in die dramas van Fourie, Pieter|Pieter Fourie. Standpunte, 31(4):52-60. August.
Ampie Coetzee|Coetzee, Ampie 1984. Woord en daad, teken en saak, teks en handeling: Pavane van Brink, André P.|André P. Brink, in Malan, Charles (ed.) Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 83-92.
Coetzee, Erika 1990. Stereotypes in contemporary South African cultural discourses. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Coetzee, Gerda 1995. Feesvier is nog nie teaterkultuur. Insig, 08/95:42.
Coetzee, Marié-Heleen 2000 Playing sticks: an exploration of Zulu stick fighting as performance. South African Theatre Journal, 14:97-113.
Coetzee, Marié-Heleen 2001 Paddy Crean International Stage Combat Congress/Workshop, Canada. South African Theatre Journal, 15:158-160.
Coetzee, Marié-Heleen, M. Munro|Munro, M. & A. de Boer|De Boer, A. 2004. Deeper sites through various lines: LMS and whole-brain learning in body/voice training for performers in the HET band. South African Theatre Journal, 18:135-158.
Coetzee, Marié-Heleen 2009. (Re)storying the self: exploring identity through performative inquiry. South African Theatre Journal, 23:94-115.
Coetzee, P.J. 1978. Literêrteoretiese beginsels wat dialog beheers in die drama, met verwysing na D.J. Opperman se Periandros van Korinthe. Unie, 75:71-76. August.
Coetzee, P.J. 1983. Enkele gesigspunte oor die voorgeskrewewerk, Die Pluimsaad Waai Ver – Louw, N.P. van Wyk|N.P. van Wyk Louw (Bitter begin). Unie, 80:31-34.
Yvette Cpetzee|Coetzee, Yvette 1998 Visibly invisible: How shifting the conventions of the traditionally invisible puppeteer allows for more dimensions in both the puppeteer-puppet relationship and the creation of theatrical meaning in Ubu and the Truth Commission. South African Theatre Journal, 12(1&2):35-51.
Cole, Catherine M. 2001. Africans on stage: studies in ethnological show business, ed. by Lindfors, Bernth |Bernth Lindfors and The drama of South Africa: plays, pageants and publics, by Kruger, Loren|Loren Kruger. Reviewed in: Theatre Journal, 53(1):179-181.
Cole, Catherine M. 2004. Theatres of truth, acts of reconciliation: the TRC in South Africa, in Conteh-Morgan, John & Olaniyan, Tejumola (eds.). African Drama and Performance. Bloomington: Indiana University Press. 219-226.
Cole, Catherine M. 2007. Performance, transitional justice, and the law: South Africa’s Truth and Reconciliation Commission. Theatre Journal, 59(2):167-187.
Cole, Catherine M. 2008. The rewind cantata. Theater, 38(3):84-109.
Colleran, Jeanne Marie 1988. The dissenting writer in South Africa: a rhetorical analysis of the drama of Fugard, Athol|Athol Fugard and the short fiction of Nadine Gordimer. Unpublished doctoral dissertation. Columbus, OH: Ohio State University.
Colleran, Jeanne 1990. A Place With the Pigs: Fugard, Athol|Athol Fugard’s Afrikaner parable. Modern drama, 33(1): 82-92.
Colleran, Jeanne 1995a. Fugard, Athol|Athol Fugard and the problematics of the liberal critique. Modern Drama, 38(3):389-407.
Colleran, Jeanne 1995b. Re-situating Fugard: re-thinking revolutionary theatre. South African Theatre Journal, 9(2):39-49.
Colleran, Jeanne 1998. South African theatre in the United States: the allure of the familiar and of the exotic, in Attridge, Derek & Jolly, Rosemary (eds.). Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press. 221-236.
Colleran, Jeanne 1999. Lessons from a fair country, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre As/And Intervention. Amsterdam: Rodopi. 113-123.
F. Collins|Collins, F. 1968. Barbara Kinghorn. Personality, 14-19. June 20.
F. Collins|Collins, F. 1971. Leonard Schach: backroom boy of the theatre. Personality, 55-56. February 26.
Jane Collins|Collins, Jane 1999. King Lear in South Africa: an interview with director James Whyle. Shakespeare Bulletin, 17(1): 35-37.
Click on the appropriate letters of the alphabet in the sub-list below.
Ca-Cha Che-Cl Coa-Col Com-Cop Cor-Cri Cro-Cz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
