Difference between revisions of "ESAT Bibliography Hau"
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| − | [[Adam Haupt|Haupt, Adam]] 1996. Stifled noise in the South African music box: Prophets of da City and the struggle for public space. South African Theatre Journal, 10(2): 51-61. | + | [[Adam Haupt|Haupt, Adam]] 1996. Stifled noise in the South African music box: Prophets of da City and the struggle for public space. South African Theatre Journal, 10(2):51-61. |
| − | [[Adam Haupt|Haupt, Adam]] 1997. AIDS education through theatre: case studies from Uganda, by Marion Frank. Reviewed in: South African Theatre Journal, 11(1&2): 309-312. | + | [[Adam Haupt|Haupt, Adam]] 1997. AIDS education through theatre: case studies from Uganda, by Marion Frank. Reviewed in: South African Theatre Journal, 11(1&2):309-312. |
| − | [[Gaerin Hauptfleisch|Hauptfleisch, Gaerin]] & [[Keith Bain|Bain, Keith]] 1998. Brecht 2001: A photo essay. Chris Vorster directs Bertolt Brecht’s first play, Baal. South African Theatre Journal, 12(1&2): 212-227 | + | [[Gaerin Hauptfleisch|Hauptfleisch, Gaerin]] & [[Keith Bain|Bain, Keith]] 1998. Brecht 2001: A photo essay. [[Chris Vorster]] directs Bertolt Brecht’s first play, Baal. South African Theatre Journal, 12(1&2):212-227 |
| − | [[Gaerin Hauptfleisch|Hauptfleisch, Gaerin]] & [[Francois Toerien|Toerien, Francois]] 1996. [[Klein Karoo Nasionale Kunstefees]] 1996. South African Theatre Journal, 10(1): 101-106. | + | [[Gaerin Hauptfleisch|Hauptfleisch, Gaerin]] & [[Francois Toerien|Toerien, Francois]] 1996. [[Klein Karoo Nasionale Kunstefees]] 1996. South African Theatre Journal, 10(1):101-106. |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1972. Greek dramatic conventions in modern drama. Pretoria: UNISA. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1972. Greek dramatic conventions in modern drama. Unpublished master’s thesis. Pretoria: UNISA. |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1978. The play as communication : a study of the language of drama. Pretoria: UNISA. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1978. The play as communication : a study of the language of drama. Unpublished doctoral dissertation. Pretoria: UNISA. |
| − | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1980. Theatre research in South Africa. Critical | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1980. Theatre research in South Africa. Critical Arts, 1(3) :11-22. |
[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1982a. André Huguenet en die Suid-Afrikaanse teater. Lantern, 31(4) : 8-23. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1982a. André Huguenet en die Suid-Afrikaanse teater. Lantern, 31(4) : 8-23. | ||
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[[Temple Hauptfleisch|Hauptfleisch, Temple]] 1988b. To capture the moment passing: the work of the Centre for South African Theatre Research. Opvoeding en kultuuur, 11(2): 17. June. | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1988b. To capture the moment passing: the work of the Centre for South African Theatre Research. Opvoeding en kultuuur, 11(2): 17. June. | ||
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| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]].1988c. The International Symposium on popular entertainment as a reflection of national identity. South African Theatre Journal, 2(2):76-80. |
| − | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1998d. Multilingual theatre and apartheid society (1970-1987). | |
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| − | Hauptfleisch, Temple 1998d. Multilingual theatre and apartheid society (1970-1987). | ||
Proceedings of the XIIth congress of the International Comparative Literature Association : 1988, Munich = Actes du XIIe congrès de l'Association internationale de littérature comparée : 1988, Munich / general editors, Roger Bauer, Douwe Fokkema ; assistant-editor, Michael de Graat. München : Iudicium, 1990. 5 volumes | Proceedings of the XIIth congress of the International Comparative Literature Association : 1988, Munich = Actes du XIIe congrès de l'Association internationale de littérature comparée : 1988, Munich / general editors, Roger Bauer, Douwe Fokkema ; assistant-editor, Michael de Graat. München : Iudicium, 1990. 5 volumes | ||
| − | Hauptfleisch, Temple 1988e. Shakespeare against Apartheid by Martin Orkin. Reviewed in: South African Theatre Journal, 2(2): 115-119. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1988e. Shakespeare against Apartheid by Martin Orkin. Reviewed in: South African Theatre Journal, 2(2): 115-119. |
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| − | Hauptfleisch, Temple. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1988f. Theatre alive! The Baxter story, 1977-1987, by Brian Barrow & Yvonne Williams-Short. Reviewed in: South African Theatre Journal, 2(2):112-114. |
| − | Hauptfleisch, Temple. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]]. 1989a. Citytalk, theatretalk: dialect, dialogue and multilingual theatre in South Africa. English in Africa 16(1): 71-91. |
| − | Hauptfleisch, Temple. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1989b. Of actors, academics and the making of the theatre (editorial). South African theatre journal, 3(1):1-2. |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]]. 1989c. Spelers op soek na ‘n konteks. Afrikaans en die nuwe paradigma in die teater. Stilet, 1(1): 29-50. |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1990a. ’n Brommer in die boord, deur Hennie Aucamp. Reviewed in: South African Theatre Journal, 4(2): 106-111. |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1990b. Donderdag se mense, deur Pieter Fourie. Reviewed in: South African Theatre Journal, 4(2): 106-111. |
| − | Hauptfleisch, Temple. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1990c. Some thoughts on the future of performance- and theatre research in a “New South Africa” (editorial). South African Theatre Journal, 4(1): 6-11. |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1990d. Stille Nag by Deon Opperman. Reviewed in: South African Theatre Journal, 4(2): 106-111. |
| − | Hauptfleisch, Temple. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1991a. Athol Fugard: the image, the word and the ‘carnal reality’. In Robert L. Ross (ed.) International literature in English: essays on the major writes. New York: Garland Publishing. p. 607-620. |
| − | Hauptfleisch, Temple. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1991b. Of performers, performances and performance theory (editorial). South African Theatre Journal, 5(2):1-2. |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1991c. SATJ co-editor Temple Hauptfleisch talks to Richard Schechner during his visit to the Western Cape in August 1990. South African Theatre Journal, 5(2): 15-21. |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1991. Theatre and television, edited by Robert L. Erenstein. Reviewed in: South African Theatre Journal, 5(1): 127-131. |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992a. Alles op die spel deur George Weideman. Reviewed in: South African Theatre Journal, 6(1): 88-90. |
| − | Hauptfleisch, Temple. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992b. Athol Fugard. a bibliography, by John Read. Reviewed in: South African Theatre Journal, 6(2): 93-94. |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992c. Post-colonial criticism, performance theory and the evolving forms of South African theatre. South African Theatre Journal, 6(2): 64-83. |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] & Hutchison, Yvette 1992d. The social relevance of play (editorial). South African Theatre Journal, 6(1):1-3. |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992e. Syncretism, hybridism and crossover theatre in a multicultural community: theatremaking in (a new) South Africa. ASSAPH Section C: Studies in the theatre, 8: 161-176. |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992. Chapman, Michael, Gardner, Colin & Mphahlele, Es’kia (eds.). Perspectives on South African English literature. Johannesburg: Ad Donker. 403-421. |
| − | Hauptfleisch, Temple. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1992f. Vrystaat-trilogie, deur Reza de Wet. Reviewed in: South African Theatre Journal, 6(1): 85-87. |
| − | Hauptfleisch, Temple. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]]. 1993a. African Theatre and Film: An International Conference, University of Toronto. South African Theatre Journal, 7(2): 101-104. |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]]. 1993b. Crossover Theatre: New Trends in Theatremaking in South Africa In: Assaph: Studies in Theatre Vol 9. bladsye? |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1993c. Drie eenakters: Kombuis blues, Kopstukke en ‘n Koffer in die kas, deur Jeanne Goosen. Reviewed in: South African Theatre Journal, 7(2): 132-134. |
| − | Hauptfleisch, Temple. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1994. Indic Theatre monograph series by Muthal Naidoo and Dennis Shauffer. Reviewed in: South African Theatre Journal, 8(1): 88-90. |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]]. 1995. The company you keep: subversive thoughts on the impact of the playwright and the performer New theatre quarterly, 11(44): 322-332. |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1996a. The distance remains and other plays, edited by Robin Malan. Reviewed in: South African Theatre Journal, 10(1): 118-119. |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1996b. More Market plays, edited by John Kani. Reviewed in: South African Theatre Journal, 10(1): 117-118. |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1996c. Open space: six contemporary plays from Africa edited by Yvette Hutchison and Kole Omotoso. Reviewed in: South African Theatre Journal, 10(1): 118. |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1996d. The (re)canonization of South African theatre; thoughts on four play collections. South African Theatre Journal, 10(1): 115-119. |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1996e. South African plays, edited by Stephen Gray. Reviewed in: South African Theatre Journal, 10(1): 116-117. |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] & Kruger, Marie 1997a. South Africa. In Rubin, Don (ed.). The World encyclopaedia of contemporary theatre. Vol 3: Africa. London: Routledge. p. 268-297. |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1997b. Theatre and society in South Africa: reflections in a fractured mirror. Pretoria: Van Schaik. |
| − | Hauptfleisch, Temple | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1998. The flag is flying: A very personal history of theatre in the old South Africa by Leonard Schach. Reviewed in: South African Theatre Journal, 12(1&2): 257-261. |
| − | Hauptfleisch, Temple 2001a. The Eventification of Afrikaans culture - some thoughts on the Klein Karoo Nasionale Kunstefees (KKNK). South African Theatre Journal, 15: 169-177. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2000. In defense of theatre research: An audit revisited (editorial). South African Theatre Journal, 14: 8-17. |
| + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2001a. The Eventification of Afrikaans culture - some thoughts on the Klein Karoo Nasionale Kunstefees (KKNK). South African Theatre Journal, 15: 169-177. | ||
| − | Hauptfleisch, Temple 2001b. FIRT/IFTR 2000 Regional Congress – Theatre: Sound Space, Visual Space. South African Theatre Journal, 15:153-157. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2001b. FIRT/IFTR 2000 Regional Congress – Theatre: Sound Space, Visual Space. South African Theatre Journal, 15:153-157. |
| − | Hauptfleisch, Temple 2001c. Homegrown theory for a new theatre (editorial). South African Theatre Journal, 15: 5-7. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2001c. Homegrown theory for a new theatre (editorial). South African Theatre Journal, 15: 5-7. |
| − | Hauptfleisch, Temple 2002a. "Oh go play somewhere - and stop bothering us!": On the (ir)relevance of theatre and the performing arts in economic society. New agenda, (6): 68-77. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2002a. "Oh go play somewhere - and stop bothering us!": On the (ir)relevance of theatre and the performing arts in economic society. New agenda, (6): 68-77. |
| − | Hauptfleisch, Temple 2002b. A Response to the XIV IFTR/FIRT Conference on Theatre and Cultural Memory. South African Theatre Journal, 16: 185 – 189. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2002b. A Response to the XIV IFTR/FIRT Conference on Theatre and Cultural Memory. South African Theatre Journal, 16: 185 – 189. |
| − | Hauptfleisch, Temple 2003. The cultural bazaar: thoughts on festival culture after a visit to the 2003 Klein Karoo Nasionale Kunstefees (KKNK) in Oudtshoorn. South African Theatre Journal, 17: 258-275. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2003. The cultural bazaar: thoughts on festival culture after a visit to the 2003 Klein Karoo Nasionale Kunstefees (KKNK) in Oudtshoorn. South African Theatre Journal, 17: 258-275. |
| − | Hauptfleisch, Temple 2004. Eventification: utilizing the theatrical system to frame the event. In Cremona, Vicky Ann ... [et al.] ; IFTR/FIRT Theatrical Event Working Group (eds) Theatrical events :borders, dynamics, frames .Amsterdam: Rodopi. p. 279-302. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2004. Eventification: utilizing the theatrical system to frame the event. In Cremona, Vicky Ann ... [et al.] ; IFTR/FIRT Theatrical Event Working Group (eds) Theatrical events :borders, dynamics, frames .Amsterdam: Rodopi. p. 279-302. |
| − | Hauptfleisch, Temple 2005a. Artistic output, arts research and the rating of the theatre practitioner as researcher-some responses to the N.R.F. rating system after the first three years | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2005a. Artistic output, arts research and the rating of the theatre practitioner as researcher-some responses to the N.R.F. rating system after the first three years |
| − | Hauptfleisch, Temple 2005b. Südafrikanisches Theater – Entwicklungen und Strömungen von Vergangenheit bis Gegenwart. In Arndt, S. & Berndt, K. (eds). Kreatives Afrika: SchriftstellerInnen über Literatur, Theater und Gesellschaft: eine Festschrift für Eckhard Breitinger. Uitgewer? P. 91-116. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2005b. Südafrikanisches Theater – Entwicklungen und Strömungen von Vergangenheit bis Gegenwart. In Arndt, S. & Berndt, K. (eds). Kreatives Afrika: SchriftstellerInnen über Literatur, Theater und Gesellschaft: eine Festschrift für Eckhard Breitinger. Uitgewer? P. 91-116. |
| − | Hauptfleisch, Temple 2006. Eventifying identity: festivals in South Africa and the search for cultural identity. New theatre quarterly, 22(2): 181-198. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2006. Eventifying identity: festivals in South Africa and the search for cultural identity. New theatre quarterly, 22(2): 181-198. |
| − | Hauptfleisch, Temple 2007a. Editorial. South African Theatre Journal, 21: 8-10. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2007a. Editorial. South African Theatre Journal, 21: 8-10. |
| − | Hauptfleisch, Temple 2007b. The seismology of theatre: tracing the shock waves of a theatrical event in society. South African Theatre Journal, 21: 253-271. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2007b. The seismology of theatre: tracing the shock waves of a theatrical event in society. South African Theatre Journal, 21: 253-271. |
| − | Hauptfleisch, Temple 2007c. Some major trends of past developments. In: Arndt, Susan & Berndt, Katrin (eds). Words and worlds: African writing, theatre and society; a commemorative publication in honour of Eckhard Breitinger. Trenton, NJ : Africa World Press. p. 57-75. | + | [[Temple Hauptfleisch|Hauptfleisch, Temple]] 2007c. Some major trends of past developments. In: Arndt, Susan & Berndt, Katrin (eds). Words and worlds: African writing, theatre and society; a commemorative publication in honour of Eckhard Breitinger. Trenton, NJ : Africa World Press. p. 57-75. |
Revision as of 11:01, 18 December 2010
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Return to A Bibliography of South African South African Theatre and Performance
Haupt, Adam 1996. Stifled noise in the South African music box: Prophets of da City and the struggle for public space. South African Theatre Journal, 10(2):51-61.
Haupt, Adam 1997. AIDS education through theatre: case studies from Uganda, by Marion Frank. Reviewed in: South African Theatre Journal, 11(1&2):309-312.
Hauptfleisch, Gaerin & Bain, Keith 1998. Brecht 2001: A photo essay. Chris Vorster directs Bertolt Brecht’s first play, Baal. South African Theatre Journal, 12(1&2):212-227
Hauptfleisch, Gaerin & Toerien, Francois 1996. Klein Karoo Nasionale Kunstefees 1996. South African Theatre Journal, 10(1):101-106.
Hauptfleisch, Temple 1972. Greek dramatic conventions in modern drama. Unpublished master’s thesis. Pretoria: UNISA.
Hauptfleisch, Temple 1978. The play as communication : a study of the language of drama. Unpublished doctoral dissertation. Pretoria: UNISA.
Hauptfleisch, Temple 1980. Theatre research in South Africa. Critical Arts, 1(3) :11-22. Hauptfleisch, Temple 1982a. André Huguenet en die Suid-Afrikaanse teater. Lantern, 31(4) : 8-23.
Hauptfleisch, Temple, Viljoen, Wilma & Van Greunen, Celeste (comps). 1982b. Athol Fugard. a source guide. Johannesburg: Ad Donker.
Hauptfleisch, Temple 1983a. Taalvariasie op die verhoog: enkele gedagtes na aanleiding van Afrikaanse voorbeelde. In G.N. Claassen & M.C.J. van Rensburg (reds.). Taalverskeidenheid: ʼn blik op die spektrum van taalvariasie in Afrikaans. Pretoria: Academica. p. 63-79.
Hauptfleisch, Temple; Van Rooyen, Eunice & Cornelissen, Annette 1983b. Thoughts on theatre in South Africa during 1981: a review of some trends. Teaterforum, 4(1): 54-76.
Hauptfleisch, Temple. 1984a. Die magiese kring: skepping, herskepping en resepsie in die teater. In: Malan, Charles (ed.) Spel en spieël: besprekings van die moderne Afrikaanse drama en teater. Johannesburg: Perskor. p. 36-50.
Hauptfleisch, Temple 1984b. South Africa: a laboratory for theatre research: research address. Pretoria: Human Sciences Research Council.
Hauptfleisch, Temple & Steadman, Ian (eds). 1984c. South African theatre: Four plays and an Introduction. Pretoria: HAUM Educational.
Hauptfleisch, Temple 1984d. Theatre research: some thoughts on a new discipline. Teaterforum, 5(1): 66-79.
Hauptfleisch, Temple 1984e. Towards a methodology for theatre research: A South African perspective. Pretoria: Human Sciences Research Council.
Hauptfleisch, Temple (ed.). 1985a. The Breytie book: A collection of articles on South African theatre. Johannesburg: The Limelight Press.
Hauptfleisch, Temple 1985b. Dramaturg en dialek : enkele gedagtes oor dramatiese dialoog. Teaterforum, 6(1) : 46-72.
Hauptfleisch, Temple 1985c. South Africa: a laboratory for theatre research. Communicatio, 11(2): 38-44.
Hauptfleisch, Temple, Viljoen, Wilma & Cornelissen, Annette 1985d. South African theatre today: a look at the year 1981. In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 131-140.
Hauptfleisch, Temple 1986a. The Market Theatre. Lantern, 35(4) : 79-80.
Hauptfleisch, Temple 1986b. Die nuwe drama. De kat, 1(11) : 22-23.
Hauptfleisch, Temple et al. 1986c. Research on South African literature and race relations. Pretoria: Human Sciences Research Council.
Hauptfleisch, Temple 1987a. Aspekte van die nuwe drama, deur André P. Brink. Reviewed in: South African Theatre Journal, 1(2):87-89.
Hauptfleisch, Temple 1987b. Beyond street theatre and festival: the forms of South African theatre. Maske und Kothurn. 33:1-2. p. 175-188.
Hauptfleisch, Temple 1987c. The concise Oxford companion to the theatre, edited by Phyllis Hartnoll. Reviewed in: South African Theatre Journal, 1(2):94-95.
Hauptfleisch, Temple 1987d. Report for PACT: 1987. A summary interpretation of theatre attendance data in the CESAT data-base. Pretoria: HSRC (Confidential report).
Hauptfleisch, Temple 1987e. Theatre and cultural struggle in South Africa, by Robert Kavanagh. Reviewed in: South African Theatre Journal, 1(1): 138-141.
Hauptfleisch, Temple. 1988a. From the Savoy to Soweto: The shifting paradigm in South African theatre. South African Theatre Journal, 2(1): 35-63.
Hauptfleisch, Temple 1988b. To capture the moment passing: the work of the Centre for South African Theatre Research. Opvoeding en kultuuur, 11(2): 17. June.
Hauptfleisch, Temple.1988c. The International Symposium on popular entertainment as a reflection of national identity. South African Theatre Journal, 2(2):76-80.
Hauptfleisch, Temple 1998d. Multilingual theatre and apartheid society (1970-1987). Proceedings of the XIIth congress of the International Comparative Literature Association : 1988, Munich = Actes du XIIe congrès de l'Association internationale de littérature comparée : 1988, Munich / general editors, Roger Bauer, Douwe Fokkema ; assistant-editor, Michael de Graat. München : Iudicium, 1990. 5 volumes
Hauptfleisch, Temple 1988e. Shakespeare against Apartheid by Martin Orkin. Reviewed in: South African Theatre Journal, 2(2): 115-119.
Hauptfleisch, Temple 1988f. Theatre alive! The Baxter story, 1977-1987, by Brian Barrow & Yvonne Williams-Short. Reviewed in: South African Theatre Journal, 2(2):112-114.
Hauptfleisch, Temple. 1989a. Citytalk, theatretalk: dialect, dialogue and multilingual theatre in South Africa. English in Africa 16(1): 71-91.
Hauptfleisch, Temple 1989b. Of actors, academics and the making of the theatre (editorial). South African theatre journal, 3(1):1-2.
Hauptfleisch, Temple. 1989c. Spelers op soek na ‘n konteks. Afrikaans en die nuwe paradigma in die teater. Stilet, 1(1): 29-50.
Hauptfleisch, Temple 1990a. ’n Brommer in die boord, deur Hennie Aucamp. Reviewed in: South African Theatre Journal, 4(2): 106-111.
Hauptfleisch, Temple 1990b. Donderdag se mense, deur Pieter Fourie. Reviewed in: South African Theatre Journal, 4(2): 106-111.
Hauptfleisch, Temple 1990c. Some thoughts on the future of performance- and theatre research in a “New South Africa” (editorial). South African Theatre Journal, 4(1): 6-11.
Hauptfleisch, Temple 1990d. Stille Nag by Deon Opperman. Reviewed in: South African Theatre Journal, 4(2): 106-111.
Hauptfleisch, Temple 1991a. Athol Fugard: the image, the word and the ‘carnal reality’. In Robert L. Ross (ed.) International literature in English: essays on the major writes. New York: Garland Publishing. p. 607-620.
Hauptfleisch, Temple 1991b. Of performers, performances and performance theory (editorial). South African Theatre Journal, 5(2):1-2.
Hauptfleisch, Temple 1991c. SATJ co-editor Temple Hauptfleisch talks to Richard Schechner during his visit to the Western Cape in August 1990. South African Theatre Journal, 5(2): 15-21.
Hauptfleisch, Temple 1991. Theatre and television, edited by Robert L. Erenstein. Reviewed in: South African Theatre Journal, 5(1): 127-131.
Hauptfleisch, Temple 1992a. Alles op die spel deur George Weideman. Reviewed in: South African Theatre Journal, 6(1): 88-90.
Hauptfleisch, Temple 1992b. Athol Fugard. a bibliography, by John Read. Reviewed in: South African Theatre Journal, 6(2): 93-94.
Hauptfleisch, Temple 1992c. Post-colonial criticism, performance theory and the evolving forms of South African theatre. South African Theatre Journal, 6(2): 64-83.
Hauptfleisch, Temple & Hutchison, Yvette 1992d. The social relevance of play (editorial). South African Theatre Journal, 6(1):1-3.
Hauptfleisch, Temple 1992e. Syncretism, hybridism and crossover theatre in a multicultural community: theatremaking in (a new) South Africa. ASSAPH Section C: Studies in the theatre, 8: 161-176.
Hauptfleisch, Temple 1992. Chapman, Michael, Gardner, Colin & Mphahlele, Es’kia (eds.). Perspectives on South African English literature. Johannesburg: Ad Donker. 403-421.
Hauptfleisch, Temple 1992f. Vrystaat-trilogie, deur Reza de Wet. Reviewed in: South African Theatre Journal, 6(1): 85-87.
Hauptfleisch, Temple. 1993a. African Theatre and Film: An International Conference, University of Toronto. South African Theatre Journal, 7(2): 101-104.
Hauptfleisch, Temple. 1993b. Crossover Theatre: New Trends in Theatremaking in South Africa In: Assaph: Studies in Theatre Vol 9. bladsye?
Hauptfleisch, Temple 1993c. Drie eenakters: Kombuis blues, Kopstukke en ‘n Koffer in die kas, deur Jeanne Goosen. Reviewed in: South African Theatre Journal, 7(2): 132-134.
Hauptfleisch, Temple 1994. Indic Theatre monograph series by Muthal Naidoo and Dennis Shauffer. Reviewed in: South African Theatre Journal, 8(1): 88-90.
Hauptfleisch, Temple. 1995. The company you keep: subversive thoughts on the impact of the playwright and the performer New theatre quarterly, 11(44): 322-332.
Hauptfleisch, Temple 1996a. The distance remains and other plays, edited by Robin Malan. Reviewed in: South African Theatre Journal, 10(1): 118-119.
Hauptfleisch, Temple 1996b. More Market plays, edited by John Kani. Reviewed in: South African Theatre Journal, 10(1): 117-118.
Hauptfleisch, Temple 1996c. Open space: six contemporary plays from Africa edited by Yvette Hutchison and Kole Omotoso. Reviewed in: South African Theatre Journal, 10(1): 118.
Hauptfleisch, Temple 1996d. The (re)canonization of South African theatre; thoughts on four play collections. South African Theatre Journal, 10(1): 115-119.
Hauptfleisch, Temple 1996e. South African plays, edited by Stephen Gray. Reviewed in: South African Theatre Journal, 10(1): 116-117.
Hauptfleisch, Temple & Kruger, Marie 1997a. South Africa. In Rubin, Don (ed.). The World encyclopaedia of contemporary theatre. Vol 3: Africa. London: Routledge. p. 268-297.
Hauptfleisch, Temple 1997b. Theatre and society in South Africa: reflections in a fractured mirror. Pretoria: Van Schaik.
Hauptfleisch, Temple 1998. The flag is flying: A very personal history of theatre in the old South Africa by Leonard Schach. Reviewed in: South African Theatre Journal, 12(1&2): 257-261.
Hauptfleisch, Temple 2000. In defense of theatre research: An audit revisited (editorial). South African Theatre Journal, 14: 8-17.
Hauptfleisch, Temple 2001a. The Eventification of Afrikaans culture - some thoughts on the Klein Karoo Nasionale Kunstefees (KKNK). South African Theatre Journal, 15: 169-177.
Hauptfleisch, Temple 2001b. FIRT/IFTR 2000 Regional Congress – Theatre: Sound Space, Visual Space. South African Theatre Journal, 15:153-157.
Hauptfleisch, Temple 2001c. Homegrown theory for a new theatre (editorial). South African Theatre Journal, 15: 5-7.
Hauptfleisch, Temple 2002a. "Oh go play somewhere - and stop bothering us!": On the (ir)relevance of theatre and the performing arts in economic society. New agenda, (6): 68-77.
Hauptfleisch, Temple 2002b. A Response to the XIV IFTR/FIRT Conference on Theatre and Cultural Memory. South African Theatre Journal, 16: 185 – 189.
Hauptfleisch, Temple 2003. The cultural bazaar: thoughts on festival culture after a visit to the 2003 Klein Karoo Nasionale Kunstefees (KKNK) in Oudtshoorn. South African Theatre Journal, 17: 258-275.
Hauptfleisch, Temple 2004. Eventification: utilizing the theatrical system to frame the event. In Cremona, Vicky Ann ... [et al.] ; IFTR/FIRT Theatrical Event Working Group (eds) Theatrical events :borders, dynamics, frames .Amsterdam: Rodopi. p. 279-302.
Hauptfleisch, Temple 2005a. Artistic output, arts research and the rating of the theatre practitioner as researcher-some responses to the N.R.F. rating system after the first three years
Hauptfleisch, Temple 2005b. Südafrikanisches Theater – Entwicklungen und Strömungen von Vergangenheit bis Gegenwart. In Arndt, S. & Berndt, K. (eds). Kreatives Afrika: SchriftstellerInnen über Literatur, Theater und Gesellschaft: eine Festschrift für Eckhard Breitinger. Uitgewer? P. 91-116.
Hauptfleisch, Temple 2006. Eventifying identity: festivals in South Africa and the search for cultural identity. New theatre quarterly, 22(2): 181-198.
Hauptfleisch, Temple 2007a. Editorial. South African Theatre Journal, 21: 8-10.
Hauptfleisch, Temple 2007b. The seismology of theatre: tracing the shock waves of a theatrical event in society. South African Theatre Journal, 21: 253-271.
Hauptfleisch, Temple 2007c. Some major trends of past developments. In: Arndt, Susan & Berndt, Katrin (eds). Words and worlds: African writing, theatre and society; a commemorative publication in honour of Eckhard Breitinger. Trenton, NJ : Africa World Press. p. 57-75.
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