Difference between revisions of "ESAT Bibliography Bat-Bet"
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| − | Bateman, Genevieve 2006. Creative misreadings : allegory in Tracey Rose's Ciao Bella | + | Bateman, Genevieve 2006. Creative misreadings : allegory in Tracey Rose's Ciao Bella. Unpublished master’s thesis. Grahamstown: Rhodes University. |
| − | . Grahamstown: Rhodes University | ||
| − | Bateman, P. 1951. Do we need national theatre? Outspan, 49(1258): 37. April 6. | + | Bateman, P. 1951. Do we need national theatre? Outspan, 49(1258):37. April 6. |
| − | Bateman, P. 1952a. “Mixed” Cape Town audience – a compromise solution [admitting Coloureds to the theatres]. Outspan, 51(1332): 53. September 5. | + | Bateman, P. 1952a. “Mixed” Cape Town audience – a compromise solution [admitting Coloureds to the theatres]. Outspan, 51(1332):53. September 5. |
| − | Bateman, P. 1952b. Will National theatre silence the critics? Outspan, 50(1297): 25. January 4. | + | Bateman, P. 1952b. Will National theatre silence the critics? Outspan, 50(1297):25. January 4. |
| − | Baxter, Veronica 1992. Popular performance in South Africa in the 1980s. Durban: University of Natal | + | Baxter, Veronica 1992. Popular performance in South Africa in the 1980s. Unpublished master’s thesis. Durban: University of Natal. |
| − | Baxter, Veronica 2000 Unizima Lomthawala: Satisfying everyone all of the time in drama and theatre as education. South African | + | Baxter, Veronica 2000 Unizima Lomthawala: Satisfying everyone all of the time in drama and theatre as education. South African Theatre Journal, 14:55-72. |
| − | Baxter, Veronica and Aitchison, James 2006. The playful theatre of Nicholas Ellenbogen. 1985-1990. South African | + | Baxter, Veronica and Aitchison, James 2006. The playful theatre of Nicholas Ellenbogen. 1985-1990. South African Theatre Journal, 20:48-64. |
| − | The Baxter theatre. 1977. Scenaria, August/ September: 12-13. | + | The Baxter theatre. 1977. Scenaria, August/ September:12-13. |
| − | Baxter theatre. [Air conditioning, heating and ventilation]. 1978. Construction in Southern Africa, 23(6): 54-63. September. | + | Baxter theatre. [Air conditioning, heating and ventilation]. 1978. Construction in Southern Africa, 23(6):54-63. September. |
| − | Baxter’s first five years. 1982. Scenaria, (32): 17-19. | + | Baxter’s first five years. 1982. Scenaria, (32):17-19. |
| − | Beard, Margot 2002. King Lear: a production of the North West Arts Drama Youth group, directed by Mpumelelo Grootboom at the Grahamstown Festival, June/July 2002. Shalespeare in Southern Africa, 14: 59-60. | + | Beard, Margot 2002. King Lear: a production of the North West Arts Drama Youth group, directed by Mpumelelo Grootboom at the Grahamstown Festival, June/July 2002. Shalespeare in Southern Africa, 14:59-60. |
| − | Bedford, Jacoba W. 1988. The presence of the past in selected works by Pieter-Dirk Uys.Potchefstroom: Potchefstroom University for C.H.E | + | Bedford, Jacoba W. 1988. The presence of the past in selected works by Pieter-Dirk Uys. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for C.H.E. |
| − | Behrens, Aldo Georg 1978. Speelgoed van glas [Tennessee Williams] : 'n aanbieding in die opvoedkundige teater. Potchefstroom: | + | Behrens, Aldo Georg 1978. Speelgoed van glas [Tennessee Williams] : 'n aanbieding in die opvoedkundige teater. Unpublished master’s thesis.Potchefstroom: Potchefstroom University for C.H.E. |
| − | Behrens, Aldo 1985. Dominante en determinante in die ensceneringsproses. Potchefstroom: | + | Behrens, Aldo 1985. Dominante en determinante in die ensceneringsproses. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for C.H.E. |
| − | + | Belasting op die toneel. 1945. Huisgenoot, 30(1225):5. September 14. | |
| − | + | Bell, Elizabeth Anne Charlton 1984. Speech and drama as a secondary school subject : an analysis of selected problem areas with reference to South Africa and England. Unpublished master’s thesis. Durban: University of Natal. | |
| − | |||
| − | Bell, Elizabeth Anne Charlton 1984. Speech and drama as a secondary school subject : an analysis of selected problem areas with reference to South Africa and England. Durban: University of Natal | ||
Bell, Lynette 1978. An approach to theatre make-up. Scenaria, December/January: 41. | Bell, Lynette 1978. An approach to theatre make-up. Scenaria, December/January: 41. | ||
| − | Belling, Veronica Penkin 2004. A Yiddish actor in Port Elizabeth [Henry Ariel]. Jewish affairs, 59(1): 40-42 | + | Belling, Veronica Penkin 2004. A Yiddish actor in Port Elizabeth [Henry Ariel]. Jewish affairs, 59(1):40-42. |
| − | |||
| − | |||
| − | |||
| − | |||
| − | + | Belling, Veronica Penkin 2006. Yiddish theatre in South Africa. Jewish affairs, 61(4):5-16. | |
| − | + | Belling, Veronica Penkin 2008. Yiddish theatre in South Africa: :a history from the late nineteenth century to 1960. Cape Town : Isaac and Jessie Kaplan Centre for Jewish Studies and Research. | |
| + | Belowende begin. [Nasionale toneel se eerste opvoerings]. 1948. Huisgenoot, 32(1353):15. February 27. | ||
| − | Beneke, Johannes Jacobus Petrus 1980. Die dramatiese funksie van die flits. Johannesburg: Rand Afrikaans University | + | Beneke, Johannes Jacobus Petrus 1980. Die dramatiese funksie van die flits. Unpublished doctoral dissertation. Johannesburg: Rand Afrikaans University. |
| − | Beneke, Johannes Jacobus Petrus 1984. Christine: model van die flitsvertelling | + | Beneke, Johannes Jacobus Petrus 1984. Christine: model van die flitsvertelling, in Malan, Charles (ed.) Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 51-63. |
Bennett, Vane 1885. Biographical and memorial Sketch of F.A. Disney Roebuck. Cape Town: Saul Solomon and Co. | Bennett, Vane 1885. Biographical and memorial Sketch of F.A. Disney Roebuck. Cape Town: Saul Solomon and Co. | ||
| − | Benson, Mary 1973 Athol Fugard and “one little corner of the world”. Yale / Theatre, IV, no.1 (Winter 1973): 55-62 | + | Benson, Mary 1973 Athol Fugard and “one little corner of the world”. Yale / Theatre, IV, no.1 (Winter 1973):55-62 |
| − | Benson, Mary.1977. Keeping an appointment with the future: the theatre of Athol Fugard. Theatre | + | Benson, Mary.1977. Keeping an appointment with the future: the theatre of Athol Fugard. Theatre Quarterly 7(28):77-83. |
| − | Benson, Mary 1997. Athol Fugard and Barney Simon: | + | Benson, Mary 1997. Athol Fugard and Barney Simon: Bare Stage, A Few Props, Great Theatre. Johannesburg: Ravan Press. |
| − | Bensusan, A.D. 1968. Case for the banning of smoking in theatres. Municipal | + | Bensusan, A.D. 1968. Case for the banning of smoking in theatres. Municipal Affairs, 33(389):31-37. January. |
| − | Benz, M. 1964. Nuwe vermaaklikheid in Suid-Afrika: bioskoop, teater saam op een verhoog. Brandwag, 28(5): 29. April 3. | + | Benz, M. 1964. Nuwe vermaaklikheid in Suid-Afrika: bioskoop, teater saam op een verhoog. Brandwag, 28(5):29. April 3. |
| − | Berk, Anita 2001. Female bodies as text : disobedient representations of the witch. Cape Town: University of Cape Town | + | Berk, Anita 2001. Female bodies as text : disobedient representations of the witch. Unpublished master’s thesis. Cape Town: University of Cape Town. |
| − | Bernstein, Daphne 1972. The History of the Standard Theatre, Johannesburg, with special reference to the contribution of Leonard Rayne. Johannesburg: University of the Witwatersrand | + | Bernstein, Daphne 1972. The History of the Standard Theatre, Johannesburg, with special reference to the contribution of Leonard Rayne. Unpublished bachelor’s essay. Johannesburg: University of the Witwatersrand. |
| − | Berold, Ralph et al. 2000. Interactive | + | Berold, Ralph et al. 2000. Interactive Drama for Environmental Educators. Howick: Share-net. |
Revision as of 13:02, 17 December 2010
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Bateman, Genevieve 2006. Creative misreadings : allegory in Tracey Rose's Ciao Bella. Unpublished master’s thesis. Grahamstown: Rhodes University.
Bateman, P. 1951. Do we need national theatre? Outspan, 49(1258):37. April 6.
Bateman, P. 1952a. “Mixed” Cape Town audience – a compromise solution [admitting Coloureds to the theatres]. Outspan, 51(1332):53. September 5.
Bateman, P. 1952b. Will National theatre silence the critics? Outspan, 50(1297):25. January 4.
Baxter, Veronica 1992. Popular performance in South Africa in the 1980s. Unpublished master’s thesis. Durban: University of Natal.
Baxter, Veronica 2000 Unizima Lomthawala: Satisfying everyone all of the time in drama and theatre as education. South African Theatre Journal, 14:55-72.
Baxter, Veronica and Aitchison, James 2006. The playful theatre of Nicholas Ellenbogen. 1985-1990. South African Theatre Journal, 20:48-64.
The Baxter theatre. 1977. Scenaria, August/ September:12-13.
Baxter theatre. [Air conditioning, heating and ventilation]. 1978. Construction in Southern Africa, 23(6):54-63. September.
Baxter’s first five years. 1982. Scenaria, (32):17-19.
Beard, Margot 2002. King Lear: a production of the North West Arts Drama Youth group, directed by Mpumelelo Grootboom at the Grahamstown Festival, June/July 2002. Shalespeare in Southern Africa, 14:59-60.
Bedford, Jacoba W. 1988. The presence of the past in selected works by Pieter-Dirk Uys. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for C.H.E.
Behrens, Aldo Georg 1978. Speelgoed van glas [Tennessee Williams] : 'n aanbieding in die opvoedkundige teater. Unpublished master’s thesis.Potchefstroom: Potchefstroom University for C.H.E.
Behrens, Aldo 1985. Dominante en determinante in die ensceneringsproses. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for C.H.E.
Belasting op die toneel. 1945. Huisgenoot, 30(1225):5. September 14.
Bell, Elizabeth Anne Charlton 1984. Speech and drama as a secondary school subject : an analysis of selected problem areas with reference to South Africa and England. Unpublished master’s thesis. Durban: University of Natal.
Bell, Lynette 1978. An approach to theatre make-up. Scenaria, December/January: 41.
Belling, Veronica Penkin 2004. A Yiddish actor in Port Elizabeth [Henry Ariel]. Jewish affairs, 59(1):40-42.
Belling, Veronica Penkin 2006. Yiddish theatre in South Africa. Jewish affairs, 61(4):5-16.
Belling, Veronica Penkin 2008. Yiddish theatre in South Africa: :a history from the late nineteenth century to 1960. Cape Town : Isaac and Jessie Kaplan Centre for Jewish Studies and Research.
Belowende begin. [Nasionale toneel se eerste opvoerings]. 1948. Huisgenoot, 32(1353):15. February 27.
Beneke, Johannes Jacobus Petrus 1980. Die dramatiese funksie van die flits. Unpublished doctoral dissertation. Johannesburg: Rand Afrikaans University.
Beneke, Johannes Jacobus Petrus 1984. Christine: model van die flitsvertelling, in Malan, Charles (ed.) Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 51-63.
Bennett, Vane 1885. Biographical and memorial Sketch of F.A. Disney Roebuck. Cape Town: Saul Solomon and Co.
Benson, Mary 1973 Athol Fugard and “one little corner of the world”. Yale / Theatre, IV, no.1 (Winter 1973):55-62
Benson, Mary.1977. Keeping an appointment with the future: the theatre of Athol Fugard. Theatre Quarterly 7(28):77-83.
Benson, Mary 1997. Athol Fugard and Barney Simon: Bare Stage, A Few Props, Great Theatre. Johannesburg: Ravan Press.
Bensusan, A.D. 1968. Case for the banning of smoking in theatres. Municipal Affairs, 33(389):31-37. January.
Benz, M. 1964. Nuwe vermaaklikheid in Suid-Afrika: bioskoop, teater saam op een verhoog. Brandwag, 28(5):29. April 3.
Berk, Anita 2001. Female bodies as text : disobedient representations of the witch. Unpublished master’s thesis. Cape Town: University of Cape Town.
Bernstein, Daphne 1972. The History of the Standard Theatre, Johannesburg, with special reference to the contribution of Leonard Rayne. Unpublished bachelor’s essay. Johannesburg: University of the Witwatersrand.
Berold, Ralph et al. 2000. Interactive Drama for Environmental Educators. Howick: Share-net.
Click on the appropriate letters of the alphabet in the sub-list below.
B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
