Difference between revisions of "He Left Quietly"
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| − | A 2002 play written by [[Yael Farber]] in collaboration with human rights activist and former death row prisoner | + | A 2002 play written by [[Yael Farber]] in collaboration with [[Duma Kumalo]] focusing on Kumalo's personal experiences as a human rights activist in South Africa in the 1980s and as a former death row prisoner who was reprieved just 15 hours before he was to be hanged. The play's title comes from the central character musing that perhaps the body remains after the soul has left quietly... |
Published by Oberon Books (London), together with ''[[A Woman in Waiting]]'' and ''[[Amajuba: Like Doves We Rise]]'' in ''Theatre as Witness'', a trilogy of [[Yael Farber]] plays - foreword by Archbishop [[Desmond Tutu]]. | Published by Oberon Books (London), together with ''[[A Woman in Waiting]]'' and ''[[Amajuba: Like Doves We Rise]]'' in ''Theatre as Witness'', a trilogy of [[Yael Farber]] plays - foreword by Archbishop [[Desmond Tutu]]. | ||
| − | == | + | ==Translations and adaptations== |
| + | == Performance history outside South Africa == | ||
| + | The play was commissioned by the House of World Cultures in Berlin, Germany, where it was first performed at the InTransit Festival in June 2002. | ||
| − | + | Staged in the Lower Ossington Theatre at the SummerWorks Festival in Toronto, Canada, in August 2014, directed by Leora Morris, with Conrad Coates, Aviva Armour-Ostroff, and Tawiah Ben-Eben M'Carthy. | |
== Performance history in South Africa == | == Performance history in South Africa == | ||
| + | Premièred in South Africa at the [[Grahamstown Festival]] in 2002, directed by [[Yael Farber]], with [[Duma Kumalo]], [[Lebohang Elephant]] and [[Yana Sakelaris]]. The same production was subsequently staged in the [[Arena Theatre]] at the [[State Theatre]] in August 2002. | ||
| + | == Sources == | ||
| + | ''The Star'', 27 August 2002. | ||
| + | ''The Star'', 3 September 2002. | ||
| − | + | ''Sunday Independent'', 8 September 2002. | |
| − | |||
| + | ''The Sowetan'', 8 & 9 September 2002. | ||
Go to [[ESAT Bibliography]] | Go to [[ESAT Bibliography]] | ||
Revision as of 10:43, 9 February 2015
A 2002 play written by Yael Farber in collaboration with Duma Kumalo focusing on Kumalo's personal experiences as a human rights activist in South Africa in the 1980s and as a former death row prisoner who was reprieved just 15 hours before he was to be hanged. The play's title comes from the central character musing that perhaps the body remains after the soul has left quietly...
Published by Oberon Books (London), together with A Woman in Waiting and Amajuba: Like Doves We Rise in Theatre as Witness, a trilogy of Yael Farber plays - foreword by Archbishop Desmond Tutu.
Contents
Translations and adaptations
Performance history outside South Africa
The play was commissioned by the House of World Cultures in Berlin, Germany, where it was first performed at the InTransit Festival in June 2002.
Staged in the Lower Ossington Theatre at the SummerWorks Festival in Toronto, Canada, in August 2014, directed by Leora Morris, with Conrad Coates, Aviva Armour-Ostroff, and Tawiah Ben-Eben M'Carthy.
Performance history in South Africa
Premièred in South Africa at the Grahamstown Festival in 2002, directed by Yael Farber, with Duma Kumalo, Lebohang Elephant and Yana Sakelaris. The same production was subsequently staged in the Arena Theatre at the State Theatre in August 2002.
Sources
The Star, 27 August 2002.
The Star, 3 September 2002.
Sunday Independent, 8 September 2002.
The Sowetan, 8 & 9 September 2002.
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
