Difference between revisions of "ESAT Bibliography Pia-Pie"

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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
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Picardie, Michael 2009. The drama and theatre of two South African plays under apartheid. Aberystwyth: Aberystwyth University. (M.Phil. dissertation).
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Pienaar, B. 1985. Deon : hoe yswind sy gesig verlam het [Deon van Zyl].  Huisgenoot, 12-13. Oktober 17.
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Pienaar, B. 1985. Mooie Amanda : pyn agter die glimlag [Amanda Strydom}. Huisgenoot, 14-15. Julie 25.
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Pienaar, Hans. 1999.  Die Engelse KKNK...  Insig, 08/99: 41.
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Pienaar, Hans. 2002. Audience reaction shows that past is still present: Karoo festival play on land issues staged for poor of Schoemanshoek. In: The Sunday Independent, April 7, 2002: 10.
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Pienaar, Hans. 2004. The perpetual crisis of succession. In: The Sunday Independent, April 18, 2004: 11.
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Pienaar, L. 1952. Dramaturg en die regisseur. Helikon, 1(3): 88-91.
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Pienaar, Léonie 1941. Toneelonderrig in die skool. Huisgenoot. 26(1029):23. Desember 12.
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Pienaar, Samantha  1997. Fitting the word to the action:  an ethnographic journey into theatre, by Neilesh Bose. Reviewed in: South African theatre journal, 11(1&2):323-324.
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Pienaar, Samantha  1997. Interculturalism and South African Indian fusion dance, by Suria Govender. Reviewed in: South African theatre journal, 11(1&2):322..
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Pienaar, Samantha  1998. Alien bodies:  representations of modernity,’ race’ and nation in early modern dance, by Ramsay Burt. Reviewed in: South African theatre journal, 12(1&2):262-265.
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Pienaar, Samantha  2002. Songs of the women migrants:  performance and identity in South Africa, by Deborah James. Reviewed in: South African theatre journal, 16: 228 – 229.
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Pienaar BOSE, NEILESH.  Fitting the Word to the Action:  An Ethnographic Journey into Theatre () South African Theatre Journal, Vol.    11(1&2):323-324
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Pienaar BURT, RAMSAY.  Alien Bodies:  Representations of Modernity, ‘Race’ and Nation in early Modern Dance (Samantha) South African Theatre Journal, Vol.    12(1&2):262-265
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Pienaar GOVENDER, SURIA.  Interculturalism and South African Indian Fusion Dance (Samantha) South African Theatre Journal, Vol.    11(1&2):322
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Pienaar JAMES, DEBORAH.  Songs of the women migrants:  performance and identity in South Africa. (Samantha)  Vol 16: 228 – 229.
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Pieterse, Hennie 1991. Die keiser – ‘n teksontledingstrategie. Tydskrif vir letterkunde, 29(2): 112-135.
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Pietersen D. 1999. Patterns of change; audience, attendance, and music at the 1994
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Grahamstown Festival. Contemporary theatre review, 9(2): 61.
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Pietersen, Issaac Dudley 1998. South African drama and theories of the apocalypse. Bellville: University of the Western Cape. (MA-thesis.)
  
  

Revision as of 12:12, 6 December 2010

Click on the appropriate letters of the alphabet in the sub-list below.

P-Pea Peb-Ph Pia-Pie Pif-Po Pre-Pz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance



Picardie, Michael 2009. The drama and theatre of two South African plays under apartheid. Aberystwyth: Aberystwyth University. (M.Phil. dissertation).

Pienaar, B. 1985. Deon : hoe yswind sy gesig verlam het [Deon van Zyl]. Huisgenoot, 12-13. Oktober 17.

Pienaar, B. 1985. Mooie Amanda : pyn agter die glimlag [Amanda Strydom}. Huisgenoot, 14-15. Julie 25.

Pienaar, Hans. 1999. Die Engelse KKNK... Insig, 08/99: 41.

Pienaar, Hans. 2002. Audience reaction shows that past is still present: Karoo festival play on land issues staged for poor of Schoemanshoek. In: The Sunday Independent, April 7, 2002: 10.

Pienaar, Hans. 2004. The perpetual crisis of succession. In: The Sunday Independent, April 18, 2004: 11.

Pienaar, L. 1952. Dramaturg en die regisseur. Helikon, 1(3): 88-91.

Pienaar, Léonie 1941. Toneelonderrig in die skool. Huisgenoot. 26(1029):23. Desember 12.

Pienaar, Samantha 1997. Fitting the word to the action: an ethnographic journey into theatre, by Neilesh Bose. Reviewed in: South African theatre journal, 11(1&2):323-324.

Pienaar, Samantha 1997. Interculturalism and South African Indian fusion dance, by Suria Govender. Reviewed in: South African theatre journal, 11(1&2):322..

Pienaar, Samantha 1998. Alien bodies: representations of modernity,’ race’ and nation in early modern dance, by Ramsay Burt. Reviewed in: South African theatre journal, 12(1&2):262-265.

Pienaar, Samantha 2002. Songs of the women migrants: performance and identity in South Africa, by Deborah James. Reviewed in: South African theatre journal, 16: 228 – 229.

Pienaar BOSE, NEILESH. Fitting the Word to the Action: An Ethnographic Journey into Theatre () South African Theatre Journal, Vol. 11(1&2):323-324

Pienaar BURT, RAMSAY. Alien Bodies: Representations of Modernity, ‘Race’ and Nation in early Modern Dance (Samantha) South African Theatre Journal, Vol. 12(1&2):262-265

Pienaar GOVENDER, SURIA. Interculturalism and South African Indian Fusion Dance (Samantha) South African Theatre Journal, Vol. 11(1&2):322

Pienaar JAMES, DEBORAH. Songs of the women migrants: performance and identity in South Africa. (Samantha) Vol 16: 228 – 229.

Pieterse, Hennie 1991. Die keiser – ‘n teksontledingstrategie. Tydskrif vir letterkunde, 29(2): 112-135.

Pietersen D. 1999. Patterns of change; audience, attendance, and music at the 1994 Grahamstown Festival. Contemporary theatre review, 9(2): 61.

Pietersen, Issaac Dudley 1998. South African drama and theories of the apocalypse. Bellville: University of the Western Cape. (MA-thesis.)



Click on the appropriate letters of the alphabet in the sub-list below.

P-Pea Peb-Ph Pia-Pie Pif-Po Pre-Pz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

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