Difference between revisions of "De Dronkaard"
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1844: Performed in Stellenbosch on 5 June 1844 by the joint company "Het Privaat Hollandsch Tooneellievend Gezelschap" playing under the united motto of [[Tot Nut en Vermaak]] and [[Door Yver Vruchtbaar]], as their first performance, along with ''[[Natuur en pligt, of de zoon rechter over zijnen vader]]'' (Pelletier-Volméranges) | 1844: Performed in Stellenbosch on 5 June 1844 by the joint company "Het Privaat Hollandsch Tooneellievend Gezelschap" playing under the united motto of [[Tot Nut en Vermaak]] and [[Door Yver Vruchtbaar]], as their first performance, along with ''[[Natuur en pligt, of de zoon rechter over zijnen vader]]'' (Pelletier-Volméranges) | ||
| − | 1854: Performed by [[Door Yver Bloeit de Kunst]] in Cape Town in the [[Bree Street Theatre]] (cnr of Dorp Street), on 12 October 1854, under the title ''[[Adelaide van Beyeren]]'', as an afterpiece to ''[[Adelaide van | + | 1854: Performed by [[Door Yver Bloeit de Kunst]] in Cape Town in the [[Bree Street Theatre]] (cnr of Dorp Street), on 12 October 1854, under the title ''[[Adelaide van Beyeren]]'', as an afterpiece to ''[[Adelaide van Beijeren]]'' ( Loaisel Tréogate). . |
==Translations and adaptations== | ==Translations and adaptations== | ||
Revision as of 06:52, 14 August 2014
(Full title De Dronkaard, of De Boer Edelman. Also spelled De Dronkaart in some copies.) Comedy in two acts by August Friedrich Ferdinand Von Kotzebue, translated into Dutch by J. S. Van Esveldt Holtrop in 1805, under this title.
Performance history in South Africa
1831: The Dutch text performed by Tot Nut en Vermaak in Cape Town with De Graaf van Waltron, of De Subordinatie (Möller).
1844: Performed in Stellenbosch on 5 June 1844 by the joint company "Het Privaat Hollandsch Tooneellievend Gezelschap" playing under the united motto of Tot Nut en Vermaak and Door Yver Vruchtbaar, as their first performance, along with Natuur en pligt, of de zoon rechter over zijnen vader (Pelletier-Volméranges)
1854: Performed by Door Yver Bloeit de Kunst in Cape Town in the Bree Street Theatre (cnr of Dorp Street), on 12 October 1854, under the title Adelaide van Beyeren, as an afterpiece to Adelaide van Beijeren ( Loaisel Tréogate). .
Translations and adaptations
Sources
Jan ten Brink, Geschiedenis der Noord-Nederlandsche letteren in de XIXe eeuw. Deel 1. Tj. van Holkema, Amsterdam 1888[
http://en.wikipedia.org/wiki/August_von_Kotzebue
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