Difference between revisions of "Rhinoceros"
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''Rhinoceros'' (French original title ''Rhinocéros'') is a play by Eugène Ionesco (1912-1994), written in 1959. The play belongs to the school of drama known as the Theatre of the Absurd. Over the course of three acts, the inhabitants of a small, provincial French town turn into rhinoceroses; ultimately the only human who does not succumb to this mass metamorphosis is the central character, Bérenger, a flustered everyman figure who is often criticized throughout the play for his drinking and tardiness. The play is often read as a response and criticism to the sudden upsurge of Communism, Fascism and Nazism during the events preceding World War II, and explores the themes of conformity, culture, mass movements, philosophy and morality. It is the second in Ionesco's ''Berenger Cycle'', preceded by ''[[The Killer]]'' (1958) and followed by ''[[Exit the King]]'' (1962) and ''[[A Stroll in the Air]]'' (1963). | ''Rhinoceros'' (French original title ''Rhinocéros'') is a play by Eugène Ionesco (1912-1994), written in 1959. The play belongs to the school of drama known as the Theatre of the Absurd. Over the course of three acts, the inhabitants of a small, provincial French town turn into rhinoceroses; ultimately the only human who does not succumb to this mass metamorphosis is the central character, Bérenger, a flustered everyman figure who is often criticized throughout the play for his drinking and tardiness. The play is often read as a response and criticism to the sudden upsurge of Communism, Fascism and Nazism during the events preceding World War II, and explores the themes of conformity, culture, mass movements, philosophy and morality. It is the second in Ionesco's ''Berenger Cycle'', preceded by ''[[The Killer]]'' (1958) and followed by ''[[Exit the King]]'' (1962) and ''[[A Stroll in the Air]]'' (1963). | ||
| + | == Performance history in South Africa == | ||
| + | Produced by [[Peter Kleinschmidt]] with the students of UCT at the [[Little Theatre]] in 196*. | ||
| − | + | ''Die Renosters'' directed by [[Jannie Gildenhuys]] for [[PACT]] in 1963 starring Gildenhuys, [[Cobus Rossouw]], [[Vicki Vosloo]], [[Ernst Eloff]], [[Phyllis Punt]], [[Roelf Laubscher]], [[Limpie Basson]], [[Jan Bruijns]], [[Leonora Nel]], [[Francois Swart]] and [[Kita Redelinghuys|Kita Redelinghuijs]]. Decor by [[Raimond Schoop]] and costumes designed by [[Joubero Malherbe]]. | |
| − | + | ''Die Renosters'' presented by the [[Stellenbosch University Drama Department]] in the [[H.B. Thom Theatre]] in May 1994, directed by [[Waldemar Schultz]], starring [[Paul du Toit]], [[Francois Toerien]], [[Anneke Hayward]], [[Ewald Cress]], [[Martelize Kolver]], [[Anton van Eeden]], [[Erik de Waal]], [[Suzanne Smith]], [[Gaerin Hauptfleisch]], [[Franci Swanepoel]], [[Marianne Stander]], [[Lisl Wolmarans]], [[Nico Dreyer]], [[Amelda Brand]], [[Cornelius Koopman]], [[Nicole Holm]], and [[Waldemar Schultz]]. | |
| − | + | ==Translations and adaptations== | |
| + | Translated into Afrikaans from the French as ''Die Renosters'' by [[Bartho Smit]]. Published by HAUM-Literêr in the series ''Bartho Smit-vertalings'' in 1984, including ''[[La Leçon|Die Les]]'' and ''[[Die Koning Sterf]]'' in the same volume. | ||
== Sources == | == Sources == | ||
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| − | + | Go to [[South African Theatre/Bibliography|ESAT Bibliography]] | |
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| + | == Return to == | ||
| − | Return to [[ESAT Plays 2 R|R]] in Plays | + | Return to [[ESAT Plays 2 R|R]] in Plays II Foreign Plays |
Return to [[South_African_Theatre/Plays]] | Return to [[South_African_Theatre/Plays]] | ||
| + | |||
| + | Return to [[The ESAT Entries]] | ||
Return to [[Main Page]] | Return to [[Main Page]] | ||
Revision as of 18:32, 31 March 2014
Rhinoceros (French original title Rhinocéros) is a play by Eugène Ionesco (1912-1994), written in 1959. The play belongs to the school of drama known as the Theatre of the Absurd. Over the course of three acts, the inhabitants of a small, provincial French town turn into rhinoceroses; ultimately the only human who does not succumb to this mass metamorphosis is the central character, Bérenger, a flustered everyman figure who is often criticized throughout the play for his drinking and tardiness. The play is often read as a response and criticism to the sudden upsurge of Communism, Fascism and Nazism during the events preceding World War II, and explores the themes of conformity, culture, mass movements, philosophy and morality. It is the second in Ionesco's Berenger Cycle, preceded by The Killer (1958) and followed by Exit the King (1962) and A Stroll in the Air (1963).
Performance history in South Africa
Produced by Peter Kleinschmidt with the students of UCT at the Little Theatre in 196*.
Die Renosters directed by Jannie Gildenhuys for PACT in 1963 starring Gildenhuys, Cobus Rossouw, Vicki Vosloo, Ernst Eloff, Phyllis Punt, Roelf Laubscher, Limpie Basson, Jan Bruijns, Leonora Nel, Francois Swart and Kita Redelinghuijs. Decor by Raimond Schoop and costumes designed by Joubero Malherbe.
Die Renosters presented by the Stellenbosch University Drama Department in the H.B. Thom Theatre in May 1994, directed by Waldemar Schultz, starring Paul du Toit, Francois Toerien, Anneke Hayward, Ewald Cress, Martelize Kolver, Anton van Eeden, Erik de Waal, Suzanne Smith, Gaerin Hauptfleisch, Franci Swanepoel, Marianne Stander, Lisl Wolmarans, Nico Dreyer, Amelda Brand, Cornelius Koopman, Nicole Holm, and Waldemar Schultz.
Translations and adaptations
Translated into Afrikaans from the French as Die Renosters by Bartho Smit. Published by HAUM-Literêr in the series Bartho Smit-vertalings in 1984, including Die Les and Die Koning Sterf in the same volume.
Sources
http://en.wikipedia.org/wiki/Rhinoceros_(play)
PACT report, 1963/64
Go to ESAT Bibliography
Return to
Return to R in Plays II Foreign Plays
Return to South_African_Theatre/Plays
Return to The ESAT Entries
Return to Main Page
