Difference between revisions of "ESAT Bibliography Gra"
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[[Stephen Gray|Gray, Stephen]] 1984c. The theatre of [[Fatima Dike]] (''[[The First South African]]''; ''[[The Pain of Being]]''; ''[[The Sacrifice of Kreli]]'') . ''English Academy Review'', 2:55-60. | [[Stephen Gray|Gray, Stephen]] 1984c. The theatre of [[Fatima Dike]] (''[[The First South African]]''; ''[[The Pain of Being]]''; ''[[The Sacrifice of Kreli]]'') . ''English Academy Review'', 2:55-60. | ||
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| + | [[Stephen Gray|Gray, Stephen]] 1984d. The theatre of [[Stephen Black]]: an example of cultural discontinuity in South Africa., in White, Landeg and Couzens, Tim (eds.). ''Literature and Society in South Africa''. Pinelands, Cape Town : Maskew Miller Longman. 101-109. | ||
[[Stephen Gray|Gray, Stephen]] 1985. Desegregating the theatre. ''Index On Censorship'', 14(4):11-14, 17. | [[Stephen Gray|Gray, Stephen]] 1985. Desegregating the theatre. ''Index On Censorship'', 14(4):11-14, 17. | ||
Revision as of 16:59, 19 June 2013
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Graham, S. 2002. Trauma, Representation, and Public Memory in South Africa: Apartheid Prison Narratives and the Truth Commission,
Graham, S. 2005. Private trauma, public drama: Fugard, Kani and Ntshona’s The Island and Maponya’s Gangsters. English Studies in Africa, 48(1):107-123.
Graham S. 2007. 'I was those thousands!': Memory, identity and space in John Kani's Nothing But The Truth. Theatre Research International, 32(1):68-84.
Graham, Shane 2009. South African Literature After The Truth Commission: mapping loss. New York, NY; Palgrave Macmillan. Graham, S 2002, Trauma, Representation, and Public Memory in South Africa: Apartheid Prison Narratives and the Truth Commission, Dissertation Abstracts International, Section A: The Humanities And Social Sciences, 62, 8, p. 2759,
Grahame, Margot 1947. It’s my ambition to bring six plays to South Africa. Outspan, 42(1082):31-33. November 21.
Graver, David & Kruger, Loren 1989. South Africa’s national theatre: the market or the street?: New Theatre Quarterly, 19:272-81.
Graver, David 1995. Theatre in the new South Africa. Performing Arts Journal, 17(1):103-109.
Graver, David 1997. Standard Bank National Arts Festival. Theatre Journal, 49(1):56-59.
Gray, Donald 1946. More theatres needed in South Africa. Outspan. 39(997):19. April 5.
Gray, Stephen 1978a. Herman Charles Bosman and Lago Clifford. Africana Notes and News, 23:155-157. December.
Gray, Stephen 1978b. Our forgotten drama: Stephen Gray looks at the continuity of South African English drama. Speak: critical arts journal, 1(2):13-16; 46-47.
Gray, Stephen (ed.). 1978c. Theatre One: New South African Drama. Johannesburg: Ad Donker
Gray, Stephen 1979. Southern African Literature. An Introduction. London: David Philip.
Gray, Stephen 1979. Fugard in London. Heresy, 1:33-39.
Gray, Stephen 1980a. Athol Fugard. Cape Town: Maskew Miller.
Gray, Stephen 1980b. Athol Fugard’s development: a stocktaking. Theoria, 55:33-36.
Gray, Stephen 1981a. The coming into print of Athol Fugard’s Tsotsi. Journal of Commonwealth Literature, 16:56-63.
Gray, Stephen (ed.). 1981b. Stephen Black and Love and the Hyphen (1902-1928). Critical Arts, 2(1):51-59.
Gray, Stephen (ed.). 1981c. Theatre Two: New South African Drama. Johannesburg: Ad Donker.
Gray, Stephen (ed.). 1982. Athol Fugard. Johannesburg, McGraw Hill.
Gray, Stephen 1982. Stephen Black: Three Plays. Johannesburg, Ad Donker.
Gray, Stephen 1982. Southern African Literature. An Introduction. Cape Town, David Philip.
Gray, Stephen 1983. Processing life into words. The notebooks of Athol Fugard. Contrast, 14(3):81-86.
Gray, Stephen (ed.) 1984a. Market Plays. Johannesburg: Ad Donker.
Gray, Stephen 1984b. South African drama: bedevilling categories: English Academy Review, 2: 119-125.
Gray, Stephen 1984c. The theatre of Fatima Dike (The First South African; The Pain of Being; The Sacrifice of Kreli) . English Academy Review, 2:55-60.
Gray, Stephen 1984d. The theatre of Stephen Black: an example of cultural discontinuity in South Africa., in White, Landeg and Couzens, Tim (eds.). Literature and Society in South Africa. Pinelands, Cape Town : Maskew Miller Longman. 101-109.
Gray, Stephen 1985. Desegregating the theatre. Index On Censorship, 14(4):11-14, 17.
Gray, Stephen 1986. A chair called Agamemnon: Athol Fugard’s use of Greek dramatic myths. Standpunte, 39(4):19-27.
Gray, Stephen 1987. The Breytie Book: A Collection of Articles on South African Theatre, edited by Temple Hauptfleisch. Reviewed in: South African Theatre Journal, 1(2):96-97.
Gray, Stephen 1990. ‘Between me and my country’: Fugard’s My children! My Africa! at the Market Theatre, Johannesburg. New Theatre Quarterly, 6(21):25-30.
Gray, Stephen 1990. Interview with Geraldine Aron. South African Theatre Journal, 4(2):30-49.
Gray, Stephen 1990. Women in South African theatre. South African Theatre Journal, 4(1):75-87.
Gray, Stephen (comp.) 1991. File on Fugard. London: Methuen Drama.
Gray, Stephen 1993a. Problems of compiling a collection of plays of the 1980s. South African Theatre Journal, 7(2):63-76.
Gray, Stephen (ed.) 1993b. South Africa Plays. London: Nick Hern
Gray, Stephen 1998. Notes on South Africa and Australian theatre. South African Theatre Journal, 12(1&2):172-177.
Click on the appropriate letters of the alphabet in the sub-list below.
Ga-Gi Gl-Go Gra Gre-Gri Gro Gru-Gz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
