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Combrink, Annette L. 1981. Betrayal (Harold Pinter). Teaterforum, 2(1):17-27.

Combrink, Annette L. 1985. Sociocultural and political values in selected plays by South African playwrights. Koers, 50(3):233-247.

Combrink, Annette L. 1986. 'A man's scenery is other men ...' : Athol Fugard's latest plays. Literator, 7(1):58-68.

Combrink, Annette L. 1987. Shakespeare made easy, by Allan Durband. Reviewed in: South African Theatre Journal, 1(1):125-129.

Combrink, Annette L. 1986. The Power and Precision of a skillfully crafted Miniature: Geraldine Aron’s playwrighting. Durban: Unpublished paper delivered at the AUETSA conference.

Combrink, Annette L. 1987. Seven Plays and Four Monologues, by Geraldine Aron. Reviewed in: South African Theatre Journal, 1(1):130-132.

Combrink, Annette L. 1999. “The arts festival as healing force” (Athol Fugard): the role of the two major arts festivals and a possible resurgence in South African drama, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 195-205.

Combrink, Salomé 1978. Verskillende fasette van hoop in enkele moderne dramas. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.

Combrink, Salomé 1986. Drama : registreerder van laat twintigste-eeuse stadsproblematiek. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.

Combrink, Salomé 1988. Drama as registreerder van laat twintigste-eeuse stadsproblematiek. Fasette, 7(2):42-45. December.

Computer controls live theatre lighting. 1970. South African Electrical Review, 61(629):32. October.

Conradie, P. 1992. Die ek-in-die-ander : 'n ondersoek na die totstandkoming van identiteit in enkele Suid-Afrikaanse dramas. Stilet, 4(1):81-89.

Conradie, P.J. 1961. Die gebruik van antieke bronne in Van Wyk Louw se Germanicus. Standpunte,15(1):25-48.

Conradie, P.J. 1962. Noodlot in die dramas van Leipoldt – ’n verdere poging. Tydskrif vir Letterkunde, 12(1):20-25.

Conradie, P.J. 1969. Die Afrikaanse dramaturge. Teater SA, 1(3):2-3.

Conradie, P.J. 1974. Hoe Om ‘n Drama te Ontleed. Pretoria: Academica.

Conradie, P.J. 1978. Drama uit vaderlandse en Bybelse geskiedenis. [Literary criticism]. Standpunte, 31(2):32-39.

Conradie, P.J. 1980. Betrokkenheid in ‘n paar onlangse dramas. Standpunte, 33(2):57-64.

Conradie, P.J. 1982. Op die grense van die drama. Standpunte, 35(2):67-75.

Conradie, P.J. 1982. Mag en onmag van die woord in die dramas van Henriëtte Grové. Tydskrif vir Letterkunde, 20(4) :44-52.

Conradie, P.J. 1984a. Eenheid van handeling en tyd – klassieke en moderne benaderings, in Malan, Charles (ed.) Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 7-22.

Conradie, P.J. 1984b. Die literêre kritikus en die drama. Standpunte, 37(3) : 22-33.

Conradie, P.J. 1985. Die literêre kritikus en die drama. Teaterforum, 6(1) :73-90.

Conradie, P.J. 1987. Skaak (M.C. Botha) - van kortverhaal tot drama. Tydskrif vir Letterkunde, 25(4):33-37.

Conradie, P.J. 1990. Syncretism in Wole Soyinka’s play The Bacchae of Euripedes. South African Theatre Journal, 4(1): 61-74.

Conradie, P.J. 1991. P.C. Schoonees en die Afrikaanse drama van die twintigerjare. Tydskrif vir Letterkunde, 29(1):76-83.

Conradie, P.J. 1996. Debates surrounding an approach to African tragedy. South African Theatre Journal, 10(1):25-34.

Conradie, P.J. 1998. Aristophanes en die tweede bedryf van Breyten Breytenbach se 'Boklied' : 'n verkenning. Akroterion, 16(43):15-22.

Conradie, P.J. 2000 Tragic conflicts in three African plays. South African Theatre Journal, 14:129- 45.

Conradie, Piet & Blumer, Arnold 1985. Die literêre kritikus en die drama. Teaterforum, 6(1):82.

Constantly filled Space. 1972. Artlook, 5(12): 22-24. December.

Conteh-Morgan, John & Olaniyan, Tejumola (eds.). 2004. African Drama and Performance. Bloomington, Ind.: Indiana University Press.

Conversations with Breytenbach. 1978. Scenaria, April/May:40-41.

Conversations with giants: Athol Fugard. Dramatists Guild Quarterly, 27(4): 6, 15-24.

Cooke, Roy H. 1946. How the scenic artist is coming into his own. Outspan. 40(1035):49. December 27.

Coplan, David B. 1983. Poppie Nongena in New York. Reviewed in: Critical Arts, 3(1):79-81.

Coplan, David B. 1986. Ideology and tradition in South African black popular theatre. Journal of American Folklore, 99(392):151-176.

Coplan, David B. 1987. Dialectics of tradition in Southern African Black popular theatre. Critical Arts, 4(3):5-27.

Coplan, David B. 1987 Retying The Blood Knot: Fugard on Broadway. Reviewed in: South African Theatre Journal, 1(1):114-117.

Coplan, David B. 1994. Politics and performance - theatre, poetry, and song in Southern Africa, edited by L. Gunner. Reviewed in: Social Dynamics, 20(1):150-151.

Coplan, David B. 2008. In Township Tonight! :South Africa's Black City Music and Theatre. 2nd ed. Chicago, IL : University of Chicago Press.

Copteros, Athina 2002. Workshop theatre in post-apartheid South Africa : a case study. Unpublished master’s thesis. Grahamstown: Rhodes University.

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