ESAT Bibliography Che-Cl

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The children’s theatre in South Africa. 1957. Lantern, 146-130. December.

Chinyowa, Kennedy 2009. Theatrical performance as technology: the case of drama in AIDS education (DramAidE) in South Africa. Studies in Theatre & Performance, 29(1):33-52.

Chinyowa, Kennedy 2010. Communicating Development Through Applied Theatre : Case Study of a Community Theatre Project in South Africa. Saarbrucken : Lambert Academic Pub.

A chronology of SA theatre: 1887-1984 compiled by CESAT. 1985, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 142-155.

Cilliers, J. 1979. Best little powerhouse in Jo’burg. (Dawn Lindberg). Fair Lady, 15(13):62-67. October 19.

Cima, Gibson Alessandro 2012. Postconflict Nostalgia: Postapartheid South African Theatre, 1990-2010. Unpublished doctoral dissertation. University of Washington.

Civic Theatre at Johannesburg. 1962. South African Builder, 40(8):14-23.

Claassen, Jacques 1986. Maude vir Antjie. De Kat, 2(3):50-53.

Claassen, George 1996. News as vaudeville: the dramatic image; news diffusion and demise of cultural literacy through show business. South African Theatre Journal, 10(2):101-115.

Claassen, George 1998. Just the ticket! – my 50 years in show business by Percy Tucker. Reviewed in: South African Theatre Journal, 12(1&2):237-243.

Claassen, J.-M. 2006. Rendering Caesar: thoughts on the translation into English of N. P. van Wyk Louw's Germanicus. Akroterion, 51(2).

Clarence, S. 1992. Theatre for Africa. Environmental Education Bulletin, 122(6):25-29.

Cleary, Beth 2000. The Zulu by Mbongeni Ngema. Reviewed in: Theatre Journal, 52(4):571-572.

Cloete, L. 1971. Sphinx on Table mountain. [sets for Aïda]. Personality, 55-56. March 14.

Cloete, L. 1977. Sterrewagteater in Bloemfontein. Lantern, 27(1):72-73. May.

Cloete, Mike (ed.). 1974. The first ten years – CAPAB/KRUIK – Die eerste tien jaar. Cape Town: The Standard Press.

Cloete, Nicola 2011. Gendering performance in At Her Feet (Nadia Davids). South African Theatre Journal, 25(1):45-53.

Cloete, T.T. 1965. Die stem in die literêre kunswerk - 'n ondersoek na die aanbiedingswyse in die liriese en epiese poësie, verhalende prosa en drama, deur J.C. Kannemeyer. Reviewed in: Tydskrif vir Geesteswetenskappe, 5(4):438-442.

Cloete, T.T. 1975. Henriëtte Grové se Toe Hulle Die Vierkleur op Rooigrond Gehys Het. [Literary criticism]. Tydskrif vir Letterkunde, 13(4):82-84.

Cloete, T.T. 1984. Die dramatiese vers van Die Laaste Aand, in Malan, Charles (ed.) Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 105-114.

Clouts, Rita 1956. The Brian Brooke story, 1. Sound, 1(2):20-21.

Clouts, Rita 1956. The Brian Brooke story, 2. Sound, 1(3):20-21.

Clouts, Rita 1956. The Brian Brooke story, 3. Sound, 1(4):5.

Clowes, L. 2008. Masculinity, matrimony and generation: reconfiguring patriarchy in Drum 1951-1983. Journal of Southern African Studies, 34(1):179-192.

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