Difference between revisions of "People's Space"

From ESAT
Jump to navigation Jump to search
Line 1: Line 1:
 
The [[People's Space]] ('''Volksruimte''' in Afrikaans/'''Indawo Yezizwe''' in Xhosa) was a  continuation of the [[Space Theatre]] after the original founder [[Brian Astbury]] and his wife [[Yvonne Bryceland]] left to settle in  England in 1979.
 
The [[People's Space]] ('''Volksruimte''' in Afrikaans/'''Indawo Yezizwe''' in Xhosa) was a  continuation of the [[Space Theatre]] after the original founder [[Brian Astbury]] and his wife [[Yvonne Bryceland]] left to settle in  England in 1979.
  
Renamed under the management of  [[Rob Amato]] and backed by [[Muriel Fine]] and others, the theatre continued its predecessor’s provocative work, though often serving rather as venue than as production company,  till 1981. Among the significant new works were [[Matsemela Manaka]]’s ''[[Egoli]]''[[Zakes Mda]]’s ''[[Dark Voices Ring]]'' (1978) and ''[[The Hill]]'' (1980),  and [[Kessie Govender]]’s ''[[Working Class Hero]]''. Also the South African premiéres of  Sam Shepard’s ''[[Cowboy Mouth]]'' and David Hare’s ''[[Fanshen]]''. Also done were ''[[Alice!]]'' (1981)
+
Renamed under the management of  [[Rob Amato]] and backed by [[Muriel Fine]] and others, the theatre continued its predecessor’s provocative work, though often serving rather as venue than as production company,  till 1981.  
 +
 
 +
==Productions==
 +
 
 +
Among the significant new works were:
 +
 
 +
[[Matsemela Manaka]]’s ''[[Egoli]]''
 +
 
 +
1978: [[Zakes Mda]]’s ''[[Dark Voices Ring]]''
 +
 
 +
1980: ''[[The Hill]]''  
 +
 
 +
and [[Kessie Govender]]’s ''[[Working Class Hero]]''. Also the South African premiéres of  Sam Shepard’s ''[[Cowboy Mouth]]'' and David Hare’s ''[[Fanshen]]''.  
 +
 
 +
1981: ''[[Alice!]]'', ''[[The Marionettes of Cachiporra]]''
  
 
== Sources ==
 
== Sources ==

Revision as of 13:52, 22 May 2026

The People's Space (Volksruimte in Afrikaans/Indawo Yezizwe in Xhosa) was a continuation of the Space Theatre after the original founder Brian Astbury and his wife Yvonne Bryceland left to settle in England in 1979.

Renamed under the management of Rob Amato and backed by Muriel Fine and others, the theatre continued its predecessor’s provocative work, though often serving rather as venue than as production company, till 1981.

Productions

Among the significant new works were:

Matsemela Manaka’s Egoli

1978: Zakes Mda’s Dark Voices Ring

1980: The Hill

and Kessie Govender’s Working Class Hero. Also the South African premiéres of Sam Shepard’s Cowboy Mouth and David Hare’s Fanshen.

1981: Alice!, The Marionettes of Cachiporra

Sources

Loren Kruger, 1999: 163

For more information

Return to

Return to South African Theatre Venues, Companies, Societies, etc

Return to The ESAT Entries

Return to Main Page