Difference between revisions of "Dido and Aeneas"
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1958/1964: Presented at the [[University of the Free State]] at some point during this period, conducted by [[Leo Quayle]]. | 1958/1964: Presented at the [[University of the Free State]] at some point during this period, conducted by [[Leo Quayle]]. | ||
| − | 2002: Presented by [[Cape Town Opera]] at [[Spier Amphitheatre]] (12–27 January), featuring [[Sibongile Mngoma]], [[Brad Liebl]], [[Angela Kerrison]], [[Tina Mene]]. Directed by [[Paul Stern]]. Orchestra and Chorus conducted by [[Hans Huyssen]]. With [[Free Flight Dance Company]] choreographed by [[Adele Blank]]. Costumes by [[Peter Cazalet]]. In this production, Purcell's music, as scored for Baroque chamber orchestra, is set against a percussion ensemble - both the prologue and epilogue and passages in the body of the work being structured from original music in an authentic African style created by [[Dizu Plaatjies]] and members of [[Amampondo]]. | + | 2002: Presented by [[Cape Town Opera]] at [[Spier Amphitheatre]] (12–27 January), featuring [[Sibongile Mngoma]], [[Brad Liebl]], [[Angela Kerrison]], [[Tina Mene]], [[Derick Ellis]], [[Christopher Ainslie]]. Directed by [[Paul Stern]]. Orchestra and Chorus conducted by [[Hans Huyssen]]. With [[Free Flight Dance Company]] choreographed by [[Adele Blank]]. Costumes by [[Peter Cazalet]]. In this production, Purcell's music, as scored for Baroque chamber orchestra, is set against a percussion ensemble - both the prologue and epilogue and passages in the body of the work being structured from original music in an authentic African style created by [[Dizu Plaatjies]] and members of [[Amampondo]]. |
== Sources == | == Sources == | ||
Latest revision as of 13:40, 1 March 2025
Dido and Aeneas is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell (1659-1695) with a libretto by Nahum Tate.
Contents
The original text
Dido and Aeneas is based on Book IV of Virgil’s epic The Aeneid. It is one of the earliest known English operas, and one of the most important and often performed operas written in the Baroque period. It is also Henry Purcell’s only true opera; that is, his only all-sung dramatic work.
Translations and adaptations
Performance history in South Africa
1958/1964: Presented at the University of the Free State at some point during this period, conducted by Leo Quayle.
2002: Presented by Cape Town Opera at Spier Amphitheatre (12–27 January), featuring Sibongile Mngoma, Brad Liebl, Angela Kerrison, Tina Mene, Derick Ellis, Christopher Ainslie. Directed by Paul Stern. Orchestra and Chorus conducted by Hans Huyssen. With Free Flight Dance Company choreographed by Adele Blank. Costumes by Peter Cazalet. In this production, Purcell's music, as scored for Baroque chamber orchestra, is set against a percussion ensemble - both the prologue and epilogue and passages in the body of the work being structured from original music in an authentic African style created by Dizu Plaatjies and members of Amampondo.
Sources
Wayne Muller. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis.
'Dido & Aeneas Synopsis'. Sarasota Opera. https://www.sarasotaopera.org/dido-aeneas-synopsis-background
Sjoerd Alkema. 2012. "Conductors of the Cape Town Municipal Orchestra, 1914-1965: a historical perspective". University of Cape Town. Unpublished PhD thesis.
Ivan Meredith. 2006. 'Opera in South Africa during the first democratic decade'. Unpublished Masters thesis. University of Cape Town.
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