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The List

Coray-Dapretto, L. 1995. Le théâtre communautaire sud-africain: théâtre intertextuelle par excellence. Unpublished doctoral dissertation. Grenoble: Université Stendhal.

Coray-Dapretto, Lorenza 1996. Le théâtre communautaire sud-africain: au rhyme de l'autre. Paris: L'Harmattan.

Cornell, Carohn 1988. Cape Town scenes: using short plays in class. Crux, 22(2):4-9. April.

Cornell, Carohn 1989. Script-writing for English second language classes in Cape Town: a contribution to liberatory education. Unpublished master’s thesis. Cape Town: University of Cape Town.

Cornwell, Gareth, Klopper, Dirk and Mackenzie, Craig. 2012. The Columbia Guide to South African Literature in English Since 1945 Google E-book[1]

Corporate sponsorship of the arts. 1981. Scenaria, (26):27.

The Corsair Drama Group and Siener in die Suburbs. 1978. Scenaria, (9):37, 39.

Cosser, Michael 1991. Dramatic discourse in the foreground of The Hill. South African Theatre Journal, 5(2):66-79.

Counihan, G. & De Bruin, W. 2000. Determined to open doors : success; Actors carve a niche in the market : corporate theatre : entrepreneurs. Finance Week, 27(90042):33-35.

Counihan, G. & De Bruin, W. 2000. Deurdruk lei tot deurbraak : sukses; Akteurs skep 'n nis in die mark : geld uit teater : entrepreneurs. Finansies & Tegniek, 159(9):33-35.

Couzens, Tim 1985. The New African: A Study of The Life and Work of H.I.E. Dhlomo. Johannesburg: Ravan Press.

Couzens, Tim 1988. A moment in the past: William Tsikinya-Chaka. Shakespeare in Southern Africa, 2:60-66.

Coveney, M. 1973. Challenging the silence (interview). Plays and Players, 21 (2):34-37.

Cowley, Deborah 1990. Athol Fugard's Voice of Conscience. Reader's Digest December 1990: pp. 41-46.

Cox, Emma 2012. Victimhood, Hope and the Refugee Narrative: Affective Dialectics in Magnet Theatre's Every Year, Every Day, I Am Walking. Theatre Research International, 37 (2):118-133.

Cox, Frances Jayne 1991. The notion of physicality in vocal training for the performer in South African theatre, with particular reference to the Alexander technique. Unpublished master’s thesis. Grahamstown: Rhodes University.

Coyne, Pareick 1988. Play production in the primary school. Crux, 22(4):2-10. October.

Craighead, Clare 2010. When the rainbow is not enough: Site-specificity, the body as a site, multiculturalism and intercultural practice in Jay Pathers's CityScapes (Durban, 2002). South African Theatre Journal, 24:259-278.

Crail, Archie 1993. In search of a character. Canadian Theatre Review, 74:73-77.

Crake, A.M. 1986. The Port Elizabeth Opera House : the architect’s view. Scenaria, (62) :13-15.

Creux, A. 1965. Shakespeare at Maynardville. Lantern, 15(1):55-59.

Crewe, J.V. 1972. Place for Manson? Standpunte, 25(3):19-31. February.

Crewe, J.V. 1973. H.W.D. Manson, in Lennox-Short, Alan (ed.). English and South Africa. Cape Town: Nasou. 87-89.

Crisis of African theatre. 1973. Business South Africa, 8(4):32-33. April.

Crisis of African theatre: discussion. 1973. Business South Africa, 8(5):7.

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