Difference between revisions of "The Wages of Sin"
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== The original text == | == The original text == | ||
| − | Described by | + | Described by on the |
| + | Tewkesbury Arts & Drama Society website[http://www.tads.org.uk/PastProd/WOS/wagesofsin.HTM] as a "classic melodrama.. [that]..has a Chairman, a good guy, a villain, a pretty girl and everything you expect from a melodrama, including High Drama, a fight, lasciviousness, lust, temptation and horrible deaths.... after being stabbed with a pistol." | ||
==Translations and adaptations== | ==Translations and adaptations== | ||
Revision as of 06:04, 23 March 2023
The Wages of Sin is a melodrama by Andrew Sachs ().
Subtitled Perfidious Piecework.
[1].
Contents
The original text
Described by on the Tewkesbury Arts & Drama Society website[2] as a "classic melodrama.. [that]..has a Chairman, a good guy, a villain, a pretty girl and everything you expect from a melodrama, including High Drama, a fight, lasciviousness, lust, temptation and horrible deaths.... after being stabbed with a pistol."
Translations and adaptations
Performance history in South Africa
1978: Staged as a lunch-hour presentation at The Space (Cape Town) in 1978, directed by Nigel Stevenson with Gillian Burl, Scott Hawker, Corinne Willoughby and Guy Willoughby. The stage manager was Pam Mills.
Sources
Astbury 1979.
http://www.tads.org.uk/PastProd/WOS/wagesofsin.HTM
Not listed in plays by German-born British actor and playwright Andrew Sachs [3].
The Sound of Laughter by Peter Kay, page 67, referring to the uncertainty of authorship of The Wages of Sin: [4]
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
