Difference between revisions of "Brian Heydenrych"
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He was responsible for both the sound effects and the interesting musical scoring of the play ''[[Boklied]]'' in 1998. His sole appearance on stage, in the second act, is as a silent, long suffering angel who expires before the act's conclusion ([[Raeford Daniel]] in ''[[The Citizen]]'' 14 April 1998). | He was responsible for both the sound effects and the interesting musical scoring of the play ''[[Boklied]]'' in 1998. His sole appearance on stage, in the second act, is as a silent, long suffering angel who expires before the act's conclusion ([[Raeford Daniel]] in ''[[The Citizen]]'' 14 April 1998). | ||
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+ | In 2004 he was the festival co-ordinator of the [[PANSA]] Festival of Reading of New Writing. | ||
Brian is one of the founders of the production company [[Cockpit Theatre]]. | Brian is one of the founders of the production company [[Cockpit Theatre]]. |
Revision as of 08:36, 23 February 2022
Brian Heydenrych (1969- ). A South African stage, film and television actor.
Theatre productions include: Mame (1994); Evita (1994); Boy Meets Boy (1994); Cabaret (1995); La Bête (1995); Loot (1996); Macbeth (1996); Die Gangsters (1997); Boklied (1998); Strangers on a Train (2000); The Blue Room (2000); King Lear (2002); Wit (2003/4); Hayfever (2006); Women Beware Women (2007); Kissed by Brel (2008).
Contribution to SA theatre, film, media and/or performance
Cabaret (1995), Loot (as Dennis, 1996), Boy Meets Boy (as Casey O'Brien, 1996), Die Gangsters (1997), Strangers on a Train (1999), The Blue Room (1999), Wit (2004).
He was responsible for both the sound effects and the interesting musical scoring of the play Boklied in 1998. His sole appearance on stage, in the second act, is as a silent, long suffering angel who expires before the act's conclusion (Raeford Daniel in The Citizen 14 April 1998).
In 2004 he was the festival co-ordinator of the PANSA Festival of Reading of New Writing.
Brian is one of the founders of the production company Cockpit Theatre.
He has appeared on television in productions such as Othello: a South African Tale (2002) [1].
Sources
Samantha Bernhardi Artist Management [2].
IMDb [3].
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