Difference between revisions of "No Smoking Allowed, or Cat and Dog"
| Line 3: | Line 3: | ||
==The original text== | ==The original text== | ||
| − | Though no further reference to such a play has been found, | + | Though no further reference to such a play has been found, though [[F.C.L. Bosman]] (1980: p246) tentatively suggests a "J.R. Brown" as the possible author. The piece appears to have been a two hander for the two [[transformation]] artistes, for Bosman also cites the following short description: "The Cat, an ill used wife; The Dog, an outraged husband." |
==Translations and adaptations== | ==Translations and adaptations== | ||
Revision as of 05:33, 17 December 2021
No Smoking Allowed, or Cat and Dog is a play by an anonymous author.
Contents
The original text
Though no further reference to such a play has been found, though F.C.L. Bosman (1980: p246) tentatively suggests a "J.R. Brown" as the possible author. The piece appears to have been a two hander for the two transformation artistes, for Bosman also cites the following short description: "The Cat, an ill used wife; The Dog, an outraged husband."
Translations and adaptations
Performance history in South Africa
1869: Performed as part of the repertoire of Amelia Bailey and Florence Calzado, part of the Poussard-Bailey Company, when they remained in South Africa for a few months, when the rest of the company had left for Europe. They undertook a private tour in South Africa during May, inter alia performing in the Mutual Hall, Cape Town, in a concert that also included songs by James Leffler and "Tragic Recitations" by T. Brazier.
Sources
D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1932. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.203-205
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
