Difference between revisions of "Mischief-making"
Line 14: | Line 14: | ||
1861: Performed by [[Sefton Parry]] and his company in the [[Theatre Royal]], Cape Town, on 18 May, as an afterpiece to ''[[Giralda, or The Invisible Husband]]'' (ascribed to Welstead), with a dance (Pas de Matlots) by [[Miss Powell]], a popular ballad sung by [[James Leffler]]. | 1861: Performed by [[Sefton Parry]] and his company in the [[Theatre Royal]], Cape Town, on 18 May, as an afterpiece to ''[[Giralda, or The Invisible Husband]]'' (ascribed to Welstead), with a dance (Pas de Matlots) by [[Miss Powell]], a popular ballad sung by [[James Leffler]]. | ||
− | 1861: Performed by the company of [[Sefton Parry]] in the [[Theatre Royal]], Cape Town, on 23 May, with ''[[The Stranger]]'' (Kotzebue/ | + | 1861: Performed by the company of [[Sefton Parry]] in the [[Theatre Royal]], Cape Town, on 23 May, with ''[[The Stranger]]'' (Kotzebue/Thompson and Sheridan). |
== Sources == | == Sources == |
Revision as of 04:07, 16 June 2021
Mischief-making is a farce in one act by John Baldwin Buckstone (1802-1879)[1]
Contents
The original text
First performed at the Surrey Theatre and the Adelphi Theatre , London, in 1830.
Published in Lacy's acting edition by Thomas Hailes Lacy, 1868
Translations and adaptations
Performance history in South Africa
1861: Performed by Sefton Parry and his company in the Theatre Royal, Cape Town, on 18 May, as an afterpiece to Giralda, or The Invisible Husband (ascribed to Welstead), with a dance (Pas de Matlots) by Miss Powell, a popular ballad sung by James Leffler.
1861: Performed by the company of Sefton Parry in the Theatre Royal, Cape Town, on 23 May, with The Stranger (Kotzebue/Thompson and Sheridan).
Sources
Facsimile version of the 1868 Lacy text, Hathi Trust Digital Library[2]
https://en.wikipedia.org/wiki/John_Baldwin_Buckstone
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: p.97.
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page