Difference between revisions of "ESAT Original SA plays As-At"
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(Created page with "== The list == '''To return to other lists in the section on ''Original SA plays'', click on the alphabetical list below''' A ESAT Original S...") |
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== The list == | == The list == | ||
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| + | [[As die Broek Pas]] | ||
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| + | [[As Broers Saamleef]] | ||
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| + | [[As die galgtou weer swaai]] | ||
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| + | [[As die Klok Twaalfuur Slaan]] | ||
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| + | [[As die Lewenskoste Knyp]] | ||
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| + | [[As die Skoen jou Pas…]] | ||
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| + | [[As die Son Ondergaan]] | ||
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| + | [[As die tuig skawe]] | ||
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| + | [[As die Nefie kom Kuier]] | ||
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| + | [[As die Turksvy Blom]] | ||
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| + | [[As Ek Maar Geweet Het]] | ||
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| + | [[As Long As Forever Is]] (Goodman/Thomas) | ||
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| + | [[As ons twee eers getroud is]] | ||
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| + | [[As the Koekie Crumbles]] | ||
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| + | [[Die Asblik|Asblik, Die]] | ||
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| + | [[Ashes (Philip Rademeyer)]] | ||
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| + | [[Ashes on our Heads]] | ||
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| + | [[Asinamali]] (Ngema) | ||
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| + | [[Asingeni lapho]] | ||
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| + | [[Die Asjaspassie]] | ||
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| + | [[Asjas Passie]] | ||
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| + | [[Aspoestertjie]] | ||
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| + | [[Asseblief miesies]] | ||
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| + | [[De Assurantie|Assurantie, De]] | ||
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| + | [[The Astounding Antics of Anthony Ant|Astounding Antics of Anthony Ant, The]] | ||
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| + | [[Asylum-for-the-Sane]] | ||
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| + | [[At Her Feet]] | ||
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| + | [[At the Edge]] | ||
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| + | [[At the risk of being]] | ||
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| + | [[Atalia]] | ||
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| + | [[Atalia, Wrede Koningmoeder van Juda]] | ||
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| + | [[Atkinson at 80]] | ||
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| + | [[Atkinson at 80 – The Importance of Being Michael]] | ||
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| + | [[Atlantis! Atlantis!]] | ||
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| + | [[Attica in Africa]] | ||
Revision as of 06:06, 13 June 2021
The list
As Long As Forever Is (Goodman/Thomas)
Asinamali (Ngema)
Astounding Antics of Anthony Ant, The
Atalia, Wrede Koningmoeder van Juda
Atkinson at 80 – The Importance of Being Michael
To return to other lists in the section on Original SA plays, click on the alphabetical list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page
