Difference between revisions of "Un Mariage sous Louis XV"
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==Translations and adaptations== | ==Translations and adaptations== | ||
− | Adapted into English as ''[[A Marriage of Convenience. Period : Louis XV]]'' (also known | + | Adapted into English as ''[[A Marriage of Convenience. Period : Louis XV]]'' (also known simply as ''[[A Marriage of Convenience]]'') a comedy in five acts by Sydney Grundy (1848-1914)[https://en.wikipedia.org/wiki/Sydney_Grundy], and performed in London at the Theatre Royal, Haymarket, in 1897, revived in 1918. |
− | Translated into [[Afrikaans]] as ''[[Gerieflike Huwelik]]'' in 1927. | + | Translated into [[Afrikaans]] as ''[[Gerieflike Huwelik]]'' in 1927. |
== Performance history in South Africa == | == Performance history in South Africa == |
Revision as of 06:36, 31 August 2020
Un Mariage sous Louis XV ("A marriage under Louis XV") is a French prose comedy in five acts by Alexandre Dumas père (1802-1870)[1].
Contents
The original text
A young couple, married for convenience, discover each other's charms.
The play was first performed at the Théâtre Français on the 1st of June, 1841.
Translations and adaptations
Adapted into English as A Marriage of Convenience. Period : Louis XV (also known simply as A Marriage of Convenience) a comedy in five acts by Sydney Grundy (1848-1914)[2], and performed in London at the Theatre Royal, Haymarket, in 1897, revived in 1918.
Translated into Afrikaans as Gerieflike Huwelik in 1927.
Performance history in South Africa
1927: Performed in Afrikaans as Gerieflike Huwelik by Paul de Groot as part of his touring repertoire, also featuring Maxie Botha and André Huguenet.
1866: Performed as Lucretia Borgia by the Le Roy-Duret Company in the Harrington Street Theatre, Cape Town, on
Sources
D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1932. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.203-205
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