Difference between revisions of "The Maid of the Mill"
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| − | 1862: Performed as ''[[The Maid of the Mill]]'' by [[Clara Tellett]] and her company in the [[Theatre Royal]], Cape Town, on 2 August, with ''[[Love in Humble Life]]'' (Scribé/Payne) and ''[[A Perfect Cure]]'' (Sapte). ([[F.C.L. Bosman]], 1980, p. 131 - seemingly unaware of the existence of this text - suggests it may have been a version of either ''[[The Miller's Maid]]'' by Saville or a comic opera that he for some reason cites as ''[[The Maid and the Mail]]'' by Bickerstaffe - no such text has been traced to date.) | + | 1862: Performed as ''[[The Maid of the Mill]]'' by [[Clara Tellett]] and her company in the [[Theatre Royal]], Cape Town, on 2 August, with ''[[Love in Humble Life]]'' (Scribé/Payne) and ''[[A Perfect Cure]]'' (Sapte). ([[F.C.L. Bosman]], 1980, p. 131 - seemingly unaware of the existence of this text - suggests it may have been a version of either ''[[The Miller's Maid]]'' by Saville or a comic opera that he for some reason cites as ''[[The Maid and the Mail]]'' by Bickerstaffe - however, no such text has been traced to date.) |
== Sources == | == Sources == | ||
Revision as of 05:43, 6 August 2020
The Maid of the Mill is a comic opera by Isaac Bickerstaffe (1733-1808)[1]
Also found as The Maide of the Mill
Contents
The original text
The comic opera was a musical stage adaptation of Samuel Richardson's novel Pamela (1740) and . This was also a major success, and like its predecessor it went on to be played throughout the English-speaking world for more than a century following its first production."
Written and first performed in London in 1765 (probably as The Maide of the Mill), with music by Samuel Arnold and others, it would go on to play in the Theatres Royal at Drury Lane and Covent Garden, and see numerous performances throughout the English-speaking world for more than a century. The text was first published in 1765 for J. Newbery.
Translations and adaptations
Performance history in South Africa
1862: Performed as The Maid of the Mill by Clara Tellett and her company in the Theatre Royal, Cape Town, on 2 August, with Love in Humble Life (Scribé/Payne) and A Perfect Cure (Sapte). (F.C.L. Bosman, 1980, p. 131 - seemingly unaware of the existence of this text - suggests it may have been a version of either The Miller's Maid by Saville or a comic opera that he for some reason cites as The Maid and the Mail by Bickerstaffe - however, no such text has been traced to date.)
Sources
Facsimile version of J. Bell's 1797 edition of the opera, Google E-book[2]
http://projects.chass.utoronto.ca/prescrip/18thcComedy/plays/03_bick_maidmill.html
https://en.wikipedia.org/wiki/Isaac_Bickerstaffe
D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1932. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.131,
Go to ESAT Bibliography
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