Difference between revisions of "Giralda, ou La Nouvelle Psyché"
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==Translations and adaptations== | ==Translations and adaptations== | ||
| − | It was | + | It was simultaniously presented in English in London in three versions: |
As ''[[Giralda, or The Invisible Husband]]'', adapted as a comic drama in three acts, by Henry Welstead and first performed at the Royal Olympic Theatre, on Thursday, September 12, 1850. Published in London by Thomas Hailes Lacy in 1850. | As ''[[Giralda, or The Invisible Husband]]'', adapted as a comic drama in three acts, by Henry Welstead and first performed at the Royal Olympic Theatre, on Thursday, September 12, 1850. Published in London by Thomas Hailes Lacy in 1850. | ||
Revision as of 06:21, 10 February 2020
Giralda, ou La Nouvelle Psyché is an opéra comique[1] in three acts by Eugène Scribe (1791-1861)[2], with music by Adolphe Adam (1803-1856)[3].
Contents
The original text
The French piece had its first performance at the Opéra-Comique theatre, Paris, on 20 July 1850.
Translations and adaptations
It was simultaniously presented in English in London in three versions:
As Giralda, or The Invisible Husband, adapted as a comic drama in three acts, by Henry Welstead and first performed at the Royal Olympic Theatre, on Thursday, September 12, 1850. Published in London by Thomas Hailes Lacy in 1850.
As Giralda, or the Miller's Wife adapted by Dion Boucicault in 1850.
As Giralda, or Which Is My Husband?
Performance history in South Africa
1861: Performed as Lucretia Borgia by the Le Roy-Duret Company in the Harrington Street Theatre, Cape Town, on
Sources
Facsimile version of the Welstead text of 1850, Warwick Digital Collections [4]
https://en.wikipedia.org/wiki/Adolphe_Adam
D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1932. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.203-205
Go to ESAT Bibliography
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Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
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