Difference between revisions of "ESAT Bibliography Ar-Az"
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[[M. Armstrong|Armstrong, M.]] 1973. A few teaching experiments. ''Transvaal Educational News'', 70(8):12-14. | [[M. Armstrong|Armstrong, M.]] 1973. A few teaching experiments. ''Transvaal Educational News'', 70(8):12-14. | ||
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| + | Art is life and life is art: an interview with [[John Kani]] and [[Winston Ntshona]] of the [[Serpent Players]], South Africa. 1976. ''Ufahamu: Journal of the African Activist Association'', 6(2):5-26. | ||
[[Michael D. Arthur|Arthur, Michael D.]] 1993. The waiting is over: South African theatre of transition. Unpublished master’s thesis. Austin: University of Texas. | [[Michael D. Arthur|Arthur, Michael D.]] 1993. The waiting is over: South African theatre of transition. Unpublished master’s thesis. Austin: University of Texas. | ||
Revision as of 14:41, 13 July 2011
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Arendse, Michael. 1999. Gordyn sak op die ou Nico. Insig, (134): 26. Maart.
Armistead, Claire 1990. Market values. Plays and Players, (435):14-16.
Armstrong, Elizabeth 1961. Pretoria theatre for children. Lantern, 11:45-50.
Armstrong, M. 1973. A few teaching experiments. Transvaal Educational News, 70(8):12-14.
Art is life and life is art: an interview with John Kani and Winston Ntshona of the Serpent Players, South Africa. 1976. Ufahamu: Journal of the African Activist Association, 6(2):5-26.
Arthur, Michael D. 1993. The waiting is over: South African theatre of transition. Unpublished master’s thesis. Austin: University of Texas.
Arthur, Michael D. and Arthur, Tom 1994. The 1994 Grahamstown Festival. South African Theatre Journal, 8(2):163-183.
Arthur, Michael D. 1999b. Think differently: South Africa theatre of/in transition and the Standard Bank National Arts Festival 1992-1996. Unpublished doctoral dissertation. Austin: University of Texas.
Arthur, Thomas H. & Arthur Michael D. 1993. The 1992 Grahamstown Festival. South African Theatre Journal, 7(1):88-103.
Arthur, Thomas H. 1990. My Children! My Africa! by Athol Fugard. Reviewed in Theatre Journal, 42(2):246-247.
Arthur, Thomas H. 1992 Looking for my relatives: The political implications of “family” in selected work by Athol Fugard and August Wilson. South African Theatre Journal, 6(2):15-16.
Arvan, Maxine 1985. The National Drama Library, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 113-114.
Asch, Leslee 2005. The giraffe that conquered Paris: a unique collaboration between puppet-companies in South Africa and Mali heads to the U.S. American Theatre, 22(5):24-27.
Asein, Samuel Omo 1980. The humanism of Ezekiel Mphahlele. Journal of Commonwealth Literature, 15:38-49.
Astbury, Brian 1973. My vrou Yvonne (Yvonne Bryceland). Sarie Marais, 24(28):54-59. July 18.
Astbury, Brian 1979. The Space/Die Ruimte/Indawo. Cape Town: Moira and Azriel Fine.
Astbury, Brian 1980a. Irresistable force (Nomhle Nkonyeni). Fair Lady, 15(19):46-51. March 26.
Astbury, Brian 1980b. Rags to riches: (Rory West and Cindy West). Fair Lady, 16(5):122-124. October 8.
Astbury, Brian 1985. Janet Suzman’s greatest role. Fair Lady, 20(8):98-100.
Astbury, Brian 2011. Trusting the actor. [1]
Athiemulam, V. 1984. Drama in language teaching. Journal of Language Teaching, 18(3) :42-58.
Athol Fugard: an interview. 1984. In Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret (eds.). 1984. Momentum: On Recent South African Writing. Pietermaritzburg: University of Natal Press. 22-28.
Athol Fugard and the South African 'workshop' play, in Crow, Brian 1996. An Introduction to Post-Colonial Theatre. Cambridge: Cambridge University Press. 96-111.
Attridge, Derek & Jolly, Rosemary (eds.). 1998. Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press.
Attwell, Eric 1992. Port Elizabeth Opera House: The First 100 Years. Cape Town: Cape Performing Arts Board.
Aubrey Sekhabi: drama 1998. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 116-117.
Aucamp, Hennie 1983. Dramatisering vir die klaskamer (inleiding tot ‘n stelwerkprojek). Klasgids, 18(3):95-100.
Aucamp, Hennie 1983. Meer vastigheid en vorm (gedagtes rondom dramatisering en stelwerkopdrag). Klasgids, 18(2):116-125.
Aucamp, Hennie 1990. Wat is ‘n klassieke kabaretlied ? Tydskrif vir Letterkunde, 29(1):17-25.
Aucamp, Hennie 1994a. Diary of an erotic life by Frank Wedekind, edited by Gerhard Hay. Reviewed in: South African Theatre Journal, 8(2):191-198.
Aucamp, Hennie 1994b. Dubbeldop: Kabarettekste en -opstelle. Kaapstad: Human & Rousseau.
Aucamp, Hennie 1994c. Die laaste wals, of kabaret as lewensgevoel. Tydskrif vir Letterkunde, 32(1):8-20.
Aucamp, Hennie 1994d. Die sewe doodsondes in kabaretverband. South African Theatre Journal, 8(2):5-25.
August, Tyrone 1990. Interview with Gcina Mhlophe. Journal of Southern African Studies, 16(2):329-335.
August, Tyrone 1994. Interview with Gcina Mhlophe,in Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 273-284.
August, Tyrone. (1990) 'Interview with Gcdna Mhlophe', Journal of Southern African Studies,Vol. 16, No. 2, pp. 329-335
Auld, Allen 2002. Macbeth: a comparison, directed by Garth Anderson for the Elizabeth Sneddon Theatre, February 2002; directed by Patrick Collyer of Kwasuka Theatre Company for the Dan Pienaar Hall, February/March 2002. Shakespeare in Southern Africa, 14:52-55.
Automatic control in the Nico Malan Theatre. 1971. Electronics and Instrumentation, 2(5): 17. August
Ayling, Ronald 2000. André Brink, in Scanlon, Paul A. (ed.). South African Writers. Detroit: Gale Group. 42-72.
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