Difference between revisions of "ESAT Bibliography Pia-Pie"
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| − | + | [[Michael Picardie|Picardie, Michael]] 1999. A comparative perspective on two plays by South African women ([[Gcina Mhlope]], [[Fatima Dike]]). ''Contemporary Theatre Review'', 9(2):39-50. | |
[[Michael Picardie|Picardie, Michael]] 2009. The drama and theatre of two South African plays under apartheid. Unpublished master’s thesis. Aberystwyth: Aberystwyth University. | [[Michael Picardie|Picardie, Michael]] 2009. The drama and theatre of two South African plays under apartheid. Unpublished master’s thesis. Aberystwyth: Aberystwyth University. | ||
Revision as of 15:27, 20 April 2011
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Picardie, Michael 1999. A comparative perspective on two plays by South African women (Gcina Mhlope, Fatima Dike). Contemporary Theatre Review, 9(2):39-50.
Picardie, Michael 2009. The drama and theatre of two South African plays under apartheid. Unpublished master’s thesis. Aberystwyth: Aberystwyth University.
Pienaar, B. 1985. Deon: hoe yswind sy gesig verlam het (Deon van Zyl). Huisgenoot, 12-13. Oktober 17.
Pienaar, B. 1985. Mooie Amanda: pyn agter die glimlag (Amanda Strydom). Huisgenoot, 14-15. Julie 25.
Pienaar, Hans 1999. Die Engelse KKNK... Insig, 08/99: 41.
Pienaar, L. 1952. Dramaturg en die regisseur. Helikon, 1(3):88-91.
Pienaar, Léonie 1941. Toneelonderrig in die skool. Huisgenoot, 26(1029):23. Desember 12.
Pienaar, Samantha 1997. Fitting the Word to the Action: An Ethnographic Journey Into Theatre, by Neilesh Bose. Reviewed in: South African Theatre Journal, 11(1&2):323-324.
Pienaar, Samantha 1997. Interculturalism and South African Indian Fusion Dance, by Suria Govender. Reviewed in: South African Theatre Journal, 11(1&2):322.
Pienaar, Samantha 1998. Alien Bodies: Representations of Modernity,’ Race’ and Nation In Early Modern Dance, by Ramsay Burt. Reviewed in: South African Theatre Journal, 12(1&2):262-265.
Pienaar, Samantha 2002. Songs of the Women Migrants: Performance and Identity in South Africa, by Deborah James. Reviewed in: South African Theatre Journal, 16:228-229.
Pieter-Dirk Uys 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 214-215.
Pieterse, Hennie 1991. Die Keiser – ‘n teksontledingstrategie. Tydskrif vir Letterkunde, 29(2):112-135.
Pietersen D. 1999. Patterns of change; audience, attendance, and music at the 1994 Grahamstown Festival. Contemporary Theatre Review, 9(2):61.
Pietersen, Issaac Dudley 1998. South African drama and theories of the apocalypse. Unpublished master’s thesis. Bellville: University of the Western Cape.
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Return to A Bibliography of South African South African Theatre and Performance
