Difference between revisions of "ESAT Bibliography A-Al"
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[[L. Abrahams|Abrahams, L.]] 1973. [[Athol Fugard]], in [[Alan Lennox-Short|Lennox-Short, Alan]]. ''English and South Africa''. Cape Town: Nasou. 86-87. | [[L. Abrahams|Abrahams, L.]] 1973. [[Athol Fugard]], in [[Alan Lennox-Short|Lennox-Short, Alan]]. ''English and South Africa''. Cape Town: Nasou. 86-87. | ||
| − | [[Daryl Accone|Accone, Daryl]] 1991. The 1991 Grahamstown festival: an overview. ''[[South African Theatre Journal]]'', 5(2):92-103. | + | [[Daryl Accone|Accone, Daryl]] 1991. The 1991 [[National Arts Festival|Grahamstown festival]]: an overview. ''[[South African Theatre Journal]]'', 5(2):92-103. |
| − | Acoustic design for the [[Nico Malan | + | Acoustic design for the [[Nico Malan Theatre]]. 1972. ''Plan'', 57(8): 34. August. |
| − | Acoustical design of the [[State Theatre | + | Acoustical design of the [[State Theatre]] Pretoria. 1981. ''[[Scenaria]]'', Special issue:53, 55. |
| − | Acoustical design of the [[ | + | Acoustical design of the Roodepoort [[Civic Theatre]]. 1981. ''Municipal Engineer'', 12(1): 99. |
Acting is not all glamour. ([[Elizabeth Meyer]]). 1964. ''Personality'', 135-137. March 19. | Acting is not all glamour. ([[Elizabeth Meyer]]). 1964. ''Personality'', 135-137. March 19. | ||
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Afrikaanse teater in Johannesburg. 1952. ''Helikon'', 1(6):3. | Afrikaanse teater in Johannesburg. 1952. ''Helikon'', 1(6):3. | ||
| − | ''[[Afrikaners is Plesierig]]''. [Literary criticism, [[André P. Brink]]]. 1974. ''Tydskrif vir Geesteswetenskappe'', 14:217-218. September. | + | ''[[Afrikaners is Plesierig]]''. [Literary criticism, [[André P. Brink]]]. 1974. ''[[Tydskrif vir Geesteswetenskappe]]'', 14:217-218. September. |
[[J. Ainslie|Ainslie, J.]] 1982. [[Athol Fugard|Fugard]] collection in the National English literary museum, Grahamstown. ''English in Africa'', 9(2):35-39. | [[J. Ainslie|Ainslie, J.]] 1982. [[Athol Fugard|Fugard]] collection in the National English literary museum, Grahamstown. ''English in Africa'', 9(2):35-39. | ||
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[[Anthony Akerman|Akerman, Anthony]] 1989. The last bastion of freedom under siege: a reflection on theatre, in [[Willem Campschreur|Campschreur, Willem]] & [[Joost Divendal|Divendal, Joost]] (eds.). ''Culture in Another South Africa''. London: Zed Books. 50-57. | [[Anthony Akerman|Akerman, Anthony]] 1989. The last bastion of freedom under siege: a reflection on theatre, in [[Willem Campschreur|Campschreur, Willem]] & [[Joost Divendal|Divendal, Joost]] (eds.). ''Culture in Another South Africa''. London: Zed Books. 50-57. | ||
| − | [[Anthony Akerman|Akerman, Anthony]] 1993. Designing for a writer’s theatre: interview with [[Hayden Griffin]]. ''South African Theatre Journal'', 7(2):117-131. | + | [[Anthony Akerman|Akerman, Anthony]] 1993. Designing for a writer’s theatre: interview with [[Hayden Griffin]]. ''[[South African Theatre Journal]]'', 7(2):117-131. |
| − | [[Anthony Akerman|Akerman, Anthony]] 1995. ''[[The Road to Mecca]]'' in Mexico. ''South African Theatre Journal'', 9(2):117-136. | + | [[Anthony Akerman|Akerman, Anthony]] 1995. ''[[The Road to Mecca]]'' in Mexico. ''[[South African Theatre Journal]]'', 9(2):117-136. |
[[Anthony Akerman|Akerman, Anthony]] 1996. Theatre in exile, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 89-100. | [[Anthony Akerman|Akerman, Anthony]] 1996. Theatre in exile, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 89-100. | ||
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[[P. Alexander|Alexander, P.]] 2006. Globalization and new social identities: A jigsaw puzzle from Johannesburg, in [[Alexander, Peter|Alexander]], [[Dawson, Peter|Peter, Dawson]], [[C. Marcelle|Marcelle C.]] & [[Meera Ichharam|Ichharam, Meera]] (eds.). ''Globalization and new identities. A view from the middle''. Johannesburg: Jacana Media. 13-65. | [[P. Alexander|Alexander, P.]] 2006. Globalization and new social identities: A jigsaw puzzle from Johannesburg, in [[Alexander, Peter|Alexander]], [[Dawson, Peter|Peter, Dawson]], [[C. Marcelle|Marcelle C.]] & [[Meera Ichharam|Ichharam, Meera]] (eds.). ''Globalization and new identities. A view from the middle''. Johannesburg: Jacana Media. 13-65. | ||
| − | All that glitters is not gold…: Mr [[Stockton Briggle]] and [[Clouds]] by [[Angela Godfrey]]. 1979. ''Scenaria'', (11): 21-22. | + | All that glitters is not gold…: Mr [[Stockton Briggle]] and [[Clouds]] by [[Angela Godfrey]]. 1979. ''[[Scenaria]]'', (11): 21-22. |
[[Jani Allan|Allan, Jani]] 1980. 25 years of [[Maynardville]]. ''[[Scenaria]]'', (16):17-19. | [[Jani Allan|Allan, Jani]] 1980. 25 years of [[Maynardville]]. ''[[Scenaria]]'', (16):17-19. | ||
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[[Jacques Alvarez-Pereyre|Alvarez-Pereyre, Jacques]] 1984. Black committed theatre in South Africa. ''Commonwealth Essays and Studies (CE&S)'', 7 (1):80-93. | [[Jacques Alvarez-Pereyre|Alvarez-Pereyre, Jacques]] 1984. Black committed theatre in South Africa. ''Commonwealth Essays and Studies (CE&S)'', 7 (1):80-93. | ||
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Revision as of 18:14, 14 March 2011
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Aaron, G. 1984. Ken Leach. Fair Lady, 19(5): 12. February 22.
Abrahams, L. 1973. Athol Fugard, in Lennox-Short, Alan. English and South Africa. Cape Town: Nasou. 86-87.
Accone, Daryl 1991. The 1991 Grahamstown festival: an overview. South African Theatre Journal, 5(2):92-103.
Acoustic design for the Nico Malan Theatre. 1972. Plan, 57(8): 34. August.
Acoustical design of the State Theatre Pretoria. 1981. Scenaria, Special issue:53, 55.
Acoustical design of the Roodepoort Civic Theatre. 1981. Municipal Engineer, 12(1): 99.
Acting is not all glamour. (Elizabeth Meyer). 1964. Personality, 135-137. March 19.
Actors must be exciting. Scenaria interviews Louis van Niekerk. 1984. Scenaria, (46):29-32.
Adams, Kendall A. 1999. The role of Izangoma in bringing the Zulu goddess back to her people. The Drama Review, 43(2):94-117.
Addison, C. 2002. Island encounters: Intercultural communication in the Western literary tradition. Alternation: Journal of the Centre for the Study of Southern African Literature and Languages, 9(1):74-86.
Adler, Tony 1993. Return to Paton’s place (Alan Paton). American Theatre, 10(7-8):8-9.
Ahmed, J. 1990. Culture in South Africa: the challenge of transformation, in De Kock, I. & Press, K. (eds.). Spring is Rebellious. Cape Town: Buchu Books. 121-125.
Adey, D., Beeton, R., Chapman, M. & Pereira, E. (eds.). 1986. Companion to South African English Literature. Johannesburg: Ad Donker.
Afrikaans Equus 1978. Scenaria, February/March: 44.
Afrikaans stage. 1941. Forum, 3(41): 5. January 4.
Afrikaans stage. 1941 Forum, 3(44): 5. January 25.
Afrikaans theatre: Reddingsdaadbond “protection”. 1941. Forum, 4(4):31-32. April 26.
Afrikaans urge towards local drama. 1942. Forum, 5(7):19. March 16.
Afrikaanse Studentebond. 1927. Gedenkboek van die Genootskap van Regte Afrikaners. Potchefstroom: Afrikaanse Studentebond.
Afrikaanse teater in Johannesburg. 1952. Helikon, 1(6):3.
Afrikaners is Plesierig. [Literary criticism, André P. Brink]. 1974. Tydskrif vir Geesteswetenskappe, 14:217-218. September.
Ainslie, J. 1982. Fugard collection in the National English literary museum, Grahamstown. English in Africa, 9(2):35-39.
Akerman, Anthony 1977-1978. ‘Prejudicial to the safety of the state’: censorship and the theatre in South Africa. Theatre Quarterly, 7(28):54-57.
Akerman, Anthony 1977-78. Why must these shows go on? A critique of black musicals made for white audiences. Theatre Quarterly, 7(28):67-70.
Akerman, Anthony 1989. The last bastion of freedom under siege: a reflection on theatre, in Campschreur, Willem & Divendal, Joost (eds.). Culture in Another South Africa. London: Zed Books. 50-57.
Akerman, Anthony 1993. Designing for a writer’s theatre: interview with Hayden Griffin. South African Theatre Journal, 7(2):117-131.
Akerman, Anthony 1995. The Road to Mecca in Mexico. South African Theatre Journal, 9(2):117-136.
Akerman, Anthony 1996. Theatre in exile, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 89-100.
Akteur. 1981. My Loopbaan, 32:3-10.
Alcock, David 1999. Somatic emphasis in South African theatre: intervention in the body politic, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 49-57.
Alex ’81 [theatrical company]. 1981. Scenaria, (24):21-22.
Alexander, M. 1951. “Reps” producer traces story of the theatre. Childhood, 30(3):20.
Alexander, P. 2006. Globalization and new social identities: A jigsaw puzzle from Johannesburg, in Alexander, Peter, Dawson, Marcelle C. & Ichharam, Meera (eds.). Globalization and new identities. A view from the middle. Johannesburg: Jacana Media. 13-65.
All that glitters is not gold…: Mr Stockton Briggle and Clouds by Angela Godfrey. 1979. Scenaria, (11): 21-22.
Allan, Jani 1980. 25 years of Maynardville. Scenaria, (16):17-19.
Allen, Keith 1993. Getting the message across. Animations, 16(3):15.
Allen, Vivien 1970. Pretoria theatre for children: a progress report. Lantern, 19(4):28-31.
Allen, Vivien 1990. Du Val Tonight! :The Story of a Showman. Worcester, England: Square One Publications.
Altena, Ina 1972. Nuwe rigtings in die Afrikaanse drama in die sestigerjare. Unpublished master’s thesis. Cape Town: University of Cape Town.
Alvarez-Pereyre, Jacques 1984. Black committed theatre in South Africa. Commonwealth Essays and Studies (CE&S), 7 (1):80-93.
Click on the appropriate letters of the alphabet in the sub-list below.
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