Difference between revisions of "ESAT Bibliography Hut"
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| − | [[Yvette Hutchison|Hutchison, Yvette]] 1991. ''Playabout: Ten One-Act Plays'', by [[Sue Scott]] and [[Patrick Delahunty]]. Reviewed in: ''South African Theatre Journal'', 5(2):113-115. | + | [[Yvette Hutchison|Hutchison, Yvette]] 1991. ''Playabout: Ten One-Act Plays'', by [[Sue Scott]] and [[Patrick Delahunty]]. Reviewed in: ''[[South African Theatre Journal]]'', 5(2):113-115. |
| − | [[Yvette Hutchison|Hutchison, Yvette]] 1994a. ''Learning by Performing Arts: From Indigenous to Endogenous Cultural Development'', by Kees Epskamp. Reviewed in: ''South African Theatre Journal'', 8(1):84-87. | + | [[Yvette Hutchison|Hutchison, Yvette]] 1994a. ''Learning by Performing Arts: From Indigenous to Endogenous Cultural Development'', by Kees Epskamp. Reviewed in: ''[[South African Theatre Journal]]'', 8(1):84-87. |
| − | [[Yvette Hutchison|Hutchison, Yvette]] 1994b. Masks today: mediators of a complex reality. ''South African Theatre Journal'', 8(1):45-62. | + | [[Yvette Hutchison|Hutchison, Yvette]] 1994b. Masks today: mediators of a complex reality. ''[[South African Theatre Journal]]'', 8(1):45-62. |
| − | [[Yvette Hutchison|Hutchison, Yvette]] 1995a. ''African Literature in South Africa: Towards a Renaissance Conference'', by [[A. Huismans]] and [[R. Marais]]. Reviewed in: ''South African Theatre Journal'', 9(1):96-99. | + | [[Yvette Hutchison|Hutchison, Yvette]] 1995a. ''African Literature in South Africa: Towards a Renaissance Conference'', by [[A. Huismans]] and [[R. Marais]]. Reviewed in: ''[[South African Theatre Journal]]'', 9(1):96-99. |
| − | [[Yvette Hutchison|Hutchison, Yvette]] 1995. ''Plays for Young Africa'', (2 volumes), by [[Pieter Scholtz]]. Reviewed in: ''South African Theatre Journal'', 9(1):126-128. | + | [[Yvette Hutchison|Hutchison, Yvette]] 1995. ''Plays for Young Africa'', (2 volumes), by [[Pieter Scholtz]]. Reviewed in: ''[[South African Theatre Journal]]'', 9(1):126-128. |
| − | [[Yvette Hutchison|Hutchison, Yvette]] 1996a. “Access to rather than ownership of”: South African theatre history and theory at a crossroads. ''South African Theatre Journal'', 10(1): 35-47. | + | [[Yvette Hutchison|Hutchison, Yvette]] 1996a. “Access to rather than ownership of”: South African theatre history and theory at a crossroads. ''[[South African Theatre Journal]]'', 10(1): 35-47. |
| − | [[Yvette Hutchison|Hutchison, Yvette]] 1996b. ''Politics and Performance: Theatre, Poetry and Song in Southern Africa'', by [[Liz Gunner]]. Reviewed in: ''South African Theatre Journal'', 10(1):125-126. | + | [[Yvette Hutchison|Hutchison, Yvette]] 1996b. ''Politics and Performance: Theatre, Poetry and Song in Southern Africa'', by [[Liz Gunner]]. Reviewed in: ''[[South African Theatre Journal]]'', 10(1):125-126. |
| − | [[Yvette Hutchison|Hutchison, Yvette]] 1996c. ''Scars of Conquest/Masks of Resistance : The Invention of Cultural Identities in African, African-American and Caribbean Drama'', by Tejumola Olaniyan. Reviewed in: ''South African Theatre Journal'', 10(1):126-129. | + | [[Yvette Hutchison|Hutchison, Yvette]] 1996c. ''Scars of Conquest/Masks of Resistance : The Invention of Cultural Identities in African, African-American and Caribbean Drama'', by [[Tejumola Olaniyan]]. Reviewed in: ''[[South African Theatre Journal]]'', 10(1):126-129. |
| − | [[Yvette Hutchison|Hutchison, Yvette]] 1996d. Theories of drama, theatre and performance in Africa (editorial). ''South African Theatre Journal'', 10(1):1-2. | + | [[Yvette Hutchison|Hutchison, Yvette]] 1996d. Theories of drama, theatre and performance in Africa (editorial). ''[[South African Theatre Journal]]'', 10(1):1-2. |
| − | [[Yvette Hutchison|Hutchison, Yvette]] 1997. ''Theatre and Drama in Francophone Africa'', by John Conteh-Morgan. Reviewed in: ''South African Theatre Journal'', 11(1&2):290-292. | + | [[Yvette Hutchison|Hutchison, Yvette]] 1997. ''Theatre and Drama in Francophone Africa'', by John Conteh-Morgan. Reviewed in: ''[[South African Theatre Journal]]'', 11(1&2):290-292. |
| − | [[Yvette Hutchison|Hutchison, Yvette]] 1999a. ''Black South African Women: An Anthology of Plays'', by [[Kathy A. Perkins]]. Reviewed in: South African Theatre Journal, 13:206-208. | + | [[Yvette Hutchison|Hutchison, Yvette]] 1999a. ''Black South African Women: An Anthology of Plays'', by [[Kathy A. Perkins]]. Reviewed in: [[South African Theatre Journal]], 13:206-208. |
[[Yvette Hutchison|Hutchison, Yvette]] 1999b. Memory is a weapon: the uses of history and myth in selected post-1960 Kenyan, Nigerian and South African plays. Unpublished doctoral dissertation. Stellenbsosch: University of Stellenbosch. | [[Yvette Hutchison|Hutchison, Yvette]] 1999b. Memory is a weapon: the uses of history and myth in selected post-1960 Kenyan, Nigerian and South African plays. Unpublished doctoral dissertation. Stellenbsosch: University of Stellenbosch. | ||
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[[Yvette Hutchison|Hutchison, Yvette]] 1999c. Present trends in South African theatre, in [[J.A. Smit|Smit, J.A.]] (ed.). ''The Dancing Dwarf From the Land of Spirits''. Durban: CSSALL. 119-130. | [[Yvette Hutchison|Hutchison, Yvette]] 1999c. Present trends in South African theatre, in [[J.A. Smit|Smit, J.A.]] (ed.). ''The Dancing Dwarf From the Land of Spirits''. Durban: CSSALL. 119-130. | ||
| − | [[Yvette Hutchison|Hutchison, Yvette]] 1999d. The seductive dance between history and literature: The Moremi legend by historian Samuel Johnson and playwrights [[Duro Ladipo]] and [[Femi Osofisan]]. ''South African Theatre Journal'', 13(1&2):32-47. | + | [[Yvette Hutchison|Hutchison, Yvette]] 1999d. The seductive dance between history and literature: The Moremi legend by historian Samuel Johnson and playwrights [[Duro Ladipo]] and [[Femi Osofisan]]. ''[[South African Theatre Journal]]'', 13(1&2):32-47. |
| − | [[Yvette Hutchison|Hutchison, Yvette]] 2000. ''Township Plays'', ''Port Elizabeth Plays'' and ''Interior Plays'', by [[Athol Fugard]]. (3 volumes re-published in 2000). Reviewed in: ''South African Theatre Journal'', 14:225-229. | + | [[Yvette Hutchison|Hutchison, Yvette]] 2000. ''Township Plays'', ''Port Elizabeth Plays'' and ''Interior Plays'', by [[Athol Fugard]]. (3 volumes re-published in 2000). Reviewed in: ''[[South African Theatre Journal]]'', 14:225-229. |
| − | [[Yvette Hutchison|Hutchison, Yvette]] 2002a. ''African Theatre and the Unmaking of Colonial Marginality'', by [[Bhekizizwe Peterson]]. Reviewed in: ''South African Theatre Journal'', 16:244-247. | + | [[Yvette Hutchison|Hutchison, Yvette]] 2002a. ''African Theatre and the Unmaking of Colonial Marginality'', by [[Bhekizizwe Peterson]]. Reviewed in: ''[[South African Theatre Journal]]'', 16:244-247. |
[[Yvette Hutchison|Hutchison, Yvette]] 2002b. ''Beyond the Echoes of Soweto: Five Plays'', by [[Matsemela Manaka]]; ''Born in the RSA: Four Workshopped Plays'', by [[Barney Simon]]; ''[[Ubu and the Truth Commission]]'', by [[Jane Taylor]]. Reviewed in: [[Martin Banham|Banham, Martin]], [[James Gibbs|Gibbs, James]] & [[Femi Osofisan|Osofisan, Femi]] (eds.).; [[Jane Plastow|Plastow, Jane]] (reviews ed.), ''African theatre. Women''. Oxford: James Curry. 158-161. | [[Yvette Hutchison|Hutchison, Yvette]] 2002b. ''Beyond the Echoes of Soweto: Five Plays'', by [[Matsemela Manaka]]; ''Born in the RSA: Four Workshopped Plays'', by [[Barney Simon]]; ''[[Ubu and the Truth Commission]]'', by [[Jane Taylor]]. Reviewed in: [[Martin Banham|Banham, Martin]], [[James Gibbs|Gibbs, James]] & [[Femi Osofisan|Osofisan, Femi]] (eds.).; [[Jane Plastow|Plastow, Jane]] (reviews ed.), ''African theatre. Women''. Oxford: James Curry. 158-161. | ||
| − | [[Yvette Hutchison|Hutchison, Yvette]] 2003. [[ | + | [[Yvette Hutchison|Hutchison, Yvette]] 2003. [[Barney Simon]]: brokering cultural interventions. ''Contemporary Theatre Review'', 13(3): 4-15. |
[[Yvette Hutchison|Hutchison, Yvette]] 2004a. Memory and desire in South Africa: the museum as space for performing cultural identity? In [[Martin Banham|Banham, Martin]], [[James Gibbs|Gibbs, James]] & [[Femi Osofisan|Osofisan, Femi]] (eds.). ''African Theatre: Southern Africa''. Oxford: James Currey. p. 51-67. | [[Yvette Hutchison|Hutchison, Yvette]] 2004a. Memory and desire in South Africa: the museum as space for performing cultural identity? In [[Martin Banham|Banham, Martin]], [[James Gibbs|Gibbs, James]] & [[Femi Osofisan|Osofisan, Femi]] (eds.). ''African Theatre: Southern Africa''. Oxford: James Currey. p. 51-67. | ||
| Line 52: | Line 52: | ||
[[Yvette Hutchison|Hutchison, Yvette]] 2005. Truth or bust: consensualising a historic narrative or provoking through theatre. The place of the personal narrative in the [[Truth and Reconciliation Commission]]. ''Contemporary Theatre Review'', 15(3):354-362. | [[Yvette Hutchison|Hutchison, Yvette]] 2005. Truth or bust: consensualising a historic narrative or provoking through theatre. The place of the personal narrative in the [[Truth and Reconciliation Commission]]. ''Contemporary Theatre Review'', 15(3):354-362. | ||
| − | [[Yvette Hutchison|Hutchison, Yvette]] 2008. ''Theatre, Performance and New Media in Africa'', edited by Susan Arndt, Eckhard Breitinger & Marek Spitczok von Brisinski. Reviewed in: ''South African Theatre Journal'', 22:210-211. | + | [[Yvette Hutchison|Hutchison, Yvette]] 2008. ''Theatre, Performance and New Media in Africa'', edited by Susan Arndt, Eckhard Breitinger & Marek Spitczok von Brisinski. Reviewed in: ''[[South African Theatre Journal]]'', 22:210-211. |
Revision as of 12:36, 11 March 2011
Click on the appropriate letters of the alphabet in the sub-list below.
H-Hat Hau Haw-Her Hes-Hol Hom-How Hug-Hun Hut Hy-Hz
To return to any other letter, click on the list below
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Return to A Bibliography of South African South African Theatre and Performance
Hutchison, Yvette 1991. Playabout: Ten One-Act Plays, by Sue Scott and Patrick Delahunty. Reviewed in: South African Theatre Journal, 5(2):113-115.
Hutchison, Yvette 1994a. Learning by Performing Arts: From Indigenous to Endogenous Cultural Development, by Kees Epskamp. Reviewed in: South African Theatre Journal, 8(1):84-87.
Hutchison, Yvette 1994b. Masks today: mediators of a complex reality. South African Theatre Journal, 8(1):45-62.
Hutchison, Yvette 1995a. African Literature in South Africa: Towards a Renaissance Conference, by A. Huismans and R. Marais. Reviewed in: South African Theatre Journal, 9(1):96-99.
Hutchison, Yvette 1995. Plays for Young Africa, (2 volumes), by Pieter Scholtz. Reviewed in: South African Theatre Journal, 9(1):126-128.
Hutchison, Yvette 1996a. “Access to rather than ownership of”: South African theatre history and theory at a crossroads. South African Theatre Journal, 10(1): 35-47.
Hutchison, Yvette 1996b. Politics and Performance: Theatre, Poetry and Song in Southern Africa, by Liz Gunner. Reviewed in: South African Theatre Journal, 10(1):125-126.
Hutchison, Yvette 1996c. Scars of Conquest/Masks of Resistance : The Invention of Cultural Identities in African, African-American and Caribbean Drama, by Tejumola Olaniyan. Reviewed in: South African Theatre Journal, 10(1):126-129.
Hutchison, Yvette 1996d. Theories of drama, theatre and performance in Africa (editorial). South African Theatre Journal, 10(1):1-2.
Hutchison, Yvette 1997. Theatre and Drama in Francophone Africa, by John Conteh-Morgan. Reviewed in: South African Theatre Journal, 11(1&2):290-292.
Hutchison, Yvette 1999a. Black South African Women: An Anthology of Plays, by Kathy A. Perkins. Reviewed in: South African Theatre Journal, 13:206-208.
Hutchison, Yvette 1999b. Memory is a weapon: the uses of history and myth in selected post-1960 Kenyan, Nigerian and South African plays. Unpublished doctoral dissertation. Stellenbsosch: University of Stellenbosch.
Hutchison, Yvette 1999c. Present trends in South African theatre, in Smit, J.A. (ed.). The Dancing Dwarf From the Land of Spirits. Durban: CSSALL. 119-130.
Hutchison, Yvette 1999d. The seductive dance between history and literature: The Moremi legend by historian Samuel Johnson and playwrights Duro Ladipo and Femi Osofisan. South African Theatre Journal, 13(1&2):32-47.
Hutchison, Yvette 2000. Township Plays, Port Elizabeth Plays and Interior Plays, by Athol Fugard. (3 volumes re-published in 2000). Reviewed in: South African Theatre Journal, 14:225-229.
Hutchison, Yvette 2002a. African Theatre and the Unmaking of Colonial Marginality, by Bhekizizwe Peterson. Reviewed in: South African Theatre Journal, 16:244-247.
Hutchison, Yvette 2002b. Beyond the Echoes of Soweto: Five Plays, by Matsemela Manaka; Born in the RSA: Four Workshopped Plays, by Barney Simon; Ubu and the Truth Commission, by Jane Taylor. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds.).; Plastow, Jane (reviews ed.), African theatre. Women. Oxford: James Curry. 158-161.
Hutchison, Yvette 2003. Barney Simon: brokering cultural interventions. Contemporary Theatre Review, 13(3): 4-15.
Hutchison, Yvette 2004a. Memory and desire in South Africa: the museum as space for performing cultural identity? In Banham, Martin, Gibbs, James & Osofisan, Femi (eds.). African Theatre: Southern Africa. Oxford: James Currey. p. 51-67.
Hutchison, Yvette 2004b. South African theatre, in Banham, Martin (ed.). A History of Theatre in Africa. Cambridge: Cambridge University Press. 312-379.
Hutchison, Yvette 2005. Truth or bust: consensualising a historic narrative or provoking through theatre. The place of the personal narrative in the Truth and Reconciliation Commission. Contemporary Theatre Review, 15(3):354-362.
Hutchison, Yvette 2008. Theatre, Performance and New Media in Africa, edited by Susan Arndt, Eckhard Breitinger & Marek Spitczok von Brisinski. Reviewed in: South African Theatre Journal, 22:210-211.
Click on the appropriate letters of the alphabet in the sub-list below.
H-Hat Hau Haw-Her Hes-Hol Hom-How Hug-Hun Hut Hy-Hz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
