Difference between revisions of "ESAT Bibliography Am-Ap"
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[[Rob Amato|Amato, Rob]] 1977. A Xhosa woman’s serious optimism. ''Speak'', 1(1):14-17. | [[Rob Amato|Amato, Rob]] 1977. A Xhosa woman’s serious optimism. ''Speak'', 1(1):14-17. | ||
| − | [[Rob Amato|Amato, Rob]] 1984. | + | [[Rob Amato|Amato, Rob]] 1984. [[Athol Fugard|Fugard]]’s confessional analysis: ''[[Master Harold… and The Boys]]'', in [[Margaret J. Daymand|Daymond, Margaret J.]], [[Johan Jacobs|Jacobs, Johan]] & [[Margaret Lenta|Lenta, Margaret]] 1984. ''Momentum: On Recent South African Writing''. Pietermaritzburg: University of Natal Press. 198-214. |
[[Rob Amato|Amato, Rob]] 1988. [[The Baxter Theatre]] and [[Handspring Puppet Company]]’s production of ''A Midsummer Night’s Dream'' at the [[Monument Theatre]] Grahamstown, July 1988. ''Shakespeare in Southern Africa'', 2:102-105. | [[Rob Amato|Amato, Rob]] 1988. [[The Baxter Theatre]] and [[Handspring Puppet Company]]’s production of ''A Midsummer Night’s Dream'' at the [[Monument Theatre]] Grahamstown, July 1988. ''Shakespeare in Southern Africa'', 2:102-105. | ||
| − | [[Hilarious Ambe|Ambe, Hilarious]] 2000. Cultural production and strategies for conflict mediation: report on a Spring seminar on Robben Island. ''South African Theatre Journal'', 14:218-223. | + | [[Hilarious Ambe|Ambe, Hilarious]] 2000. Cultural production and strategies for conflict mediation: report on a Spring seminar on Robben Island. ''[[South African Theatre Journal]]'', 14:218-223. |
[[A. Amkpa|Amkpa A.]] 1999. Drama in South Africa and tropes of postcoloniality. ''Contemporary Theatre Review'', 9(3):1. | [[A. Amkpa|Amkpa A.]] 1999. Drama in South Africa and tropes of postcoloniality. ''Contemporary Theatre Review'', 9(3):1. | ||
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[[Huguenet,André|André Huguenet]] – the man. 1978. ''Scenaria'', February/March: 21-22. | [[Huguenet,André|André Huguenet]] – the man. 1978. ''Scenaria'', February/March: 21-22. | ||
| − | [[ | + | [[André Huguenet]]: thirty years of theatre. 1957. ''South African Panorama'', 1(8). March 28. |
| − | [[ | + | [[André P. Brink]] in gesprek met [[Abraham de Vries]]. 1972, in ''Gesprekke Met Skrywers'', deel 2. Kaapstad, Tafelberg. 1-26. |
[[A. Andrew|Andrew, A.]] 1951. Defects of the South African theatre, ''Trek'', 15(2):22-25. | [[A. Andrew|Andrew, A.]] 1951. Defects of the South African theatre, ''Trek'', 15(2):22-25. | ||
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[[R.V. Andrew|Andrew, R.V.]] 1956. The achievement of the one-act play. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education. | [[R.V. Andrew|Andrew, R.V.]] 1956. The achievement of the one-act play. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education. | ||
| − | [[Colleen Angove|Angove, Colleen]] 1986. [[ | + | [[Colleen Angove|Angove, Colleen]] 1986. [[Athol Fugard]]'s portrayal of the Afrikaner. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education |
| − | [[Colleen Angove|Angove, Colleen]] 1987. The inescapable bond with a predetermined heritage: A phenomenon illustrated by representative characters from three [[ | + | [[Colleen Angove|Angove, Colleen]] 1987. The inescapable bond with a predetermined heritage: A phenomenon illustrated by representative characters from three [[Athol Fugard]] plays. ''Literator'', 8(3):1-11. |
| − | [[Colleen Angove|Angove, Colleen]] 1989. Afrikaner stereotypes and mavericks in selected Fugard plays. ''South African Theatre Journal'', 3(1):55-68. | + | [[Colleen Angove|Angove, Colleen]] 1989. Afrikaner stereotypes and mavericks in selected [[Athol Fugard|Fugard]] plays. ''[[South African Theatre Journal]]'', 3(1):55-68. |
[[Colleen Angove|Angove, Colleen]] 1992. Alternative theatre: Reflecting a multi-racial South African society? ''Theatre Research International'', 17(1):39-45. | [[Colleen Angove|Angove, Colleen]] 1992. Alternative theatre: Reflecting a multi-racial South African society? ''Theatre Research International'', 17(1):39-45. | ||
| − | [[ | + | [[Anna Cloete]] – 50 jaar aktrise. 1985. ''Lantern'', 34(4):33-43. |
| − | [[ | + | [[Anna Neethling-Pohl]]. 1981. ''Scenaria'', Special issue:31. |
[[Sathasivan Annamalai|Annamalai, Sathasivan]] 1992. Therukoothu – a traditional dance drama form as manifest in Natal since 1860. Unpublished master’s thesis. Durban: University Durban-Westville. | [[Sathasivan Annamalai|Annamalai, Sathasivan]] 1992. Therukoothu – a traditional dance drama form as manifest in Natal since 1860. Unpublished master’s thesis. Durban: University Durban-Westville. | ||
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[[Sathasivan Annamalai|Annamalai, Sathasivan]] 1999. The history of South African Indian theatre in Natal from the mid-1900s to the present day, with special reference to its transformation within the changing socio-political climate. Unpublished doctoral dissertation. Durban: University of Durban-Westville. | [[Sathasivan Annamalai|Annamalai, Sathasivan]] 1999. The history of South African Indian theatre in Natal from the mid-1900s to the present day, with special reference to its transformation within the changing socio-political climate. Unpublished doctoral dissertation. Durban: University of Durban-Westville. | ||
| − | [[Rob Antonissen|Antonissen, Rob]] 1958. Kronieke: drie dramas – drie wêrelde [[Eitemal]]: ''[[Maria Magdalene]]'', [[ | + | [[Rob Antonissen|Antonissen, Rob]] 1958. Kronieke: drie dramas – drie wêrelde [[Eitemal]]: ''[[Maria Magdalene]]'', [[N.P. van Wyk Louw]]: ''[[Germanicus]]'', [[Uys Krige]]: ''[[Die goue kring]]'']. ''Standpunte'', 12(1):55-66. |
[[E.O. Apronti|Apronti, E.O.]] 1976. The tyranny of time: The theme of time in the artistic consciousness of South African writers, in [[Eldred Durosimi Jones|Jones, Eldred Durosimi]] (ed.). ''African Literature Today: A Review''. London: Heinemann. 106-114. | [[E.O. Apronti|Apronti, E.O.]] 1976. The tyranny of time: The theme of time in the artistic consciousness of South African writers, in [[Eldred Durosimi Jones|Jones, Eldred Durosimi]] (ed.). ''African Literature Today: A Review''. London: Heinemann. 106-114. | ||
Revision as of 21:41, 23 February 2011
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Amato, Rob 1977. A Xhosa woman’s serious optimism. Speak, 1(1):14-17.
Amato, Rob 1984. Fugard’s confessional analysis: Master Harold… and The Boys, in Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret 1984. Momentum: On Recent South African Writing. Pietermaritzburg: University of Natal Press. 198-214.
Amato, Rob 1988. The Baxter Theatre and Handspring Puppet Company’s production of A Midsummer Night’s Dream at the Monument Theatre Grahamstown, July 1988. Shakespeare in Southern Africa, 2:102-105.
Ambe, Hilarious 2000. Cultural production and strategies for conflict mediation: report on a Spring seminar on Robben Island. South African Theatre Journal, 14:218-223.
Amkpa A. 1999. Drama in South Africa and tropes of postcoloniality. Contemporary Theatre Review, 9(3):1.
Amstel Festival wrap-up. 1988. Scenaria, (88):7-9.
The Amstel Playwright of The Year award 1978. 1978. Scenaria, (8):29.
Amstel Playwright of The Year award : 1986. 1986. Scenaria, (71):18.
Anastasia – last of the Romanovs? 1977. Scenaria, June/July: 33.
André Huguenet – the man. 1978. Scenaria, February/March: 21-22.
André Huguenet: thirty years of theatre. 1957. South African Panorama, 1(8). March 28.
André P. Brink in gesprek met Abraham de Vries. 1972, in Gesprekke Met Skrywers, deel 2. Kaapstad, Tafelberg. 1-26.
Andrew, A. 1951. Defects of the South African theatre, Trek, 15(2):22-25.
Andrew, R.V. 1956. The achievement of the one-act play. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education.
Angove, Colleen 1986. Athol Fugard's portrayal of the Afrikaner. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for Christian Higher Education
Angove, Colleen 1987. The inescapable bond with a predetermined heritage: A phenomenon illustrated by representative characters from three Athol Fugard plays. Literator, 8(3):1-11.
Angove, Colleen 1989. Afrikaner stereotypes and mavericks in selected Fugard plays. South African Theatre Journal, 3(1):55-68.
Angove, Colleen 1992. Alternative theatre: Reflecting a multi-racial South African society? Theatre Research International, 17(1):39-45.
Anna Cloete – 50 jaar aktrise. 1985. Lantern, 34(4):33-43.
Anna Neethling-Pohl. 1981. Scenaria, Special issue:31.
Annamalai, Sathasivan 1992. Therukoothu – a traditional dance drama form as manifest in Natal since 1860. Unpublished master’s thesis. Durban: University Durban-Westville.
Annamalai, Sathasivan 1999. The history of South African Indian theatre in Natal from the mid-1900s to the present day, with special reference to its transformation within the changing socio-political climate. Unpublished doctoral dissertation. Durban: University of Durban-Westville.
Antonissen, Rob 1958. Kronieke: drie dramas – drie wêrelde Eitemal: Maria Magdalene, N.P. van Wyk Louw: Germanicus, Uys Krige: Die goue kring]. Standpunte, 12(1):55-66.
Apronti, E.O. 1976. The tyranny of time: The theme of time in the artistic consciousness of South African writers, in Jones, Eldred Durosimi (ed.). African Literature Today: A Review. London: Heinemann. 106-114.
Click on the appropriate letters of the alphabet in the sub-list below.
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
