Difference between revisions of "Masaniello"
Line 77: | Line 77: | ||
==Translations and adaptations== | ==Translations and adaptations== | ||
− | = Performance history of | + | = Performance history of "Massielo" in South Africa = |
'''We list ALL the performances in their titles below.''' | '''We list ALL the performances in their titles below.''' |
Revision as of 06:35, 4 June 2018
There are a number of plays and operas that use the name Masaniello as main (abbreviated) title:
Contents
- 1 The character
- 2 The plays
- 3 Masaniello, The Fisherman of Naples (1824)
- 4 Masaniello, The Fisherman of Naples (1825)
- 5 Masaniello, or The Dumb Girl of Portici by Thomas S. Cooke and Barham Livius, with libretto by James Kenney (1829)
- 6 Masaniello, or The Dumb Girl of Portici by Henry M. Milner (1829)
- 7 Masaniello, or The Fish-o'-Man of Naples (1857)
- 8 Performance history of "Massielo" in South Africa
- 9 Sources
- 10 Return to
The character
Masaniello (i.e. Tommaso Aniello, 1622 – 1647)[1] was an Italian fisherman who became leader of the revolt against the rule of Habsburg Spain in Naples in 1647.
The plays
Masaniello, The Fisherman of Naples (1824)
Masaniello, the Fisherman of Naples is an historic play in three acts by Henry Milner.
The original text
First performed at the Royal Coburg Theatre, London, and published in London by John Lowndes in 1824.
Translations and adaptations
Performance history in South Africa
1859: A play called simply Masaniello was performed in the Harrington Street Theatre, Cape Town, by the Cape Town Dramatic Club on 27 May, with Retribution (Taylor) and a performance of the brass band of the 59th Regiment. The text used may have been this versionby Milner, but it is more likely to have been Brough's burlesque version (see below).
Masaniello, The Fisherman of Naples (1825)
Masaniello, the Fisherman of Naples is an historic play in five acts by George Soane, with incidental music by Henry Rowley Bishop.
The original text
One source (Griffel, p. 308) suggests that the play is based on the musical drama by Milner (1829), which she dates as 1824, but no evidence of an earlier version of Milner's version has thus far been found. None the less, it may have been performed earlier, and thus given Soanes the inspiration for his work.
First performed in English at the Drury Lane Theatre, London, on February 17, 1825. Published in London by J. Miller, 1825.
Translations and adaptations
Performance history in South Africa
1859: A play called simply Masaniello was performed in the Harrington Street Theatre, Cape Town, by the Cape Town Dramatic Club on 27 May: Retribution (Taylor) with Retribution (Taylor) and a performance of the brass band of the 59th Regiment. The text used may have the original play or opera by Soane, but it is more likely to have been Brough's burlesque version.
Masaniello, or The Dumb Girl of Portici by Thomas S. Cooke and Barham Livius, with libretto by James Kenney (1829)
Masaniello, or The Dumb Girl of Portici is an opera in three act by Thomas S. Cooke and Barham Livius, with libretto by James Kenney.
The original text
Based on the French opera, La Muette de Portici[2] by Auber, Scribe and Lavigne, which had been first performed at the Salle Le Peletier of the Paris Opéra on 29 February 1828.[2]
The English version of the it was first performed at the Drury Lane Theatre, London, on May 4, 1829 and the the Kenney libretto published by E. Moxon, London, 1831.
Translations and adaptations
Performance history in South Africa
1859: A play simply called Masaniello was performed in the Harrington Street Theatre, Cape Town, by the Cape Town Dramatic Club on 27 May: Retribution (Taylor) with Retribution (Taylor) and a performance of the brass band of the 59th Regiment. The text used may have the original play by Soane or this opera , but it is more likely to have been Brough's burlesque version of Soane's work (below).
Masaniello, or The Dumb Girl of Portici by Henry M. Milner (1829)
Masaniello, or The Dumb Girl of Portici is a musical drama in three acts by Henry M. Milner ()[3], based on the Auber opera (some editions credit both). First performed at the (unknown date). Published by Davidson , London, in 1829, R.H. Elton in 1830 and in Cumberland's Minor theatre (Vol. 1 no. 9) in 1835 and French's Standard Drama, acting edition, no. 194. One source (Griffel, p. 308) suggests that the play dates from 1824, and that it was the basis for the 1825 five act opera by Soanes. No evidence of an earlier version of Milner's version has thus far been found though. None the less, it may have been performed earlier, and provided Soanes with his plot.
The original text
First performed at the Royal Theatres , London, and published in London by Davidson in 1829.
Translations and adaptations
Performance history in South Africa
1859: A play called simply Masaniello was performed in the Harrington Street Theatre, Cape Town, by the Cape Town Dramatic Club on 27 May, with Retribution (Taylor) and a performance of the brass band of the 59th Regiment. The text used may have been this versionby Milner, but it is more likely to have been Brough's burlesque version (see below).
Masaniello, or The Fish-o'-Man of Naples (1857)
Masaniello, or The Fish-o'-Man of Naples is a burlesque by Robert Barnabas Brough (1828–1860)[4]
The original text
It is uncertain which of the original versions is being burlesques, but it was first performed at the Olympic Theatre, London, in on 2 July, 1857.
Translations and adaptations
Performance history of "Massielo" in South Africa
We list ALL the performances in their titles below.
1859: A play called simply Masaniello was performed in the Harrington Street Theatre, Cape Town, by the Cape Town Dramatic Club on 27 May, with Retribution (Taylor) and a performance of the brass band of the 59th Regiment. The text used may have been any of the versions discussed above, but it is most likely to have been Brough's burlesque version, given the nature of the work done by the Club at the time.
Sources
https://en.wikipedia.org/wiki/Masaniello
Facsimile version of the 1825 edition of Masaniello, the Fisherman of Naples, Hathi Trust Digital Library[5]
F. Burwick. 2011. Dante and Italy in British Romanticism Springer[6]
Margaret Ross Griffel. 2012. Operas in English: A Dictionary. Scarecrow Press: p. 308 By [7]
Allardyce Nicoll. 2002. A History of English Drama 1660-1900: Late 19th Century Drama 1850-1900 Cambridge University Press[8]
https://en.wikipedia.org/wiki/Robert_Barnabas_Brough
https://en.wikipedia.org/wiki/Henry_M._Milner
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: p.145
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page