Difference between revisions of "Kene Igweonu"
Line 9: | Line 9: | ||
interest in actor and performance training, directing, black British theatre, theatre and performance in Africa and its Diasporas, as well as cultural and performance theory. | interest in actor and performance training, directing, black British theatre, theatre and performance in Africa and its Diasporas, as well as cultural and performance theory. | ||
+ | |||
+ | He was the founding chair of the [[African Theatre working Group]] of the [[IFTR]] | ||
+ | |||
+ | |||
+ | |||
+ | |||
+ | ==Contribution to SA theatre, film, media and/or performance== | ||
+ | |||
He serves on the editorial board of the ''[[South African Theatre Journal]]'' | He serves on the editorial board of the ''[[South African Theatre Journal]]'' | ||
− | + | Editor of ''[[Trends in Twenty-First-Century African Theatre and Performance]]'' and author of | |
+ | |||
− | |||
− | |||
− | |||
== Sources == | == Sources == |
Revision as of 07:55, 17 April 2017
Kene Igweonu (19**-19**) is an academic, specialising in African theatre.
Contents
Biography
I have a doctorate in drama and theatre from Royal Holloway, University of London, a postgraduate certificate in teaching (HE) also from Royal Holloway and an honours degree in performing arts from the University of Ilorin. I am a Fellow of the Higher Education Academy and a qualified practitioner of the Feldenkrais Method. Before joining Christ Church, I was founding Coordinator of the Centre for Innovative Performance Practice and Research at University of Wales Trinity Saint David (Swansea Metropolitan). I have also taught at Royal Holloway and University of Benin.
Principal Lecturer and Faculty Director of Knowledge, School of Music and Performing Arts, Cant
interest in actor and performance training, directing, black British theatre, theatre and performance in Africa and its Diasporas, as well as cultural and performance theory.
He was the founding chair of the African Theatre working Group of the IFTR
Contribution to SA theatre, film, media and/or performance
He serves on the editorial board of the South African Theatre Journal
Editor of Trends in Twenty-First-Century African Theatre and Performance and author of
Sources
Go to the ESAT Bibliography
Return to
Return to ESAT Personalities N
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page