Difference between revisions of "ESAT Bibliography Gru-Gz"
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| − | Grundy, Kenneth 1993. The Politics of the National Arts Festival. Occasional Paper No 34. Grahamstown: Rhodes University Institute for Social and Economic Research. | + | [[Kenneth Grundy|Grundy, Kenneth]] 1993. ''The Politics of the [[National Arts Festival]]''. Occasional Paper No 34. Grahamstown: Rhodes University Institute for Social and Economic Research. |
| − | Grundy, Kenneth 1994. Quasi-state censorship in South Africa: the performing arts councils and polticized theatre. Journal of Arts Management, Law and Society, 24(3):241-257. | + | [[Kenneth Grundy|Grundy, Kenneth]] 1994. Quasi-state censorship in South Africa: the performing arts councils and polticized theatre. ''Journal of Arts Management, Law and Society'', 24(3):241-257. |
| − | Guillemaut, Alf 1996. Market theatret. ProScen, 20(4):6-11. | + | [[Alf Guillemaut|Guillemaut, Alf]] 1996. [[Market Theatre|Market theatret]]. ''ProScen'', 20(4):6-11. |
| − | Guillemaut, Alf 1997. Tarzan – en teaterarbetare med rätt att fixa. [Tarzan – a theatre-worker with license to fix]. ProSen, 21(2):9-11. | + | [[Alf Guillemaut|Guillemaut, Alf]] 1997. Tarzan – en teaterarbetare med rätt att fixa. [Tarzan – a theatre-worker with license to fix]. ''ProSen'', 21(2):9-11. |
| − | Guldimann, Colette 1996. The (black) male gaze: Mbongeni | + | [[Colette Guldimann|Guldimann, Colette]] 1996. The (black) male gaze: [[Ngema, Mbongeni|Mbongeni Ngema]]’s ''[[Sarafina!]]'' ''South African Theatre Journal'', 10(2):85-99. |
| − | Gunner, E. 1982. New wine in old bottles: Imagery in the izibongo of the Zulu Zionist prophet, Isaiah Shembe. | + | [[E. Gunner|Gunner, E.]] 1982. New wine in old bottles: Imagery in the izibongo of the Zulu Zionist prophet, Isaiah Shembe. ''Anthropolical Society of Oxford Journal''. 13,99-108. |
| − | Gunner, E. 1984. Ukubonga Nezibongo: Zulu Praising and Praises. Unpublished doctoral dissertation. London: School of Oriental and African Studies: University of London. | + | [[E. Gunner|Gunner, E.]] 1984. Ukubonga Nezibongo: Zulu Praising and Praises. Unpublished doctoral dissertation. London: School of Oriental and African Studies: University of London. |
| − | Gunner, E. 1989b. Songs of | + | [[E. Gunner|Gunner, E.]] 1989b. Songs of innocence and experience: Women as composers and performers of “Izibongo”, Zulu praise poetry, in [[C. Clayton|Clayton, C.]] (ed.). ''Women and Writing in South Africa''. Marshalltown: Heinemann. 12-39. |
| − | Gunner, E. 1989. Orality and literacy: dialogue and silence, in Barber, K. & De Moraes Farias, P.F. (eds). Discourse and Its Disguises: The Interpretation of African Oral Texts. Birmingham: Birmingham University Press. 49-56. | + | [[E. Gunner|Gunner, E.]] 1989. Orality and literacy: dialogue and silence, in [[K. Barber|Barber, K.]] & [[P.F. De Moraes Farias|De Moraes Farias, P.F.]] (eds.). ''Discourse and Its Disguises: The Interpretation of African Oral Texts''. Birmingham: Birmingham University Press. 49-56. |
| − | Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. | + | [[Liz Gunner|Gunner, Liz]] (ed.). ''Politics and Performance: Theatre, Poetry and Song in Southern Africa''. Johannesburg: Witwatersrand University Press. |
| − | Gunner, Liz 1995. Remaking the warrior? The role of orality in the liberation struggle and in post-apartheid South Africa. Currrent Writing, 7(2):19-30. | + | [[Liz Gunner|Gunner, Liz]] 1995. Remaking the warrior? The role of orality in the liberation struggle and in post-apartheid South Africa. ''Currrent Writing'', 7(2):19-30. |
| − | Gunner Liz 2005. Supping with the devil: Zulu radio drama under Apartheid—the case of Alexius Buthelezi. Social Identities 11(2):161-169. | + | [[Liz Gunner|Gunner, Liz]] 2005. Supping with the devil: Zulu radio drama under Apartheid—the case of [[Buthelezi, Alexius|Alexius Buthelezi]]. ''Social Identities'', 11(2):161-169. |
| − | Gunundu, O.T. 1994. Space in Xhosa drama: a study of 4 texts. Unpublished honours thesis. Bloemfontein: University of the Orange Free State. | + | [[O.T. Gunundu|Gunundu, O.T.]] 1994. Space in Xhosa drama: a study of 4 texts. Unpublished honours thesis. Bloemfontein: University of the Orange Free State. |
| − | Gurtin, W. 1950. Lecture on drama. Farmer, 39(15):22. April 14. | + | [[W. Gurtin|Gurtin, W.]] 1950. Lecture on drama. ''Farmer'', 39(15):22. April 14. |
| − | Gussow, Mel 1982. Profile: Witness (Athol Fugard). New Yorker, 20 Dec.:47-94. | + | [[Mel Gussow|Gussow, Mel]] 1982. Profile: Witness ([[Fugard, Athol|Athol Fugard]]). ''New Yorker'', 20 Dec.:47-94. |
| − | Gutsche, Thelma 1940a. Afrikaans theatre. Forum | + | [[Thelma Gutsche|Gutsche, Thelma]] 1940a. Afrikaans theatre. ''Forum'', 3(25):17. September 14. |
| − | Gutsche, Thelma 1940b. Afrikaans theatre. Forum | + | [[Thelma Gutsche|Gutsche, Thelma]] 1940b. Afrikaans theatre. ''Forum'', 3(27):17. September 28. |
| − | Gutsche, Thelma 1940c. Effects of the war. Forum | + | [[Thelma Gutsche|Gutsche, Thelma]] 1940c. Effects of the war. ''Forum'', 3(35):17. November 23. |
| − | Gutsche, Thelma 1940d. Leontine Sagan continues to make bricks without straw. Forum | + | [[Thelma Gutsche|Gutsche, Thelma]] 1940d. [[Sagan, Leontine|Leontine Sagan]] continues to make bricks without straw. ''Forum'', 3(38):18-19. December 14. |
| − | Gutsche, Thelma 1940e. Renaissance of theatre in South Africa. (Gwen Ffrangcon-Davies in Major Barbara produced by Leontine Sagan). Forum | + | [[Thelma Gutsche|Gutsche, Thelma]] 1940e. Renaissance of theatre in South Africa. ([[Ffrangcon-Davies, Gwen|Gwen Ffrangcon-Davies]] in Major Barbara produced by [[Sagan, Leontine|Leontine Sagan]]). ''Forum'', 3(29):17. October 12. |
| − | Gutsche, Thelma 1940f. Shakespeare [Twelfth night] captivates public: amateurs rise to histrionic heights. Forum | + | [[Thelma Gutsche|Gutsche, Thelma]] 1940f. Shakespeare [Twelfth night] captivates public: amateurs rise to histrionic heights. ''Forum'', 3(38):18. December 14. |
| − | Gutsche, Thelma 1940g. Theatre left to languish [for want of theatres]. Forum | + | [[Thelma Gutsche|Gutsche, Thelma]] 1940g. Theatre left to languish [for want of theatres]. ''Forum'', 3(32):17. November 2. |
| − | Gutsche, Thelma 1940h. Two important arrivals for the stage (Henry Mollison and Lina Basquette in Private Lives). Forum | + | [[Thelma Gutsche|Gutsche, Thelma]] 1940h. Two important arrivals for the stage (Henry Mollison and Lina Basquette in Private Lives). ''Forum'', 2(48):19.February 24. |
| − | Gutsche, Thelma 1940i. War and amateur theatricals. (Group theatre, Johannesburg Repertory Players). Forum | + | [[Thelma Gutsche|Gutsche, Thelma]] 1940i. War and amateur theatricals. (Group theatre, [[Johannesburg Repertory Players]]). ''Forum'', 2(47):22. February 17. |
| − | Gutsche, Thelma 1941a. Army entertainment. Forum | + | [[Thelma Gutsche|Gutsche, Thelma]] 1941a. Army entertainment. ''Forum'', 4(39):17. December 27. |
| − | Gutsche, Thelma 1941b. Audiences applaud “Puppet’s party” by M. Mason. Forum | + | [[Thelma Gutsche|Gutsche, Thelma]] 1941b. Audiences applaud “Puppet’s party” by [[Mason, M.|M. Mason]]. ''Forum'', 4(33):18. November 15. |
| − | Gutsche, Thelma 1941c. Children take the stage [Alice in Wonderland] | + | [[Thelma Gutsche|Gutsche, Thelma]] 1941c. Children take the stage [Alice in Wonderland]. ''Forum'', 4(38):18. December 20. |
| − | Gutsche, Thelma 1941d. End of a tour. Forum | + | [[Thelma Gutsche|Gutsche, Thelma]] 1941d. End of a tour. ''Forum'', 4(31):18. November 1. |
| − | Gutsche, Thelma 1941e. New shows and a new theatre. Forum | + | [[Thelma Gutsche|Gutsche, Thelma]] 1941e. New shows and a new theatre. ''Forum'', 4(32):18. November 8. |
| − | Gutsche, Thelma 1942a. Afrikaans drama. Forum | + | [[Thelma Gutsche|Gutsche, Thelma]] 1942a. Afrikaans drama. ''Forum'', 4(40):18. January 3. |
| − | Gutsche, Thelma | + | [[Thelma Gutsche|Gutsche, Thelma]] 1942b. Afrikaans stage production receives a beneficial opportunity. ''Forum'', 4(45): 19. February 7. |
| − | Gutsche, Thelma 1946. The English speaking theatre in South Africa, in Rose, B.W. & Greenlees, M. (eds.). South African Panorama : Introducing South Africa, Her Art, Culture, and Peoples. Johannesburg : Literary Guild. 21ff. | + | [[Thelma Gutsche|Gutsche, Thelma]] 1946. The English speaking theatre in South Africa, in [[B.W. Rose|Rose, B.W.]] & [[M. Greenless|Greenlees, M.]] (eds.). ''South African Panorama : Introducing South Africa, Her Art, Culture, and Peoples''. Johannesburg : Literary Guild. 21ff. |
| − | Gutsche, Thelma 1947. Hamlet produced in Afrikaans. Outspan | + | [[Thelma Gutsche|Gutsche, Thelma]] 1947. ''[[Hamlet]]'' produced in Afrikaans. ''Outspan'', 41(1057):26-27. March 30. |
| − | Gutsche, Thelma 1970. Theatrical history. Standard Encyclopedia of South Africa. Cape Town: Nasou. 10:475-481. | + | [[Thelma Gutsche|Gutsche, Thelma]] 1970. Theatrical history. ''Standard Encyclopedia of South Africa''. Cape Town: Nasou. 10:475-481. |
| − | Gutsche, Thelma | + | [[Thelma Gutsche|Gutsche, Thelma]] 1973. Survey, in [[Alan Lennox-Short|Lennox-Short, Alan]]. ''English and South Africa''. Cape Town: Nasou. 83-85. |
| − | Gwala, M. (ed.). 1974. Black Review 1973. Durban: Black Community Programmes. | + | [[M. Gwala|Gwala, M.]] (ed.). 1974. ''Black Review 1973''. Durban: Black Community Programmes. |
| − | Gwala, M.P. 1973. Towards a national theatre. | + | [[M.P. Gwala|Gwala, M.P.]] 1973. Towards a national theatre. S''outh African Outlook'', 103:131-133. |
Revision as of 14:28, 19 January 2011
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Grundy, Kenneth 1993. The Politics of the National Arts Festival. Occasional Paper No 34. Grahamstown: Rhodes University Institute for Social and Economic Research.
Grundy, Kenneth 1994. Quasi-state censorship in South Africa: the performing arts councils and polticized theatre. Journal of Arts Management, Law and Society, 24(3):241-257.
Guillemaut, Alf 1996. Market theatret. ProScen, 20(4):6-11.
Guillemaut, Alf 1997. Tarzan – en teaterarbetare med rätt att fixa. [Tarzan – a theatre-worker with license to fix]. ProSen, 21(2):9-11.
Guldimann, Colette 1996. The (black) male gaze: Mbongeni Ngema’s Sarafina! South African Theatre Journal, 10(2):85-99.
Gunner, E. 1982. New wine in old bottles: Imagery in the izibongo of the Zulu Zionist prophet, Isaiah Shembe. Anthropolical Society of Oxford Journal. 13,99-108.
Gunner, E. 1984. Ukubonga Nezibongo: Zulu Praising and Praises. Unpublished doctoral dissertation. London: School of Oriental and African Studies: University of London.
Gunner, E. 1989b. Songs of innocence and experience: Women as composers and performers of “Izibongo”, Zulu praise poetry, in Clayton, C. (ed.). Women and Writing in South Africa. Marshalltown: Heinemann. 12-39.
Gunner, E. 1989. Orality and literacy: dialogue and silence, in Barber, K. & De Moraes Farias, P.F. (eds.). Discourse and Its Disguises: The Interpretation of African Oral Texts. Birmingham: Birmingham University Press. 49-56.
Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press.
Gunner, Liz 1995. Remaking the warrior? The role of orality in the liberation struggle and in post-apartheid South Africa. Currrent Writing, 7(2):19-30.
Gunner, Liz 2005. Supping with the devil: Zulu radio drama under Apartheid—the case of Alexius Buthelezi. Social Identities, 11(2):161-169.
Gunundu, O.T. 1994. Space in Xhosa drama: a study of 4 texts. Unpublished honours thesis. Bloemfontein: University of the Orange Free State.
Gurtin, W. 1950. Lecture on drama. Farmer, 39(15):22. April 14.
Gussow, Mel 1982. Profile: Witness (Athol Fugard). New Yorker, 20 Dec.:47-94.
Gutsche, Thelma 1940a. Afrikaans theatre. Forum, 3(25):17. September 14.
Gutsche, Thelma 1940b. Afrikaans theatre. Forum, 3(27):17. September 28.
Gutsche, Thelma 1940c. Effects of the war. Forum, 3(35):17. November 23.
Gutsche, Thelma 1940d. Leontine Sagan continues to make bricks without straw. Forum, 3(38):18-19. December 14.
Gutsche, Thelma 1940e. Renaissance of theatre in South Africa. (Gwen Ffrangcon-Davies in Major Barbara produced by Leontine Sagan). Forum, 3(29):17. October 12.
Gutsche, Thelma 1940f. Shakespeare [Twelfth night] captivates public: amateurs rise to histrionic heights. Forum, 3(38):18. December 14.
Gutsche, Thelma 1940g. Theatre left to languish [for want of theatres]. Forum, 3(32):17. November 2.
Gutsche, Thelma 1940h. Two important arrivals for the stage (Henry Mollison and Lina Basquette in Private Lives). Forum, 2(48):19.February 24.
Gutsche, Thelma 1940i. War and amateur theatricals. (Group theatre, Johannesburg Repertory Players). Forum, 2(47):22. February 17.
Gutsche, Thelma 1941a. Army entertainment. Forum, 4(39):17. December 27.
Gutsche, Thelma 1941b. Audiences applaud “Puppet’s party” by M. Mason. Forum, 4(33):18. November 15.
Gutsche, Thelma 1941c. Children take the stage [Alice in Wonderland]. Forum, 4(38):18. December 20.
Gutsche, Thelma 1941d. End of a tour. Forum, 4(31):18. November 1.
Gutsche, Thelma 1941e. New shows and a new theatre. Forum, 4(32):18. November 8.
Gutsche, Thelma 1942a. Afrikaans drama. Forum, 4(40):18. January 3.
Gutsche, Thelma 1942b. Afrikaans stage production receives a beneficial opportunity. Forum, 4(45): 19. February 7.
Gutsche, Thelma 1946. The English speaking theatre in South Africa, in Rose, B.W. & Greenlees, M. (eds.). South African Panorama : Introducing South Africa, Her Art, Culture, and Peoples. Johannesburg : Literary Guild. 21ff.
Gutsche, Thelma 1947. Hamlet produced in Afrikaans. Outspan, 41(1057):26-27. March 30.
Gutsche, Thelma 1970. Theatrical history. Standard Encyclopedia of South Africa. Cape Town: Nasou. 10:475-481.
Gutsche, Thelma 1973. Survey, in Lennox-Short, Alan. English and South Africa. Cape Town: Nasou. 83-85.
Gwala, M. (ed.). 1974. Black Review 1973. Durban: Black Community Programmes.
Gwala, M.P. 1973. Towards a national theatre. South African Outlook, 103:131-133.
Click on the appropriate letters of the alphabet in the sub-list below.
Ga-Gi Gl-Go Gra Gre-Gri Gro Gru-Gz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
