Difference between revisions of "ESAT Bibliography Gru-Gz"
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| − | Grundy, Kenneth 1993. The | + | Grundy, Kenneth 1993. The Politics of the National Arts Festival. Occasional Paper No 34. Grahamstown: Rhodes University Institute for Social and Economic Research. |
| − | Grundy, Kenneth 1994. Quasi-state censorship in South Africa: the performing arts councils and polticized theatre. Journal of | + | Grundy, Kenneth 1994. Quasi-state censorship in South Africa: the performing arts councils and polticized theatre. Journal of Arts Management, Law and Society, 24(3):241-257. |
| − | Guillemaut, Alf 1996. Market theatret. ProScen, 20(4): 6-11. | + | Guillemaut, Alf 1996. Market theatret. ProScen, 20(4):6-11. |
| − | Guillemaut, Alf 1997. Tarzan – en teaterarbetare med rätt att fixa. [Tarzan – a theatre-worker with license to fix]. ProSen, 21(2) : 9-11. | + | Guillemaut, Alf 1997. Tarzan – en teaterarbetare med rätt att fixa. [Tarzan – a theatre-worker with license to fix]. ProSen, 21(2):9-11. |
| − | Guldimann, Colette 1996. The (black) male gaze: Mbongeni Ngema’s Sarafina! South African | + | Guldimann, Colette 1996. The (black) male gaze: Mbongeni Ngema’s Sarafina! South African Theatre Journal, 10(2):85-99. |
| − | Gunner, E. | + | Gunner, E. 1982. New wine in old bottles: Imagery in the izibongo of the Zulu Zionist prophet, Isaiah Shembe. Anthropolica Society of Oxford Journal. 13,99-108. |
| + | Gunner, E. 1984. Ukubonga Nezibongo: Zulu Praising and Praises. Unpublished doctoral dissertation. London: School of Oriental and African Studies: University of London. | ||
| + | Gunner, E. 1989b. Songs of Innocence and Experience: Women as Composers and Performers of “Izibongo”, Zulu Praise Poetry, in Clayton, C. (ed.). Women and Writing in South Africa. Marshalltown: Heinemann. 12-39. | ||
| − | Gunner, | + | Gunner, E. 1989. Orality and literacy: dialogue and silence, in Barber, K. & De Moraes Farias, P.F. (eds). Discourse and Its Disguises: The Interpretation of African Oral Texts. Birmingham: Birmingham University Press. 49-56. |
| + | |||
| + | Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. | ||
Gunner, Liz 1995. Remaking the warrior? The role of orality in the liberation struggle and in post-apartheid South Africa. Currrent Writing, 7(2):19-30. | Gunner, Liz 1995. Remaking the warrior? The role of orality in the liberation struggle and in post-apartheid South Africa. Currrent Writing, 7(2):19-30. | ||
| − | Gunner Liz 2005. Supping with the devil: Zulu radio drama under Apartheid—the case of | + | Gunner Liz 2005. Supping with the devil: Zulu radio drama under Apartheid—the case of Alexius Buthelezi. Social Identities 11(2):161-169. |
| − | Alexius Buthelezi. Social Identities 11(2):161-169. | ||
| − | Gunundu, O.T. 1994. Space in Xhosa drama: a study of 4 texts. Bloemfontein: University of the Orange Free State | + | Gunundu, O.T. 1994. Space in Xhosa drama: a study of 4 texts. Unpublished honnours thesis.Bloemfontein: University of the Orange Free State. |
| − | Gurtin, W. 1950. Lecture on drama. Farmer, 39(15): 22. April 14. | + | Gurtin, W. 1950. Lecture on drama. Farmer, 39(15):22. April 14. |
| − | Gussow, Mel | + | Gussow, Mel 1982. Profile: Witness (Athol Fugard). New Yorker, 20 Dec.:47-94. |
| − | Gutsche, Thelma 1940a. Afrikaans theatre. Forum. 3(25): 17. September 14. | + | Gutsche, Thelma 1940a. Afrikaans theatre. Forum. 3(25):17. September 14. |
| − | Gutsche, Thelma 1940b. Afrikaans theatre. Forum. 3(27): 17. September 28. | + | Gutsche, Thelma 1940b. Afrikaans theatre. Forum. 3(27):17. September 28. |
| − | Gutsche, Thelma 1940c. Effects of the war. Forum.3(35): 17. November 23. | + | Gutsche, Thelma 1940c. Effects of the war. Forum.3(35):17. November 23. |
| − | Gutsche, Thelma 1940d. Leontine Sagan continues to make bricks without straw. Forum. 3(38): 18-19. December 14. | + | Gutsche, Thelma 1940d. Leontine Sagan continues to make bricks without straw. Forum. 3(38):18-19. December 14. |
| − | Gutsche, Thelma 1940e. Renaissance of theatre in South Africa. | + | Gutsche, Thelma 1940e. Renaissance of theatre in South Africa. (Gwen Ffrangcon-Davies in Major Barbara produced by Leontine Sagan). Forum. 3(29):17. October 12. |
| − | Gutsche, Thelma 1940f. Shakespeare [Twelfth night] captivates public: amateurs rise to histrionic heights. Forum. 3(38): 18. December 14. | + | Gutsche, Thelma 1940f. Shakespeare [Twelfth night] captivates public: amateurs rise to histrionic heights. Forum. 3(38):18. December 14. |
| − | Gutsche, Thelma 1940g. Theatre left to languish [for want of theatres]. Forum. 3(32): 17. November 2. | + | Gutsche, Thelma 1940g. Theatre left to languish [for want of theatres]. Forum. 3(32):17. November 2. |
| − | Gutsche, Thelma 1940h. Two important arrivals for the stage | + | Gutsche, Thelma 1940h. Two important arrivals for the stage (Henry Mollison and Lina Basquette in Private Lives). Forum. 2(48):19.February 24. |
| − | Gutsche, Thelma 1940i. War and amateur theatricals. | + | Gutsche, Thelma 1940i. War and amateur theatricals. (Group theatre, Johannesburg Repertory Players). Forum. 2(47):22. February 17. |
| − | Gutsche, Thelma 1941a. Army entertainment. Forum. 4(39): 17. December 27. | + | Gutsche, Thelma 1941a. Army entertainment. Forum. 4(39):17. December 27. |
| − | Gutsche, Thelma 1941b. Audiences applaud “Puppet’s party” by M. Mason. Forum. 4(33): 18. November 15. | + | Gutsche, Thelma 1941b. Audiences applaud “Puppet’s party” by M. Mason. Forum. 4(33):18. November 15. |
| − | Gutsche, Thelma 1941c. Children take the stage [Alice in Wonderland]/ Forum.4(38): 18. December 20. | + | Gutsche, Thelma 1941c. Children take the stage [Alice in Wonderland]/ Forum.4(38):18. December 20. |
| − | Gutsche, Thelma 1941d. End of a tour. Forum. 4(31)18. November 1. | + | Gutsche, Thelma 1941d. End of a tour. Forum. 4(31):18. November 1. |
Gutsche, Thelma 1941e. New shows and a new theatre. Forum.4(32):18. November 8. | Gutsche, Thelma 1941e. New shows and a new theatre. Forum.4(32):18. November 8. | ||
| Line 69: | Line 72: | ||
Gutsche, Thelma. 1942b. Afrikaans stage production receives a beneficial opportunity. Forum. 4(45): 19. February 7. | Gutsche, Thelma. 1942b. Afrikaans stage production receives a beneficial opportunity. Forum. 4(45): 19. February 7. | ||
| − | Gutsche, Thelma 1946. The English speaking theatre in South Africa. | + | Gutsche, Thelma 1946. The English speaking theatre in South Africa, in Rose, B.W. & Greenlees, M. (eds.). South African Panorama : Introducing South Africa, Her Art, Culture, and Peoples. Johannesburg : Literary Guild. 21ff. |
| − | Gutsche, Thelma 1947. Hamlet produced in Afrikaans. Outspan. 41(1057): 26-27. March 30. | + | Gutsche, Thelma 1947. Hamlet produced in Afrikaans. Outspan. 41(1057):26-27. March 30. |
| − | Gutsche, Thelma 1970. Theatrical history. Standard | + | Gutsche, Thelma 1970. Theatrical history. Standard Encyclopedia of South Africa. Cape Town: Nasou. 10:475-481. |
| − | Gutsche, Thelma. 1973. Survey | + | Gutsche, Thelma. 1973. Survey, in Lennox-Short, Alan English and South Africa. Cape Town: Nasou. 83-85. |
| − | Gwala, M | + | Gwala, M. (ed.). 1974. Black Review 1973. Durban: Black Community Programmes. |
| − | Gwala, M.P. 1973. Towards a national theatre. South African | + | Gwala, M.P. 1973. Towards a national theatre. South African Outlook. 103:131-133. |
Revision as of 11:50, 13 January 2011
Click on the appropriate letters of the alphabet in the sub-list below.
Ga-Gi Gl-Go Gra Gre-Gri Gro Gru-Gz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Grundy, Kenneth 1993. The Politics of the National Arts Festival. Occasional Paper No 34. Grahamstown: Rhodes University Institute for Social and Economic Research.
Grundy, Kenneth 1994. Quasi-state censorship in South Africa: the performing arts councils and polticized theatre. Journal of Arts Management, Law and Society, 24(3):241-257.
Guillemaut, Alf 1996. Market theatret. ProScen, 20(4):6-11.
Guillemaut, Alf 1997. Tarzan – en teaterarbetare med rätt att fixa. [Tarzan – a theatre-worker with license to fix]. ProSen, 21(2):9-11.
Guldimann, Colette 1996. The (black) male gaze: Mbongeni Ngema’s Sarafina! South African Theatre Journal, 10(2):85-99.
Gunner, E. 1982. New wine in old bottles: Imagery in the izibongo of the Zulu Zionist prophet, Isaiah Shembe. Anthropolica Society of Oxford Journal. 13,99-108. Gunner, E. 1984. Ukubonga Nezibongo: Zulu Praising and Praises. Unpublished doctoral dissertation. London: School of Oriental and African Studies: University of London. Gunner, E. 1989b. Songs of Innocence and Experience: Women as Composers and Performers of “Izibongo”, Zulu Praise Poetry, in Clayton, C. (ed.). Women and Writing in South Africa. Marshalltown: Heinemann. 12-39.
Gunner, E. 1989. Orality and literacy: dialogue and silence, in Barber, K. & De Moraes Farias, P.F. (eds). Discourse and Its Disguises: The Interpretation of African Oral Texts. Birmingham: Birmingham University Press. 49-56.
Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press.
Gunner, Liz 1995. Remaking the warrior? The role of orality in the liberation struggle and in post-apartheid South Africa. Currrent Writing, 7(2):19-30.
Gunner Liz 2005. Supping with the devil: Zulu radio drama under Apartheid—the case of Alexius Buthelezi. Social Identities 11(2):161-169.
Gunundu, O.T. 1994. Space in Xhosa drama: a study of 4 texts. Unpublished honnours thesis.Bloemfontein: University of the Orange Free State.
Gurtin, W. 1950. Lecture on drama. Farmer, 39(15):22. April 14.
Gussow, Mel 1982. Profile: Witness (Athol Fugard). New Yorker, 20 Dec.:47-94.
Gutsche, Thelma 1940a. Afrikaans theatre. Forum. 3(25):17. September 14.
Gutsche, Thelma 1940b. Afrikaans theatre. Forum. 3(27):17. September 28.
Gutsche, Thelma 1940c. Effects of the war. Forum.3(35):17. November 23.
Gutsche, Thelma 1940d. Leontine Sagan continues to make bricks without straw. Forum. 3(38):18-19. December 14.
Gutsche, Thelma 1940e. Renaissance of theatre in South Africa. (Gwen Ffrangcon-Davies in Major Barbara produced by Leontine Sagan). Forum. 3(29):17. October 12.
Gutsche, Thelma 1940f. Shakespeare [Twelfth night] captivates public: amateurs rise to histrionic heights. Forum. 3(38):18. December 14.
Gutsche, Thelma 1940g. Theatre left to languish [for want of theatres]. Forum. 3(32):17. November 2.
Gutsche, Thelma 1940h. Two important arrivals for the stage (Henry Mollison and Lina Basquette in Private Lives). Forum. 2(48):19.February 24.
Gutsche, Thelma 1940i. War and amateur theatricals. (Group theatre, Johannesburg Repertory Players). Forum. 2(47):22. February 17.
Gutsche, Thelma 1941a. Army entertainment. Forum. 4(39):17. December 27.
Gutsche, Thelma 1941b. Audiences applaud “Puppet’s party” by M. Mason. Forum. 4(33):18. November 15.
Gutsche, Thelma 1941c. Children take the stage [Alice in Wonderland]/ Forum.4(38):18. December 20.
Gutsche, Thelma 1941d. End of a tour. Forum. 4(31):18. November 1.
Gutsche, Thelma 1941e. New shows and a new theatre. Forum.4(32):18. November 8.
Gutsche, Thelma 1942a. Afrikaans drama. Forum. 4(40):18. January 3.
Gutsche, Thelma. 1942b. Afrikaans stage production receives a beneficial opportunity. Forum. 4(45): 19. February 7.
Gutsche, Thelma 1946. The English speaking theatre in South Africa, in Rose, B.W. & Greenlees, M. (eds.). South African Panorama : Introducing South Africa, Her Art, Culture, and Peoples. Johannesburg : Literary Guild. 21ff.
Gutsche, Thelma 1947. Hamlet produced in Afrikaans. Outspan. 41(1057):26-27. March 30.
Gutsche, Thelma 1970. Theatrical history. Standard Encyclopedia of South Africa. Cape Town: Nasou. 10:475-481.
Gutsche, Thelma. 1973. Survey, in Lennox-Short, Alan English and South Africa. Cape Town: Nasou. 83-85.
Gwala, M. (ed.). 1974. Black Review 1973. Durban: Black Community Programmes.
Gwala, M.P. 1973. Towards a national theatre. South African Outlook. 103:131-133.
Click on the appropriate letters of the alphabet in the sub-list below.
Ga-Gi Gl-Go Gra Gre-Gri Gro Gru-Gz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
