ESAT Bibliography Gl-Go

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Glasser, Mona 1960. King Kong: A Venture in the Theatre. Cape Town: Howell.

Gleuck, Germaine 1984. Standard Bank Festival of the Arts: 10th anniversary celebration. Scenaria, (45):19-23.

Glueck, Germaine 1985. Frank Rogaly : South Africa’s ‘Mr Theatre’. Scenaria, (49):41-43.

Gleuck, Germaine 1986a. Dance takes centre spotlight at Grahamstown Festival. Scenaria, (65):9-15.

Glueck, Germaine 1986b. The Port Elizabeth Opera House : past and present. Scenaria, (62):6-11.

Glueck, Germaine 1986c. The Port Elizabeth Opera House : the interior. Scenaria, (62):16-18.

Goddard, Kevin 2009. Romeo and Juliet, Helen Wilkins: theatre review. Shakespeare in Southern Africa, 21(1):87-88.

Gomes, L. 1980. Ons klein sterre maak groot geld. Huisgenoot, 140-143. October 9.

Goodall, Sallyann 1979. Theatre workshop: a report on the theatre workshop for Natal schools, organized by SAITT Natal Branch, on 10th Feb. Scenaria, (13):38.

Goodman, L. 1984. Sholem Aleichem and the Yiddish theatre. Jewish Affairs, 39(11):18-20.

Goodman, Lizbeth 1994. Teaching feminist theatres: Stages between theory and practice. South African Theatre Journal, 8(1):3-23.

Goodman, Ralph 2002. Fools, Bells and The habit of eating; three satires, by Zakes Mda. Reviewed in: South African Theatre Journal, 16:241-243.

Goosen, H. 1985. Bard of the Baakens. South African Panorama, 30(9) 18-23.

Goosen, Helena 1986. Campus theatre ’86. South African Panorama, 31(8):10-17.

Gorak, Jan 1989. Nothing to root for: Zakes Mda and South African resistance theatre. Theatre Journal, 41(4):478-491.

Gordon, A. 1990. The role of cultural expression in the struggle for non-racial democracy in South Africa: with particular emphasis on music, theatre and the changing philosophy of of the cultural boycott in South Africa. Unpublished master’s thesis. Cambridge, Mass.: Harvard Law School.

Gordon, Robert John 1974. Some aspects of symbolic form in drama. Unpublished master’s thesis. Durban: University of Natal.

Gordon Robert 2007. Guilty secrets and cultural blind spots: Miller's plays in South Africa, in Brater, Enoch (ed.). Arthur Miller's Global Theater. Ann Arbor, MI: University of Michigan Press. 66-77.

Gosher, Sydney Paul 1988. A historical and critical survey of the South African one-act play written in English. Unpublished doctoral dissertation. Pretoria: University of South Africa.

Gous, Martha Susanna 1990. Die Afrikaanse aktualiteitsdrama van die tagtigerjare. Unpublished master’s thesis. Pretoria: University of Pretoria.

Gouws, John 1990. Foucault and Shakespeare’s pedants, dotards, and drunks. Literator, 11(3):29-41.

Govender, Krijay 2000. Challenging the identity of South African Indian women through playwriting, and theatre : a look at three South African Indian women playwrights within the KwaZulu-Natal region post-1994. Unpublished master’s thesis. Durban: University of Natal.

Govender, Kubeshni 1996. Exploring text and con-text: analysis of Ordinary people: the peacemakers (1993); television review. Reviewed in: South African Theatre Journal, 10(2):193-199.

Govender, Ronnie 2008. In The Manure: Memories and Reflections. Claremont: David Philip.

Government White Paper on the creative arts. 1986. Scenaria, (65): 20.

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