Difference between revisions of "ESAT Bibliography Ga-Gi"
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| − | Gabashane, Anthony Daniel 1996. The performance orientation of dramatic texts with | + | Gabashane, Anthony Daniel 1996. The performance orientation of dramatic texts with specific reference to dialogue and didascalies in Athol Fugard's Playland and My children! My Africa! Unpublished master’s thesis. Pretoria : University of South Africa. |
| − | specific reference to dialogue and didascalies in Athol Fugard's Playland and My children! My Africa! Pretoria : University of South Africa | ||
| − | Gaffney, Floyd 1992. Athol Fugard: regionalism, cultural diversity, and other matters. TheatreForum, 1(1): 53-56. | + | Gaffney, Floyd 1992. Athol Fugard: regionalism, cultural diversity, and other matters. TheatreForum, 1(1):53-56. |
| − | Gagiano, Annie 2009. Mann, Chris Zithulele. Thuthula: Heart of the Labyrinth. Shakespeare in Southern Africa, 21: 95 | + | Gagiano, Annie 2009. Mann, Chris Zithulele. Thuthula: Heart of the Labyrinth. Shakespeare in Southern Africa, 21:95 |
| − | Gardner, C.O. 1970. Manson’s casserole. Theoria, 35: 35-49. | + | Gardner, C.O. 1970. Manson’s casserole. Theoria, 35:35-49. |
| − | Gardner, C.O. 1985. A talk to Natal Education Department English teachers. Crux, 19(1): 27-38. | + | Gardner, C.O. 1985. A talk to Natal Education Department English teachers. Crux, 19(1):27-38. |
| − | Gardner, Colin 1988. Teaching Shakespeare in Southern African universities: a response to Martin Orkin’s Shakespeare | + | Gardner, Colin 1988. Teaching Shakespeare in Southern African universities: a response to Martin Orkin’s Shakespeare Against Apartheid. Shakespeare in Southern Africa, 2: 78-82. |
Garuba, H. 2001. ‘The Island writes back: Discourse/ power and marginality in Wole Soyinka’s The Swamp Dwellers, Derek Walcott’s The Sea at Dauphin, and Athol Fugard’s The Island’ Research in African Literatures, 32,(4):61-76. | Garuba, H. 2001. ‘The Island writes back: Discourse/ power and marginality in Wole Soyinka’s The Swamp Dwellers, Derek Walcott’s The Sea at Dauphin, and Athol Fugard’s The Island’ Research in African Literatures, 32,(4):61-76. | ||
| − | Gaum, Fritz 1964. Onhistorisiteit in Bybeldramas en –romans. | + | Gaum, Fritz 1964. Onhistorisiteit in Bybeldramas en –romans. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. |
| − | The Gaynor Young inquiry. 1990. South African | + | The Gaynor Young inquiry. 1990. South African Theatre Journal, 4(2):12-29. |
| − | Geertsema, Gerrit 1985. ‘n Binneblik op TRUK. Die Suid-Afrikaan, (5): 40-41. | + | Geertsema, Gerrit 1985. ‘n Binneblik op TRUK. Die Suid-Afrikaan, (5):40-41. |
| − | Gelb, Hal 1990. Theater. Nation, 251(12): 427-429. | + | Gelb, Hal 1990. Theater. Nation, 251(12):427-429. |
| − | Gener, Randy 1996. A song for a new world. (Athol Fugard’s play Valley | + | Gener, Randy 1996. A song for a new world. (Athol Fugard’s play Valley Song). American Theatre, 13(1):10. |
| − | Gener, Randy 2005. Cultures in peril: theatrical adventures in South Africa and Mali, Uganda, Mexico, India, the Philippines and Sri Lanka. American | + | Gener, Randy 2005. Cultures in peril: theatrical adventures in South Africa and Mali, Uganda, Mexico, India, the Philippines and Sri Lanka. American Theatre, 22(5):23. |
| − | Gener, Randy 2008. Africa writes back. American | + | Gener, Randy 2008. Africa writes back. American Theatre, 25(9):27. |
| − | Gener, Randy 2009. A dark night of the soul (Athol Fugard’s Have | + | Gener, Randy 2009. A dark night of the soul (Athol Fugard’s Have You Seen Us?) American Theatre, 26(10):23. |
| − | Gérard, Albert S. 1971. Four African | + | Gérard, Albert S. 1971. Four African Literatures: Xhosa, Sotho, Zulu, Amharic. Berkeley: University of California Press. |
| − | Gérard, Albert S. 1983. Comparative | + | Gérard, Albert S. 1983. Comparative Literature and African Literatures: A series of lectures read at the University of South Africa in July 1981 edited from the tape-recordings by the author. Goodwood: Via Afrika. |
| − | Gérard, Albert S.1993. Comparative | + | Gérard, Albert S.1993. Comparative Literature and African Literatures. 2nd ed. edited by C.F. Swanepoel. Pretoria : Via Afrika. |
| − | Gerber, C.J. 1988. Drama-based didactic strategies in the secondary school. Pretoria: University of Pretoria | + | Gerber, C.J. 1988. Drama-based didactic strategies in the secondary school. Unpublished master’s thesis. Pretoria: University of Pretoria. |
| − | + | ||
| − | Gerber, J. 1988. Drama and aid to understanding. Education and | + | Gerber, J. 1988. Drama and aid to understanding. Education and Culture, 11(3):28-29. |
Gericke, Aletta. 2003. Herinneringe. Cape Town: Uitgewery Oranje. | Gericke, Aletta. 2003. Herinneringe. Cape Town: Uitgewery Oranje. | ||
| − | Gevers, Johannes Jozef Camilla Gregorius 1964. De verhouding van spel en literatuur in de dramatische kunst. Stellenbosch: Univerity of Stellenbosch | + | Gevers, Johannes Jozef Camilla Gregorius 1964. De verhouding van spel en literatuur in de dramatische kunst. Unpublished master’s thesis. Stellenbosch: Univerity of Stellenbosch. |
| − | Gevisser, Mark 1994. Truth and consequences in post-apartheid theater. Theater | + | Gevisser, Mark 1994. Truth and consequences in post-apartheid theater. Theater Magazine, 25(3):8-18. |
| − | Gevisser, Mark 1994. Writing for the man in the street.: an interview with John Ledwaba. Theater | + | Gevisser, Mark 1994. Writing for the man in the street.: an interview with John Ledwaba. Theater Magazine, 25(3):19-23. |
| − | Gilbert, H. & Tompkins, J. 1996. Post-colonial | + | Gilbert, H. & Tompkins, J. 1996. Post-colonial Drama. London: Routledge. |
| − | Gilbert, Shirli 2007. Singing against Apartheid: ANC cultural groups and the international anti-Apartheid struggle. Journal of Southern African studies, 33(2): 421-441. | + | Gilbert, Shirli 2007. Singing against Apartheid: ANC cultural groups and the international anti-Apartheid struggle. Journal of Southern African studies, 33(2):421-441. |
Gillman, H.A. 1947. School drama in the brave new world. Journal of Secondary Education, 25(3):23-25. | Gillman, H.A. 1947. School drama in the brave new world. Journal of Secondary Education, 25(3):23-25. | ||
| − | Gilmore, Wendy 1980. Modern Medici: a look at corporate sponsorship of the arts. Scenaria, (16): 3. | + | Gilmore, Wendy 1980. Modern Medici: a look at corporate sponsorship of the arts. Scenaria, (16):3. |
| + | |||
| + | Gilmore, Wendy 1980. Directors at work, no. 2: Leonard Schach. Scenaria, (16):21-23, 42. | ||
| − | + | The Gin game. 1978. Scenaria, (10):19. | |
| − | |||
Revision as of 09:47, 13 January 2011
Click on the appropriate letters of the alphabet in the sub-list below.
Ga-Gi Gl-Go Gra Gre-Gri Gro Gru-Gz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Gabashane, Anthony Daniel 1996. The performance orientation of dramatic texts with specific reference to dialogue and didascalies in Athol Fugard's Playland and My children! My Africa! Unpublished master’s thesis. Pretoria : University of South Africa.
Gaffney, Floyd 1992. Athol Fugard: regionalism, cultural diversity, and other matters. TheatreForum, 1(1):53-56.
Gagiano, Annie 2009. Mann, Chris Zithulele. Thuthula: Heart of the Labyrinth. Shakespeare in Southern Africa, 21:95
Gardner, C.O. 1970. Manson’s casserole. Theoria, 35:35-49.
Gardner, C.O. 1985. A talk to Natal Education Department English teachers. Crux, 19(1):27-38.
Gardner, Colin 1988. Teaching Shakespeare in Southern African universities: a response to Martin Orkin’s Shakespeare Against Apartheid. Shakespeare in Southern Africa, 2: 78-82.
Garuba, H. 2001. ‘The Island writes back: Discourse/ power and marginality in Wole Soyinka’s The Swamp Dwellers, Derek Walcott’s The Sea at Dauphin, and Athol Fugard’s The Island’ Research in African Literatures, 32,(4):61-76.
Gaum, Fritz 1964. Onhistorisiteit in Bybeldramas en –romans. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
The Gaynor Young inquiry. 1990. South African Theatre Journal, 4(2):12-29.
Geertsema, Gerrit 1985. ‘n Binneblik op TRUK. Die Suid-Afrikaan, (5):40-41.
Gelb, Hal 1990. Theater. Nation, 251(12):427-429.
Gener, Randy 1996. A song for a new world. (Athol Fugard’s play Valley Song). American Theatre, 13(1):10.
Gener, Randy 2005. Cultures in peril: theatrical adventures in South Africa and Mali, Uganda, Mexico, India, the Philippines and Sri Lanka. American Theatre, 22(5):23.
Gener, Randy 2008. Africa writes back. American Theatre, 25(9):27.
Gener, Randy 2009. A dark night of the soul (Athol Fugard’s Have You Seen Us?) American Theatre, 26(10):23.
Gérard, Albert S. 1971. Four African Literatures: Xhosa, Sotho, Zulu, Amharic. Berkeley: University of California Press.
Gérard, Albert S. 1983. Comparative Literature and African Literatures: A series of lectures read at the University of South Africa in July 1981 edited from the tape-recordings by the author. Goodwood: Via Afrika.
Gérard, Albert S.1993. Comparative Literature and African Literatures. 2nd ed. edited by C.F. Swanepoel. Pretoria : Via Afrika.
Gerber, C.J. 1988. Drama-based didactic strategies in the secondary school. Unpublished master’s thesis. Pretoria: University of Pretoria.
Gerber, J. 1988. Drama and aid to understanding. Education and Culture, 11(3):28-29.
Gericke, Aletta. 2003. Herinneringe. Cape Town: Uitgewery Oranje.
Gevers, Johannes Jozef Camilla Gregorius 1964. De verhouding van spel en literatuur in de dramatische kunst. Unpublished master’s thesis. Stellenbosch: Univerity of Stellenbosch.
Gevisser, Mark 1994. Truth and consequences in post-apartheid theater. Theater Magazine, 25(3):8-18.
Gevisser, Mark 1994. Writing for the man in the street.: an interview with John Ledwaba. Theater Magazine, 25(3):19-23.
Gilbert, H. & Tompkins, J. 1996. Post-colonial Drama. London: Routledge.
Gilbert, Shirli 2007. Singing against Apartheid: ANC cultural groups and the international anti-Apartheid struggle. Journal of Southern African studies, 33(2):421-441.
Gillman, H.A. 1947. School drama in the brave new world. Journal of Secondary Education, 25(3):23-25.
Gilmore, Wendy 1980. Modern Medici: a look at corporate sponsorship of the arts. Scenaria, (16):3.
Gilmore, Wendy 1980. Directors at work, no. 2: Leonard Schach. Scenaria, (16):21-23, 42.
The Gin game. 1978. Scenaria, (10):19.
Click on the appropriate letters of the alphabet in the sub-list below.
Ga-Gi Gl-Go Gra Gre-Gri Gro Gru-Gz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
