Maynardville Open-air Theatre

Maynardville Open-air Theatre is a performance venue situated in Maynardville park[1] in Wynberg, Cape Town, and has long been devoted theatrical work, including ballet and musical performances, but specifically renowned for the annual productions of Shakespeare.

THIS ENTRY IS CURRENTLY BEING EDITED BY TEMPLE HAUPFLEISCH

Also referred to simply as Maynardville.

The Maynardville Park

The piece of land now known as Maynard Park was originally government ground under the Dutch East India Company and after 1795 the British authorities. In 1807 part of the ground became the property of a Lieut. Louis Ellert, who built a cottage named Rosendal there and in 1810, his brother-in-law Lieut. Ernst Egger bought the adjacent piece. The two sections of land became eventually one farm and the property of the widow Ellert, who had financed her purchase with a bond from the Cape Town businessman James Mortimer Maynard.

In 1836 Maynard became the owner of Rosendal when the widow Ellert became insolvent and he then bought the rest to accommodate his new home, which he called Maynard's Villa. He lived there from 1836 until his death in 1874.

On Maynard's the estate went to his nephew, William Mortimer Maynard Farmer, an established business man. Farmer's daughter Enid had married a John Bernard and they lived in the villa for the rest of their lives, Enid Bernard dying in 1949. Maynardville was immediately sold to the Cape Town City Council, to be preserved as a public park. The historic but dilapidated homestead was demolished by the municipal authorities in 1954. The municipality declared the lands an open public park, with the former swimming pool becoming a pond, and the archery lawn later used to construct the Maynardville Open-Air Theatre.

Today Maynardville Park is managed by the Maynardville Park Action Committee, a public-private partnership between the City of Cape Town and the Wynberg community. It also hosts carnivals, fairs, markets, motor shows, wedding receptions, and religious gatherings.

For more on the park and its history, see the Maynardville Park website[2] and the Wikipedia entry on the theatre[3]

The Maynardville Open-air Theatre

The Maynardville Open-air Theatre is a theatre venue, situated within the grounds of Maynarville Park in Wynberg, Cape Town, devoted to productions of Shakespeare and ballet performances. It is most often referred to simply as Maynardville.

The spectacular green wooded park has a repution as one of the best-loved outdoor theatre venues in the Cape Region. It offers its patrons both a 500m2 wooded park for pre-show picnics and drinks, as well as a unique wooded 720-seater theatre setting.

Perhaps best known for the annual Shakespeare-in-the-Park (an emphasis encouraged by most publications about the theatre, including the City of Cape Town's website), the tradition of theatrical performances in the Maynardville Park actually began somewhat earlier, with a number of ballet performances that were done there in 1950-1954 while the old manor house was still standing. The first Shakespeare was only done in 1956 and would then become an annual tradition. For a number of years (1958-1974) ballet and Shakespeare were both offered most years, after which only plays were done till 2002, when ballet once more became part of the annual Maynardville scene. (See list of performances below)

Over the last 65 years the theatre and dance performances have attracted an average attendance of 20 000 patrons per year, with a strong focus on the schools in the Western Cape. The Shakespeare performances for example see up to 8000 scholars (grade 9 to 12) annually, with many coming from as far afield as Heidelberg.

See also the entries on Open-air theatre and Shakespeare-in-the-Park

The History of the Venue

Though there is a wide-held belief that the Maynardville theatre was founded in 1953 as the brainchild of the two professional actresses Cecilia Sonnenberg and René Ahrenson, who would become the tireless administrators and public faces of the theatre for most of the early years, and whose energy and drive made it an internationally recognized venue. However, the use of the park as a performance space actually predates the involvement of the actresses by three years, as Sheila Chisolm (2016) has shown.

The founding of the venue

The idea of creating a dedicated performance venue in a park in Cape Town was apparently first suggested by Mrs Margaret Molteno, a member of the Athlone Committee for Nursery School Education, a fundraising institution for charitable causes on the Cape Flats, after a visit to the Regents Park Open Air Theatre in London during 1948. So when the Maynardville Villa grounds were declared a park "open to all" in 1949, the ladies of the Athlone Committee were quick to act, writing to the Cape Town City Council immediately to outline their aim of creating an open-air theatre in what was now Maynardville Park.

When this was approved, the committee decided to begin the project by arranging ballet performances in the venue. To do so they approached Dulcie Howes, then principal of UCT Ballet School, and the Cape Town Municipal Orchestra and Dr Erik Chisholm[4] (conductor, composer, as well as Dean and Director of the College of Music) to assist. Both agreed to contribute their services without charge. The members of the Athlone Committee then cleared an area of the park with a team of gardeners, and prepared the stage, close by the old manor house- which would serve as dressing rooms.

Ballet in the park

The theatre was inaugurated on the 1st December of 1950 with a performance of the ballet, Les Sylphides by the UCT Ballet Company, produced by Cecily Robinson (after Fokine) followed by Dulcie Howes’s St Valentine’s Night and Les Diversions. They performed for 3 nights.

From then on the ballet performances at Maynardville Open Air Theatre were to be an ongoing project, with only a few breaks, e.g. in 1953, 1955, 1956-8, and so on (see list of productions). The ballet would continue under the auspices of the CAPAB Ballet Company, led by Dulcie Howes, from 1963 onwards till 1974.

The early ballet performances – and those in the following years (see list below) – were an immense success, and drew in people of all backgrounds from throughout Cape Town. The performances funded the Athlone Training College (established under the auspices of Barkly Training College for Nursery Education) in February 1952, among other projects.

Sadly, the role played by the Athlone ladies seems to have faded into the background during the intensifying politics of the 1970s and under the publicity attained by the superb and popular Shakespeare productions in the venue.

Shakespeare in the Park

In 1953, during a break in the ballet performances (which recommenced in 1954) Mrs Molteno, then Chairlady of the Athlone Committee, approached Cecilia Sonnenberg and René Ahrenson at their Spotlight Theatre in Cape Town and, having shown them around the rudimentary theatre and the Maynardville grounds, invited them to undertake productions of Shakespeare in the park, for the purpose of "keeping our open-air Theatre alive". Although they initially politely declined the invitation, they changed their minds the following year and agreed to take on the project.

In this year the City Council razed the dilapidated old Villa, so René and Cecilia - who had contacts in the Cape Town City Council through her husband - eventually bullied the councillors into creating a new stage and auditorium to enable them to mount a production of The Taming of the Shrew. By a happy accident they had met the celebrated English He was a celebrated stage and film actor Leslie French in England (where Cecilia had worked with him in Regent's Park open air theatre) and persuaded him to come to Cape Town to direct and act in the play. Just before he was due to board the mail-boat for Cape Town, Leslie received a telegram from Cecilia and Rene telling him not to come because (for a second time) they had "cold feet". Leslie's response was typical. He sent a cable back: "Buy hot water bottles, I'm coming out".

That first Shakespearean production at Maynardville in 1956 of The Taming of the Shrew ran to packed houses for a month and thus started a legend. After the performances of the first year, the stage was again altered and enlarged, to its current layout. Finally, in February 1958, the theatre officially became a fully permanent institution, by decision of the City Council (Robinson, 2005: p. 22).

In a period when it was not an easy matter, the cast and audiences were always multi racial.

From the very outset there were special concessions and block bookings for school children. Often the play chosen was one of the examination set works, ensuring large attendance numbers.

CAPAB and Maynardville

In 1975 Cecilia Sonnenberg and René Ahrenson joined hands with CAPAB to jointly undertake the management of Maynardville for the next five years. Following their retirement from Maynardville, on the occasion of the 25th year of production, Romeo and Juliet, the CAPAB Drama department would keep the flame alive. For a further 17 years they brought guest actors to Maynardville, and together with the core company, mounted a further 18 productions in this time.

The Maynardville Theatre Trust

When the CAPAB became with Artscape and Drama Department closed in the mid 1990's there was still a commitment to ensuring the continuance of the Shakespeare-in-the-Park. The Maynardville Theatre Trust was established with Cecilia Sonnenberg as patron to give guidance and strategic support for Maynardville.

Today the Maynardville Theatre Trust, together with Artscape, continues to carry the banner of Classical Theatre and Dance at the Maynardville Open-Air Theatre.

In the mid 1950's, Cecilia Sonnenberg and René Ahrenson were well-known South African actresses and they conceived the idea that the then little-used park in Wynberg would make an ideal open air theatre. Through her husband Cecilia had contacts in the Cape Town City Council. She and René eventually bullied the councillors into creating a stage and raked auditorium for them to mount a production of The Taming of the Shrew. By a happy accident they had met Leslie French in England (Cecilia had acted with him in Regent's Park) and persuaded him to come to Cape Town to direct and act in the play. He was a celebrated stage and film actor who had started as a boy in the Ben Greet Players and had gone on to star in Lillian Bayliss' Old Vic productions and was famous for his performances in the open air theatre in Regent's Park in London. Just before he was due to board the mail-boat for Cape Town, Leslie received a telegram from Cecelia and Rene telling him not to come because they had "cold feet". Leslie's response was typical. He sent a cable back: "Buy hot water bottles, I'm coming out". That first production at Maynardville in 1956 of The Taming of the Shrew ran to packed houses for a month and thus started a legend.

In a period when it was not easy, the cast and audiences were always multi racial. Many people who are now leading lights in SA theatre started out or enhanced their careers in those early productions; Roy Sargeant, Ralph Lawson, Michael McGovern, John Whiteley and Lyn Hooker, to name but a few. They also lured many overseas actors to Maynardville, some of whom, like Michael Atkinson and Keith Grenville, settled here and have enriched the South African theatre ever since.

From the very outset there were special concessions for block bookings of school children. Often the play chosen was one of the exam set works. Thanks to the Maynardville Open-Air Theatre, hundreds of thousands of Cape school children have experienced their first taste of Shakespeare as it should be; as a live performance on stage. Generations of boys and girls discovered they could understand the Elizabethan language and found that the 400 year old plays could be as fresh and absorbing as any contemporary drama.

In 1975 Cecilia and René joined hands with CAPAB in joint management of Maynardville for the next five years. After their retirement from Maynardville, on the occasion of the 25th year of production, Romeo and Juliet, the CAPAB Drama department kept the flame alive. For 17 years they brought guest actors to Maynardville and together with the core company mounted a further 18 productions in this time. When the Drama Department closed in the mid 90's there was still a commitment to ensuring the continuance of the Shakespeare-in-the-Park. The Maynardville Theatre Trust was established with Cecilia Sonnenberg as patron to give guidance and strategic support for Maynardville.

Today the Maynardville Theatre Trust, together with Artscape, continues to carry the banner of Classical Theatre and Dance at the Maynardville Open-Air Theatre.

The Productions

Here follows a chronology of Maynardville performances. The list for the period 1950 to 2015 has been compiled by Sheila Chisholm and is reproduced here with her kind permissiom. For information on each individual production (where available), click on the title of the play to go to the entry on the work.

The list

1950 Les Sylphides, St Valentine's Night, Les Diversions (ballet)

1951 Les Sylphides, St Valentine's Night, Amor Eterno (ballet)

1952 Le Lac de Cygnes (2nd Act), Giselle (ballet)

1954 Don Quixote (pas de deux), Carnaval (ballet)

1956 The Taming of the Shrew (play)

1957 A Midsummer Night's Dream (play)

1958 As You Like It (play)

1958 The Firebird, Les Patineurs, Beauty and the Beast (ballet)

1959 The Winter's Tale (play)

1960 The Tempest (play)

1961 The Nutcracker, Blood Wedding (ballet)

1961 Twelfth Night (play)

1962 Much Ado About Nothing (play)

1962 The Sleeping Beauty (ballet)

1963 Petrushka (ballet)

1963 The Merchant of Venice (play)

1964 A Midsummer Night's Dream (play)

1964 Hamlet (play)

1965 Giselle (ballet)

1965 The Taming of the Shrew (play)

1966 King Lear (play)

1967 Le Tricorne, The Lady and the Fool (ballet)

1967 Macbeth (play)

1968 Richard II (play)

1968 Swan Lake (ballet)

1969 Les Deux Pigeons (ballet)

1969 The Merry Wives of Windsor (play)

1970 Othello (play)

1971 Coppélia Suite, A Midsummer Night's Dream (ballet)

1971 The Winter's Tale (play)

1972 Anthony and Cleopatra (play)

1972 Sylvia (Act 3), Verklärte Nacht, Peter and the Wolf (ballet)

1973 Giselle (ballet)

1973 The Tempest (play)

1974 Flower Festival in Genzano, The Firebird (ballet)

1974 Umabatha (play)

1975 Hamlet (play)

1976 Julius Caesar (play)

1977 Much Ado about Nothing (play)

1978 Twelfth Night (play)

1979 The Merchant of Venice (play)

1980 Romeo and Juliet (play)

1981 A Midsummer Night's Dream (play)

1982 Othello (play)

1983 The Tempest (play)

1984 The Taming of the Shrew (play)

1985 As You Like It (play)

1987 The Comedy of Errors (play)

1987 Measure for Measure (play)

1988 Romeo and Juliet (play)

1989 Twelfth Night (play)

1990 Much Ado about Nothing (play)

1991 Love's Labour's Lost (play)

1992 The Merchant of Venice (play)

1993 Two Gentlemen of Verona (play)

1994 The Tempest (play)

1995 A Midsummer Night's Dream (play)

1996 The Taming of the Shrew (play)

1997 The Winter's Tale (play)

1998 Twelfth Night (play)

1999 As You Like It (play)

2000 Romeo and Juliet (play)

2001 Othello (play)

2002 A Midsummer Night's Dream (play)

2002 Giselle (ballet)

2003 La Sylphide (ballet)

2003 Two Gentlemen of Verona (play)

2004 Le Tricorne, The Lady and the Fool (ballet)

2004 Macbeth (play)

2005 Much Ado about Nothing (play)

2005 Swan Lake (Act 2) (ballet)

2006 Carmen (ballet)

2006 Twelfth Night (play)

2007 Ballets al Fresco (ballet)

2007 Romeo and Juliet (play)

2008 Giselle (ballet)

2008 The Merchant of Venice (play)

2009 As You Like It (play)

2009 La Sylphide (ballet)

2010 Anthony and Cleopatra (play)

2010 Les Sylphides, The Firebird (ballet)

2011 Night and Day (ballet)

2011 The Taming of the Shrew (play)

2012 Solitaire, Graduation Ball (ballet)

2012 The Comedy of Errors (play)

2013 A Midsummer Night's Dream (play)

2013 Giselle (ballet)

2014 The Firebird (ballet)

2014 The Tragedy of King Richard III (play)

2015 La Sylphide (ballet)

2015 Othello (play)

2016 Othello (play)

2016 Giselle (ballet)

Sources

Percy Tucker, 1997

Sheila Chisholm 2016. "Maynardville performance chronology (1950 to 2015)" (Unpublished document) Used with the permission of the author.

https://en.wikipedia.org/wiki/Maynardville_Open-Air_Theatre

http://www.maynardville.co.za/www/pages/index.php

Helen Robinson. 2005. Shakespeare at Maynardville. Houghton House Wynberg, 2005.

http://www.maynardville.co.za

http://www.lonelyplanet.com/south-africa/cape-town/sights/parks-gardens/maynardville-park#ixzz4L5i1EyEC

https://www.capetown.gov.za/en/parks/Pages/MaynardvillePark.aspx

https://www.capetown.gov.za/en/parks/facilities/Pages/MaynardvillePark.aspx

http://mapmyway.co.za/ballet-giselle-maynardville/

E-mail correspondence from Steven Molteno <steven.molteno@iclei.org>.

Percy Tucker, 1997

http://www.maynardville.co.za/www/pages/index.php

http://www.maynardville.co.za

https://en.wikipedia.org/wiki/Maynardville_Open-Air_Theatre

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NOTES

The History

The founding of the venue

There is a wide-held belief that this was the brainchild of the two professional actresses Cecilia Sonnenberg and René Ahrenson, and had been founded in 1953, but as Steven Molteno (2016) points out in his contribution - while they do deserve credit as the tireless administrators and public faces of the theatre, this is actually a false attribution, which stems from the time of the first Shakespeare production and from Helen Robinson's fine book on the theatre (Shakespeare at Maynardville, 2005), a source used by many subsequent works.

In fact the theatre in Maynardville was actually originally conceived and founded in 1950 by several ladies of the Athlone Committee for Nursery School Education, a fundraising institution for charitable causes on the Cape Flats, and opened on the 1st December of that year with a performance of a ballet, Les Sylphides. However, the role played by the Athlone ladies sadly faded into the background during the intensifying politics of the 1970s and under the publicity attained by the superb and popular Shakespeare productions in the venue.

A member of the committee, Mrs Margaret Molteno, had visited the Regents Park Open Air Theatre in 1948, and had been inspired to create a similar venue in Cape Town that would rival Regents Park. When the ladies of the Athlone Committee noted the 1949 declaration of Maynardville as a park "open to all", they immediately wrote to the City Council, stating their aim of creating an open air theatre in Maynardville. This aspect was important for any activities planned by a mixed-race organisation, and such spaces were soon to be a rarity in Cape Town.

The committee decided to begin the theatre with ballet performances, and thus approached Dulcie Howes, then principal of UCT Ballet School, and the Cape Town Municipal Orchestra and Dr Erik Chisholm[5] (conductor, composer, as well as Dean and Director of the College of Music) to assist. Both agreed to contribute their services without charge. The Athlone Committee then cleared an area of the park with a team of gardeners, and prepared the stage.

Finally, on of 1, 2 and 3 December 1950 the UCT Ballet Company presented first Les Sylphides, produced by Cecily Robinson (after Fokine) followed by Dulcie Howes’s St Valentine’s Night and Les Diversions. From then on the ballet performances at Maynardville Open Air Theatre were to be an ongoing project, with only a break in 1953, and would continue under the auspices of the CAPAB Ballet Company, led by Dulcie Howes, from 1963 onwards.

The early ballet performances – and those in the following years – were an immense success, and drew in people of all backgrounds from throughout Cape Town. The performances funded the Athlone Training College (established under the auspices of Barkly Training College for Nursery Education) in February 1952, among other projects.

Shakespeare in the Park

In 1953, during a break in the ballet performances (which recommenced in 1954) the Chairlady of the Athlone Committee, Mrs Margaret Molteno, approached the two talented and well-known actresses Cecilia Sonnenberg and René Ahrenson, at their Spotlight Theatre and invited them to start and lead productions of Shakespeare, for the purpose of "keeping our open-air Theatre alive". The two actresses were then shown around the rudimentary theatre and the Maynardville grounds. Although they initially politely declined the invitation, the following year they changed their minds, and agreed to take on the project.

Through her husband Cecilia had contacts in the Cape Town City Council. She and René eventually bullied the councillors into redoing the stage and auditorium for them to mount a production of The Taming of the Shrew. By a happy accident they had met the celebrated English stage and film actor Leslie French in England (where Cecilia had worked with him in Regent's Park open air theatre) and persuaded him to come to Cape Town to direct and act in the play. Just before he was due to board the mail-boat for Cape Town, Leslie received a telegram from Cecilia and Rene telling him not to come because (for a second time) they had "cold feet". Leslie's response was typical. He sent a cable back: "Buy hot water bottles, I'm coming out".

That first Shakespearean production at Maynardville in 1956 of The Taming of the Shrew ran to packed houses for a month and thus started a legend. After the performances of the first year, the stage was again altered and enlarged, to its current layout. Finally, in February 1958, the theatre officially became a fully permanent institution, by decision of the City Council (Robinson, 2005: p. 22).

In a period when it was not an easy matter, the cast and audiences were always multi racial, and from the very outset there were special concessions and block bookings for school children. Often the play chosen was one of the examination set works, ensuring large attendances of all performances.

CAPAB and Maynardville

In 1975 Cecilia Sonnenberg and René Ahrenson joined hands with CAPAB to jointly undertake the management of Maynardville for the next five years. Following their retirement from Maynardville, on the occasion of the 25th year of production, Romeo and Juliet, the CAPAB Drama department would keep the flame alive. For a further 17 years they brought guest actors to Maynardville, and together with the core company, mounted a further 18 productions in this time.

The Maynardville Theatre Trust

When the CAPAB became with Artscape and Drama Department closed in the mid 1990's there was still a commitment to ensuring the continuance of the Shakespeare-in-the-Park. The Maynardville Theatre Trust was established with Cecilia Sonnenberg as patron to give guidance and strategic support for Maynardville.

Today the Maynardville Theatre Trust, together with Artscape, continues to carry the banner of Classical Theatre and Dance at the Maynardville Open-Air Theatre.

Productions at Maynardville

1950 The ballets Les Sylphides, produced by Cecily Robinson (after Fokine), with St Valentine’s Night and Les Diversions by Dulcie Howes.

1956: The Taming of the Shrew with Leslie French

1982: Othello with Robert Stephens

1987: Romeo and Juliet with Embeth Davidtz

The influence of Maynardville

Thanks to the Maynardville Open-Air Theatre, hundreds of thousands of Cape school children have experienced their first taste of Shakespeare as it should be; as a live performance on stage. Generations of boys and girls discovered they could understand the Elizabethan language and found that the 400 year old plays could be as fresh and absorbing as any contemporary drama. As have multitudes of adults enjoyed their evenings in the park with their picnics and fine performances of Shakespeare's enduring works.

Many people who are now leading lights in SA theatre started out or enhanced their careers in those early productions; Roy Sargeant, Ralph Lawson, Michael McGovern, John Whiteley and Lyn Hooker, to name but a few.

The theatre also lured many overseas actors to Maynardville, some of whom, like Michael Atkinson and Keith Grenville, settled here and have enriched the South African theatre ever since.

Sources

E-mail correspondence from and information supplied by Steven Molteno <steven.molteno@iclei.org>, inter alia based on research by Sheila Chisholm[6].

Percy Tucker, 1997

Helen Robinson. 2005. Shakespeare at Maynardville. Cape Town: Houghton House.

http://www.maynardville.co.za/www/pages/index.php

http://www.maynardville.co.za

https://en.wikipedia.org/wiki/Maynardville_Open-Air_Theatre

Return to

Return to South African Theatre Venues, Companies, Societies, etc

Return to The ESAT Entries

Return to Main Page