Dick Cruikshanks

(b. Walthamstow (West Ham), London, **/**/1874 – d. East London, South Africa, 17/03/1947). British-born actor and director. Richard Wheatley Cruikshanks, the son of actor Charles Cruikshanks, was a stalwart of the silent film industry in South Africa. As an employee of African Film Productions, he directed or co-directed 13 of the films the company produced and acted in more than half of their total output. He clearly had the confidence of I.W. Schlesinger and when Harold M. Shaw walked out before The Symbol of Sacrifice commenced production, this prestigious film was entrusted to Cruikshanks. In the English Census of 1901, Cruikshanks, then aged 26, was said to be in the music profession and in 1907 his military drama entitled La Vivandière, based on the Ouida novel “Under Two Flags”, was staged in London (the cast included two horses who had “fought” in the South African War). In February 1900 he had married actress Florence Elizabeth Dentry, who was eight years his senior. She had taken the stage name of Florence Creagh, and in 1908 she acted in his play Daddy’s Boy. According to The Stage Year Book of 1911, the couple were both members of The Sketch Association

In 1914 they came out to South Africa with a H.G. Brandon play. Later that year he joined Johannesburg’s Palladium Theatre, acting in The Gay Lord Quex and in Outcast, both in 1915. Altogether he is said to have appeared in some 40 roles over a period of just more than a year. In fact, in between films he continued to appear on stage, including the hit Goodness Gracious, Annabella (1918) with Marie Tempest, Hilda Attenboro and Harcourt Collett in the cast and also in Tom Moore for Allen Doone at the Palace Theatre in Salisbury in 1921. In 1924 he and Florence performed in The Rising Generation for African Theatres and in July 1925 he acted in Baby Mine at His Majesty’s Theatre in Johannesburg. The following year he was part of a theatrical company that left for a tour of East Africa. After playing the historical figure of Piet Retief in De Voortrekkers (Harold M. Shaw/1916), he made a last film appearance in 1938 in the role of Paul Kruger in the English-language version of They Built a Nation (1938/Joseph Albrecht & Andries A. Pienaar) and was singled out by the Cape Times for a “sensitive and, at times, extremely moving portrayal”. A popular and convivial figure, he took an active part in a variety of theatrical fundraisers for charity. When he died in East London in 1947, his profession was given as cinema manager. (FO)

As Director

Zulutown Rink (1917), Zulutown Races (1917), And Then--- (1917, co-directed with Joseph Albrecht), The Major’s Dilemma (1917, co-directed with Joseph Albrecht?), The Piccanin’s Christmas (1917, co-directed with Joseph Albrecht?), The Symbol of Sacrifice (1918), Bond and Word (1918), The Bridge (1918), Fallen Leaves (1919), Prester John (1920), The Madcap of the Veld (1920, co-directed with William Bowden), The Vulture’s Prey (1922, co-directed with William Bowden), The Blue Lagoon (1923, co-directed with William Bowden)

As Actor

An Artist’s Inspiration (Lorimer Johnston?/1916), A Zulu’s Devotion (Lorimer Johnston, 1916), The Silver Wolf (Lorimer Johnston, 1916), The Illicit Liquor Seller (Lorimer Johnston, 1916), The Water Cure (B.F. Clinton/1916), The Splendid Waster (Lorimer Johnston/1916), The Gun Runner (Lorimer Johnston/1916), Gloria (Lorimer Johnston, 1916), De Voortrekkers (Harold M. Shaw/1916), Sonny’s Little Bit (Lorimer Johnston/1917), A Border Scourge (Ralph Kimpton & Joseph Albrecht/1917), And Then--- (Cruikshanks & Joseph Albrecht/1917), The Major’s Dilemma (Cruikshanks & Joseph Albrecht?/1917), The Symbol of Sacrifice (Cruikshanks/1918), Bond and Word (Cruikshanks/1918), Fallen Leaves (Cruikshanks/1919), Prester John (Cruikshanks/1920), The Man Who Was Afraid (Joseph Albrecht/1920), The Madcap of the Veld (Cruikshanks &William Bowden/1920), The Vulture’s Prey (Cruikshanks & William Bowden/1922), Swallow (Leander De Cordova/1922), Sam’s Kid (Leander De Cordova/1922), The Blue Lagoon (Cruikshanks & William Bowden/1923), The Reef of Stars (Joseph Albrecht/1924), Die Bou van 'n Nasie / They Built a Nation (Joseph Albrecht & Andries A. Pienaar/1939).

Sources

Gutsche, Thelma - The history and social significance of motion pictures in South Africa 1895-1940

Le Roux, André I. & Fourie, Lilla – Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm

Estate Papers, Western Cape Archives & Records Service

Return to

Return to ESAT Personalities C

Return to South African Personalities

Return to The ESAT Entries

Return to Main Page