Difference between revisions of "ESAT Bibliography Bri-Bru"

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[[André P. Brink|Brink, André P.]] 1996. Ou wynsakke of nuwe leeftog?  Insig, 11/96:45.
 
[[André P. Brink|Brink, André P.]] 1996. Ou wynsakke of nuwe leeftog?  Insig, 11/96:45.
  
Britz, Martha H.S. 1984.  Die vergestalting van tyd in die Afrikaanse en Nederlandse drama na sestig. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.  
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Martha H.S. Brink|Britz, Martha H.S. 1984.  Die vergestalting van tyd in die Afrikaanse en Nederlandse drama na sestig. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.  
  
Brockbank P. 1987. Shakespeare's Stratford and South Africa. Shakespeare Quarterly, 38(4):479-481.  
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P. Brockbank|Brockbank P. 1987. Shakespeare's Stratford and South Africa. Shakespeare Quarterly, 38(4):479-481.  
  
Brook, Peter 1978. The Empty Space. Harmondsworth, Penguin.
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Peter Brook|Brook, Peter 1978. The Empty Space. Harmondsworth, Penguin.
  
Brooke, Brian 1948. South Africa’s first professional repertory company. Outspan. 42(1090):26-27. January 16.  
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[[Brian Brooke|Brooke, Brian]] 1948. South Africa’s first professional repertory company. Outspan. 42(1090):26-27. January 16.  
  
Brooke, Brian 1958. The South African theatre industry. International Theatre Annual, 3:121-127.
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[[Brian Brooke|Brooke, Brian]] 1958. The South African theatre industry. International Theatre Annual, 3:121-127.
  
Brooke, Brian 1978. My Own Personal Star: An Autobiography. Johannesburg: The Limelight Press.
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[[Brian Brooke|Brooke, Brian]] 1978. My Own Personal Star: An Autobiography. Johannesburg: The Limelight Press.
  
Brooke, Michael 1985. The Limelight and Contacts, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press, 129-130.
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Michael Brooke|Brooke, Michael 1985. The Limelight and Contacts, in Temple Hauptfleisch|Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to Breytenbach, P.P.B.|P.P.B. Breytenbach. Johannesburg: The Limelight press, 129-130.
  
 
The Brooke Theatre. 1978. Scenaria, June/July:6-7.
 
The Brooke Theatre. 1978. Scenaria, June/July:6-7.
  
Brooks, Richard 2006. Not redundant after all [interview with Athol Fugard]. New Statesman, 135(4784):28-29. March 20.
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Richard Brooks|Brooks, Richard 2006. Not redundant after all (interview with Fugard, Athol|Athol Fugard). New Statesman, 135(4784):28-29. March 20.
  
Brophy, Diane 1980. Industrial revolution. Teaterforum, 1(1):7-10.
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[[Diane Brophy|Brophy, Diane]] 1980. Industrial revolution. Teaterforum, 1(1):7-10.
  
Brophy, Diane 1983. A playwright emerges. Teaterforum, 4(1):12-18.
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[[Diane Brophy|Brophy, Diane]] 1983. A playwright emerges. Teaterforum, 4(1):12-18.
  
Brown, Duncan & Van Dyk, Bruno 1991. Exchanges :South African Writing in Transition. Pietrmaritzburg, University of Natal.
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[[Duncan Brown|Brown, Duncan]] & [[Bruno van Dyk|Van Dyk, Bruno]] 1991. Exchanges :South African Writing in Transition. Pietrmaritzburg, University of Natal.
  
Brown, Duncan 1994. Oral poetry and literary history in South Africa. Current Writing, 6(2):165-180.
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[[Duncan Brown|Brown, Duncan]] 1994. Oral poetry and literary history in South Africa. Current Writing, 6(2):165-180.
  
Brown, Duncan 1999. Oral Literature and Performance in Southern Africa. Cape Town: David Philip.  
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[[Duncan Brown|Brown, Duncan]] 1999. Oral Literature and Performance in Southern Africa. Cape Town: David Philip.  
  
Brown, Lenora Inez 2000. The Dramatic Art of Athol Fugard: From South Africa to the World, by Albert Wertheim. Reviewed in:  American Theatre, 17(10):79-82.
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Lenora Inez Brown|Brown, Lenora Inez 2000. The Dramatic Art of Fugard, Athol|Athol Fugard: From South Africa to the World, by Wertheim, Albert|Albert Wertheim. Reviewed in:  American Theatre, 17(10):79-82.
  
Brown, Phyllida 1991. Meet the puppets that care about condoms. New Scientist 132(1797):13.
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Phyllida Brown|Brown, Phyllida 1991. Meet the puppets that care about condoms. New Scientist 132(1797):13.
  
Bruchac, Joseph 1988. Lewis Nkosi, in Kirkpatrick, D.L. (ed.) Contemporary Dramatists, 4th ed. Chicago, Ill.: St James Press, 400-401.
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Joseph Bruchac|Bruchac, Joseph 1988. Nkosi, Lewis|Lewis Nkosi, in D.L. Kirkpatrick|Kirkpatrick, D.L. (ed.) Contemporary Dramatists, 4th ed. Chicago, Ill.: St James Press, 400-401.
  
Brummer, W. 2007. Agter die fluweelgordyn: voorblad. Insig, 6(224):49-53.
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Willemien Brummer|Brummer, Willemien 2007. Agter die fluweelgordyn: voorblad. Insig, 6(224):49-53.
  
Brustein, Robert 2001. On the Cape Town. New Republic, 224(7):31-32.
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[[Robert Brustein|Brustein, Robert]] 2001. On the Cape Town. New Republic, 224(7):31-32.
  
Brustein, Robert 2002. The Good Hope of the Cape (Pieter-Dirk Uys). New Republic, 226(5):27-28.
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[[Robert Brustein|Brustein, Robert]] 2002. The Good Hope of the Cape ([[Uys, Pieter-Dirk|Pieter-Dirk Uys]]). New Republic, 226(5):27-28.
  
Brustein, Robert 2003. Fronting (Salaam Stories, by Ashraf Johaardien; District Six, by David Kramer; African Footprints; Richard Loring).  New Republic, 228(6):25-27.
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[[Robert Brustein|Brustein, Robert]] 2003. Fronting (Salaam Stories, by Johaardien Ashraf|Ashraf Johaardien; District Six, by Kramer, David|David Kramer; African Footprints; Loring, Richard{Richard Loring).  New Republic, 228(6):25-27.
  
Brustein, Robert 2005. Robert Brustein on theatre: the saved and the drowned (Anthony Sher). New Republic, 232(7):25-26.  
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[[Robert Brustein|Brustein, Robert]] 2005. Robert Brustein on theatre: the saved and the drowned (Anthony Sher). New Republic, 232(7):25-26.  
  
Bruton, Sheila 1976. Indaba: Let’s Talk: Short Dramas to Stimulate Discussion on Southern Africa: Fugard, Bassingthwaighte, Hooper and La Bash. New York: Friendship.
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Sheila Bruton|Bruton, Sheila 1976. Indaba: Let’s Talk: Short Dramas to Stimulate Discussion on Southern Africa: Fugard, Bassingthwaighte, Hooper and La Bash. New York: Friendship.
  
  

Revision as of 09:47, 5 January 2011

Click on the appropriate letters of the alphabet in the sub-list below.

B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By

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Rawlinson, Brian|Brian Rawlinson: twentieth century buccaneer. 1979. Scenaria, (15):21-22.

Tania Bridges|Bridges, Tania 2004. The role of the performing arts in the reconstruction of cultural identity in South Africa. Unpublished master’s thesis. London: University of London.

A. Brimer|Brimer, A. 1993. Shakespeare and South African politics. Shakespeare in Southern Africa, 6:29-44.

Brink, André P. 1970. Gordyn: oop; gedagtes oor die Afrikaanse toneel. Buurman, 1(2):38-41.

Brink, André P. 1971. Censorship – Climate of Fear. Contrast, 7(2).

Brink, André P. 1985. Krisis in die uitvoerende kunste. Die Suid-Afrikaan, (5):35-36.

Brink, André P. 1978. Afrikaans theatre: the contemporary scene. Theatre Quarterly, 7(28):71-76.

Brink, André P. 1986. Aspekte van die Nuwe Drama. Pretoria: Academica.

Brink, André P. 1989. Hink die kruppel toneel nog? De Kat, 5(4):104-105.

Brink, André P. 1993. ‘No way out’ : Sizwe Banzi is Dead and the dilemma of political drama in South Africa. Twentieth Century Literature, 39(4) :438-454.

Brink, André P. 1996. Ou wynsakke of nuwe leeftog? Insig, 11/96:45.

Martha H.S. Brink|Britz, Martha H.S. 1984. Die vergestalting van tyd in die Afrikaanse en Nederlandse drama na sestig. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.

P. Brockbank|Brockbank P. 1987. Shakespeare's Stratford and South Africa. Shakespeare Quarterly, 38(4):479-481.

Peter Brook|Brook, Peter 1978. The Empty Space. Harmondsworth, Penguin.

Brooke, Brian 1948. South Africa’s first professional repertory company. Outspan. 42(1090):26-27. January 16.

Brooke, Brian 1958. The South African theatre industry. International Theatre Annual, 3:121-127.

Brooke, Brian 1978. My Own Personal Star: An Autobiography. Johannesburg: The Limelight Press.

Michael Brooke|Brooke, Michael 1985. The Limelight and Contacts, in Temple Hauptfleisch|Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to Breytenbach, P.P.B.|P.P.B. Breytenbach. Johannesburg: The Limelight press, 129-130.

The Brooke Theatre. 1978. Scenaria, June/July:6-7.

Richard Brooks|Brooks, Richard 2006. Not redundant after all (interview with Fugard, Athol|Athol Fugard). New Statesman, 135(4784):28-29. March 20.

Brophy, Diane 1980. Industrial revolution. Teaterforum, 1(1):7-10.

Brophy, Diane 1983. A playwright emerges. Teaterforum, 4(1):12-18.

Brown, Duncan & Van Dyk, Bruno 1991. Exchanges :South African Writing in Transition. Pietrmaritzburg, University of Natal.

Brown, Duncan 1994. Oral poetry and literary history in South Africa. Current Writing, 6(2):165-180.

Brown, Duncan 1999. Oral Literature and Performance in Southern Africa. Cape Town: David Philip.

Lenora Inez Brown|Brown, Lenora Inez 2000. The Dramatic Art of Fugard, Athol|Athol Fugard: From South Africa to the World, by Wertheim, Albert|Albert Wertheim. Reviewed in: American Theatre, 17(10):79-82.

Phyllida Brown|Brown, Phyllida 1991. Meet the puppets that care about condoms. New Scientist 132(1797):13.

Joseph Bruchac|Bruchac, Joseph 1988. Nkosi, Lewis|Lewis Nkosi, in D.L. Kirkpatrick|Kirkpatrick, D.L. (ed.) Contemporary Dramatists, 4th ed. Chicago, Ill.: St James Press, 400-401.

Willemien Brummer|Brummer, Willemien 2007. Agter die fluweelgordyn: voorblad. Insig, 6(224):49-53.

Brustein, Robert 2001. On the Cape Town. New Republic, 224(7):31-32.

Brustein, Robert 2002. The Good Hope of the Cape (Pieter-Dirk Uys). New Republic, 226(5):27-28.

Brustein, Robert 2003. Fronting (Salaam Stories, by Johaardien Ashraf|Ashraf Johaardien; District Six, by Kramer, David|David Kramer; African Footprints; Loring, Richard{Richard Loring). New Republic, 228(6):25-27.

Brustein, Robert 2005. Robert Brustein on theatre: the saved and the drowned (Anthony Sher). New Republic, 232(7):25-26.

Sheila Bruton|Bruton, Sheila 1976. Indaba: Let’s Talk: Short Dramas to Stimulate Discussion on Southern Africa: Fugard, Bassingthwaighte, Hooper and La Bash. New York: Friendship.


Click on the appropriate letters of the alphabet in the sub-list below.

B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By


To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance