Difference between revisions of "Thêàtre de L'Union"
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== Performances == | == Performances == | ||
− | + | The company occasionally used local [[Amateur|amateurs]] and programmes consisted of [[Music hall|vaudeville]], song and dance. | |
+ | Their first performance was on Friday March 31, 1848 in the [[Garrison Theatre]] and included ''[[Les Ressources de Jonathas]]'' (wrongly credited to Scribe), a "Great Intermezzo with Song and Dance" and the "tragic scene" of ''[[The Last Night of André Chenier ]]'' (Victor Hugo). | ||
− | + | ||
+ | |||
+ | The company's last performance was on September 25, 1848 in the [[Commercial Exchange]], before ill-health and their lack of variety saw them fading into oblivion early in 1849. | ||
== Sources == | == Sources == |
Revision as of 06:36, 7 May 2015
A French company briefly active in Cape Town in 1848.
Founding
It was founded by disillusioned professional French performers from the Dalle Case Company, to provide them with work in Cape Town when Case's company failed. Feeling that Dalle Case had not been able to secure suitable venues for their performances and, in some instances, had not paid them, Messrs L. Victor, C. Crosset and X. Hus, announced the formation of a new theatrical company on 25 March 1848, under the motto "L'Union". It hence became known as the Thêàtre de L'Union (written Theatre de L'Union by Bosman).
They initially first performed in the Hope Street Theatre and the Garrison Theatre, but found these incongenial, so the company finally settled into the Drury Lane Theatre for a run of six successful performances.
Performances
The company occasionally used local amateurs and programmes consisted of vaudeville, song and dance.
Their first performance was on Friday March 31, 1848 in the Garrison Theatre and included Les Ressources de Jonathas (wrongly credited to Scribe), a "Great Intermezzo with Song and Dance" and the "tragic scene" of The Last Night of André Chenier (Victor Hugo).
The company's last performance was on September 25, 1848 in the Commercial Exchange, before ill-health and their lack of variety saw them fading into oblivion early in 1849.
Sources
F.C.L. Bosman, 1928: pp.437-9;
Laidler, 1926
[TH, JH]
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