Difference between revisions of "Milestones"
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=''[[Milestones]]'': A play by Arnold Bennett and Edward Knoblock = | =''[[Milestones]]'': A play by Arnold Bennett and Edward Knoblock = | ||
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| + | == The original text == | ||
Dealing with the fortunes of an English family over a period of fifty years, from the 1860's to the early part of the 20th century. At the basis of the drama is the conflict between industrial progress and conservatism, expressed through the medium of English class-consciousness. | Dealing with the fortunes of an English family over a period of fifty years, from the 1860's to the early part of the 20th century. At the basis of the drama is the conflict between industrial progress and conservatism, expressed through the medium of English class-consciousness. | ||
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| + | == Performance history in South Africa == | ||
1944: Produced by the [[Gwen ffrangçon-Davies / Marda Vanne Company]] in collaboration with [[African Consolidated Theatres]] Ltd at the [[Standard Theatre]], Johannesburg, and subsequently in Cape Town in 1944 with [[Ivy Collins]], [[Margaret Inglis]], [[Zoë Randall]], [[Jessie Bryant]], [[Wensley Pithey]], [[Siegfried Mynhardt]], [[Alec Bell]], [[Noel Hewett]], [[James Workman]]. Settings and costumes by [[John Dronsfield]]. | 1944: Produced by the [[Gwen ffrangçon-Davies / Marda Vanne Company]] in collaboration with [[African Consolidated Theatres]] Ltd at the [[Standard Theatre]], Johannesburg, and subsequently in Cape Town in 1944 with [[Ivy Collins]], [[Margaret Inglis]], [[Zoë Randall]], [[Jessie Bryant]], [[Wensley Pithey]], [[Siegfried Mynhardt]], [[Alec Bell]], [[Noel Hewett]], [[James Workman]]. Settings and costumes by [[John Dronsfield]]. | ||
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| + | == Sources == | ||
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= ''[[Milestones]]'' A Musical by [[Mandla Langa]] = | = ''[[Milestones]]'' A Musical by [[Mandla Langa]] = | ||
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| + | == The original text == | ||
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A play about a people who are rallying themselves for a return to their land led by a patriarch, a modern Moses. They perform their rituals in urban areas, observing custom. The subject matter draws on numerous issues affecting the new South Africa, the role of women in society, the juxtaposition of traditional and contemporary lifestyles, land and the conflict between urban and rural lifestyles. | A play about a people who are rallying themselves for a return to their land led by a patriarch, a modern Moses. They perform their rituals in urban areas, observing custom. The subject matter draws on numerous issues affecting the new South Africa, the role of women in society, the juxtaposition of traditional and contemporary lifestyles, land and the conflict between urban and rural lifestyles. | ||
| − | + | The new South Africa is the focus, and the conflict is between urban modern and rural traditional cultures. The theme is the recovery of their ancestral land by a community who had lost it in the 1960s under the apartheid Group Areas Act, and the opportunity for them to regain their pride based in their traditional values; after working on the mines for thirty years an old patriarch hears that his family’s land has been returned to him and he moves back to the place of his birth, where the challenge is for a community to rebuild and to redefine itself. His only son had been shot as a spy by comrades during the anti-apartheid struggle and when the patriarch dies his surviving heir, his daughter, has to take over the leadership from him. The modern young woman is confronted by the choice between a life of relative poverty as traditional leader of her people, or a career as an urban lawyer in the big city with the bright opportunities available to her in the new South Africa. Her third option, the play suggests satirically, is to join the government and earn a fabulous salary with the perk of a big Mercedes or a BMW... | |
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== Performance history in South Africa == | == Performance history in South Africa == | ||
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Premièred at the [[Grahamstown Festival]] in June 1999, presented by [[Mannie Manim Productions]], directed by [[Jerry Mofokeng]], with [[Hugh Masekela]], [[Owen Sejake]], [[Sibongile Khumalo]], [[Gloria Bosman]], [[Sello Motloung]], [[Mike Huff]], [[Tsepho Desando]], [[Motsumi Makhene]], [[Mokale Koapeng]] and [[Steve Mofokeng]], with choreography by [[Nomsa Manaka]]. The same production moved to the [[State Theatre]] in July 1999. | Premièred at the [[Grahamstown Festival]] in June 1999, presented by [[Mannie Manim Productions]], directed by [[Jerry Mofokeng]], with [[Hugh Masekela]], [[Owen Sejake]], [[Sibongile Khumalo]], [[Gloria Bosman]], [[Sello Motloung]], [[Mike Huff]], [[Tsepho Desando]], [[Motsumi Makhene]], [[Mokale Koapeng]] and [[Steve Mofokeng]], with choreography by [[Nomsa Manaka]]. The same production moved to the [[State Theatre]] in July 1999. | ||
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==Translations and adaptations== | ==Translations and adaptations== | ||
== Sources == | == Sources == | ||
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[Van Heerden (2008)][http://www.google.co.za/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CCUQFjAA&url=http%3A%2F%2Fscholar.sun.ac.za%2Fbitstream%2Fhandle%2F10019.1%2F1443%2Fvanheerden_theatre_2008.pdf%3Fsequence%3D1&ei=_egBU77CNYWJhQeE5oCADQ&usg=AFQjCNEWnD1BzeLnFmOV2tvyGLoMyNeT6Q&bvm=bv.61535280,d.Yms]. p 160. | [Van Heerden (2008)][http://www.google.co.za/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CCUQFjAA&url=http%3A%2F%2Fscholar.sun.ac.za%2Fbitstream%2Fhandle%2F10019.1%2F1443%2Fvanheerden_theatre_2008.pdf%3Fsequence%3D1&ei=_egBU77CNYWJhQeE5oCADQ&usg=AFQjCNEWnD1BzeLnFmOV2tvyGLoMyNeT6Q&bvm=bv.61535280,d.Yms]. p 160. | ||
| − | Go to [[ | + | Go to [[ESAT Bibliography]] |
== Performances == | == Performances == | ||
| − | + | ''[[South African Opinion]]'', 1(7):22, 1944; ''Trek'', 9(4):22; 9(7):22, 1944. | |
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==Sources== | ==Sources== | ||
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[[Grahamstown Festival|National Arts Festival]] programme, 1999. | [[Grahamstown Festival|National Arts Festival]] programme, 1999. | ||
Revision as of 11:45, 15 April 2015
There are two plays by this name;
Contents
Milestones: A play by Arnold Bennett and Edward Knoblock
The original text
Dealing with the fortunes of an English family over a period of fifty years, from the 1860's to the early part of the 20th century. At the basis of the drama is the conflict between industrial progress and conservatism, expressed through the medium of English class-consciousness.
Performance history in South Africa
1944: Produced by the Gwen ffrangçon-Davies / Marda Vanne Company in collaboration with African Consolidated Theatres Ltd at the Standard Theatre, Johannesburg, and subsequently in Cape Town in 1944 with Ivy Collins, Margaret Inglis, Zoë Randall, Jessie Bryant, Wensley Pithey, Siegfried Mynhardt, Alec Bell, Noel Hewett, James Workman. Settings and costumes by John Dronsfield.
Sources
Milestones A Musical by Mandla Langa
The original text
A play about a people who are rallying themselves for a return to their land led by a patriarch, a modern Moses. They perform their rituals in urban areas, observing custom. The subject matter draws on numerous issues affecting the new South Africa, the role of women in society, the juxtaposition of traditional and contemporary lifestyles, land and the conflict between urban and rural lifestyles. The new South Africa is the focus, and the conflict is between urban modern and rural traditional cultures. The theme is the recovery of their ancestral land by a community who had lost it in the 1960s under the apartheid Group Areas Act, and the opportunity for them to regain their pride based in their traditional values; after working on the mines for thirty years an old patriarch hears that his family’s land has been returned to him and he moves back to the place of his birth, where the challenge is for a community to rebuild and to redefine itself. His only son had been shot as a spy by comrades during the anti-apartheid struggle and when the patriarch dies his surviving heir, his daughter, has to take over the leadership from him. The modern young woman is confronted by the choice between a life of relative poverty as traditional leader of her people, or a career as an urban lawyer in the big city with the bright opportunities available to her in the new South Africa. Her third option, the play suggests satirically, is to join the government and earn a fabulous salary with the perk of a big Mercedes or a BMW...
Performance history in South Africa
Premièred at the Grahamstown Festival in June 1999, presented by Mannie Manim Productions, directed by Jerry Mofokeng, with Hugh Masekela, Owen Sejake, Sibongile Khumalo, Gloria Bosman, Sello Motloung, Mike Huff, Tsepho Desando, Motsumi Makhene, Mokale Koapeng and Steve Mofokeng, with choreography by Nomsa Manaka. The same production moved to the State Theatre in July 1999.
Translations and adaptations
Sources
[Van Heerden (2008)][1]. p 160.
Go to ESAT Bibliography
Performances
South African Opinion, 1(7):22, 1944; Trek, 9(4):22; 9(7):22, 1944.
Sources
National Arts Festival programme, 1999.
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Return to M in Plays I Original SA Plays
Return to M in Plays IV: Festivals and Pageants
Return to South_African_Theatre/Plays
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