Difference between revisions of "Door Yver Vruchtbaar"
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== Stellenbosch 1833 - 1838 == | == Stellenbosch 1833 - 1838 == | ||
| − | An organisation by the same name surfaced in Stellenbosch, 1833 - 1838, possibly initiated by someone from the former company, but this is merely a speculation. The group staged what [[F.C.L. Bosman]] (1928) calls "the first | + | An organisation by the same name surfaced in Stellenbosch, 1833 - 1838, possibly initiated by someone from the former company, but this is merely a speculation. The group staged what [[F.C.L. Bosman]] (1928) calls "the first theatrical performance" on 25 April, 1829. The play performed was ''[[De Verstrooying]]''). |
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| + | In 1833 the group, now referred to as "Het Nieuw Stellenbossche Tooneel Gezelschap" ("The new Stelllenbosch Theatre Company") went on to stage similar productions and played an integral part in Stellenbosch's theatre heydays under the patronage of [[D.J. van Ryneveld]]. Other productions included ''[[Charlotte Blandford, of De Wedergevonden Vader]]'' (Engelman) and ''[[De Dochter van Pharao]]'' (Von Kotzebue) in the "Schouwburg" (theatre) on 28 September 1833; ''[[Elize van Wallenthorst]]'' (Anonymous) and ''[[De Brandschatting]]'' (Von Kotzebue) in 1835; | ||
For a while the company combined with the music society to form the [[Het Tooneellievend en Vereenigd Muzyk Gezelschap]], to mount joint productions, ''inter alia'' in support of the wounded of the so-called "Kaffir War" on the eastern Cape border. | For a while the company combined with the music society to form the [[Het Tooneellievend en Vereenigd Muzyk Gezelschap]], to mount joint productions, ''inter alia'' in support of the wounded of the so-called "Kaffir War" on the eastern Cape border. | ||
Revision as of 06:00, 23 February 2015
During the first half of the 19th century we find three (possibly linked) companies using this motto in the Cape region.
Contents
Cape Town 1826-1827
Dutch amateur company founded by J.G. Tredoux, after breaking away from Tot Nut en Vermaak with some of its members. Their first performance was on September 9 1826 *(Het Schandmerk, or De Twee Galeiboeven (Boire, Camouche & Poujol, translated by De Quack). Last performance 31 March 1827.
Stellenbosch 1833 - 1838
An organisation by the same name surfaced in Stellenbosch, 1833 - 1838, possibly initiated by someone from the former company, but this is merely a speculation. The group staged what F.C.L. Bosman (1928) calls "the first theatrical performance" on 25 April, 1829. The play performed was De Verstrooying).
In 1833 the group, now referred to as "Het Nieuw Stellenbossche Tooneel Gezelschap" ("The new Stelllenbosch Theatre Company") went on to stage similar productions and played an integral part in Stellenbosch's theatre heydays under the patronage of D.J. van Ryneveld. Other productions included Charlotte Blandford, of De Wedergevonden Vader (Engelman) and De Dochter van Pharao (Von Kotzebue) in the "Schouwburg" (theatre) on 28 September 1833; Elize van Wallenthorst (Anonymous) and De Brandschatting (Von Kotzebue) in 1835;
For a while the company combined with the music society to form the Het Tooneellievend en Vereenigd Muzyk Gezelschap, to mount joint productions, inter alia in support of the wounded of the so-called "Kaffir War" on the eastern Cape border.
By 1838 this group had apparently been forced to close by the same puritanical crusade which led to the demise of the African Theatre in 1835.
Cape Town 1843-1844
In 1843 a group under this name is once again advertised in Sam Sly's Journal, Cape Town, where they performed Bianko of De Onzichtbare Man (as their third offering of the year, apparently). The next month they did De Wonder Doctor.
In 1844 the group apparently amalgamated with Tot Nut en Vermaak, to form Het Privaat Hollandsch Toneelievend Gezelschap, a company which remained the only Dutch company in the Cape until 1847, performing under both mottos (i.e. Tot Nut en Vermaak and Door Yver Vruchtbaar). [MN, JH]
Sources
Bosman, 1928
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