Difference between revisions of "ESAT Bibliography Hut"
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
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+ | Hutchison, Yvette 1991. Playabout – ten one-act plays, by Sue Scott and Patrick Delahunty. Reviewed in: South African Theatre Journal, 5(2): 113-115. | ||
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+ | Hutchison, Yvette 1994a. Learning by performing arts: from indigenous to endogenous cultural development, by Kees Epskamp. Reviewed in: South African Theatre Journal, 8(1): 84-87. | ||
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+ | Hutchison, Yvette 1994b. Masks today: mediators of a complex reality. South African Theatre Journal, 8(1): 45-62. | ||
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+ | Hutchison, Yvette 1995a. African literature in South Africa: towards a renaissance conference, by A. Huismans and R. Marais. Reviewed in: South African Theatre Journal, 9(1): 96-99. | ||
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+ | Hutchison, Yvette. 1995. Plays for young Africa, (2 volumes), by Pieter Scholtz. Reviewed in: South African Theatre Journal, 9(1): 126-128. | ||
+ | |||
+ | Hutchison, Yvette 1996a. “Access to rather than ownership of”: South African theatre history and theory at a crossroads. South African Theatre Journal, 10(1): 35-47. | ||
+ | |||
+ | Hutchison, Yvette. 1996b. Politics and performance: theatre, poetry and song in Southern Africa, by Liz Gunner. Reviewed in: South African Theatre Journal, 10(1): 125-126. | ||
+ | |||
+ | Hutchison, Yvette 1996c. Scars of conquest/masks of resistance : the invention of cultural identities in African, African-American and Caribbean drama, by O. Tejumola. Reviewed in: South African Theatre Journal, 10(1): 126-129. | ||
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+ | Hutchison, Yvette 1996d. Theories of drama, theatre and performance in Africa (editorial). South African Theatre Journal, 10(1): 1-2. | ||
+ | |||
+ | Hutchison, Yvette 1997. Theatre and drama in francophone Africa, by John Conteh-Morgan. Reviewed in: South African Theatre Journal, 11(1&2): 290-292. | ||
+ | |||
+ | Hutchison, Yvette. 1999a. Black South African women: an anthology of plays, by Kathy A. Perkins. Reviewed in: South African Theatre Journal, 13: 206-208. | ||
+ | |||
+ | Hutchison, Yvette 1999b. Memory is a weapon: the uses of history and myth in selected post-1960 Kenyan, Nigerian and South African plays. Stellenbsosch: University of Stellenbosch. (D Phil (Dram) dissertation.) D Phil (Dram), | ||
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+ | Hutchison, Yvette 1999c. Present trends in South African theatre. In Smit, J.A. (ed.), The dancing dwarf from the land of spirits. Durban: CSSALL. p. 119-130. | ||
+ | |||
+ | Hutchison, Yvette 1999d. The seductive dance between history and literature: The Moremi legend by historian Samuel Johnson and playwrights Duro Ladipo and Femi Osofisan. South African Theatre Journal, 13(1&2): 32-47. | ||
+ | |||
+ | Hutchison, Yvette. 2000. Township plays, Port Elizabeth plays and Interior plays, by Athol Fugard.. (3 volumes re-published in 2000). Reviewed in: South African Theatre Journal, 14: 225-229. | ||
+ | |||
+ | Hutchison, Yvette 2002a. African theatre and the unmaking of colonial marginality, by Bhekizizwe Peterson. Reviewed in: South African Theatre Journal, 16: 244-247. | ||
+ | |||
+ | Hutchison, Yvette 2002b. Beyond the echoes of Soweto: five plays, by Matsemela Manaka; Born in the RSA: four workshopped plays, by Barney Simon; Ubu and the Truth Commission, by Jane Taylor. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds.); Plastow, Jane (reviews ed.), African theatre. Women. Oxford: James Curry. p. 158-161. | ||
+ | |||
+ | Hutchison, Yvette 2003. Barney Simon: brokering cultural interventions. Contemporary theatre review, 13(3): 4-15. | ||
+ | |||
+ | Hutchison, Yvette 2004a. Memory and desire in South Africa: the museum as space for performing cultural identity? In Banham, Martin, Gibbs, James & Osofisan, Ferni (eds). African theatre: Southern Africa. Oxford: James Currey. p. 51-67. | ||
+ | |||
+ | Hutchison, Yvette 2004b. South African theatre. In Banham, Martin (ed). A history of theatre in Africa. Cambridge: Cambridge University Press. p. 312-379. | ||
+ | |||
+ | Hutchison, Yvette 2005. Truth or bust: consensualising a historic narrative or provoking through theatre. The place of the personal narrative in the Truth and Reconciliation Commission. Contemporary theatre review, 15(3): 354-362. | ||
+ | |||
+ | Hutchison, Yvette 2008. Theatre, performance and new media in Africa, edited by Susan Arndt, Eckhard Breitinger & Marek Spitczok von Brisinski. Reviewed in: South African Theatre Journal, 22: 210-211. | ||
Revision as of 15:38, 2 December 2010
Click on the appropriate letters of the alphabet in the sub-list below.
H-Hat Hau Haw-Her Hes-Hol Hom-How Hug-Hun Hut Hy-Hz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Hutchison, Yvette 1991. Playabout – ten one-act plays, by Sue Scott and Patrick Delahunty. Reviewed in: South African Theatre Journal, 5(2): 113-115.
Hutchison, Yvette 1994a. Learning by performing arts: from indigenous to endogenous cultural development, by Kees Epskamp. Reviewed in: South African Theatre Journal, 8(1): 84-87.
Hutchison, Yvette 1994b. Masks today: mediators of a complex reality. South African Theatre Journal, 8(1): 45-62.
Hutchison, Yvette 1995a. African literature in South Africa: towards a renaissance conference, by A. Huismans and R. Marais. Reviewed in: South African Theatre Journal, 9(1): 96-99.
Hutchison, Yvette. 1995. Plays for young Africa, (2 volumes), by Pieter Scholtz. Reviewed in: South African Theatre Journal, 9(1): 126-128.
Hutchison, Yvette 1996a. “Access to rather than ownership of”: South African theatre history and theory at a crossroads. South African Theatre Journal, 10(1): 35-47.
Hutchison, Yvette. 1996b. Politics and performance: theatre, poetry and song in Southern Africa, by Liz Gunner. Reviewed in: South African Theatre Journal, 10(1): 125-126.
Hutchison, Yvette 1996c. Scars of conquest/masks of resistance : the invention of cultural identities in African, African-American and Caribbean drama, by O. Tejumola. Reviewed in: South African Theatre Journal, 10(1): 126-129.
Hutchison, Yvette 1996d. Theories of drama, theatre and performance in Africa (editorial). South African Theatre Journal, 10(1): 1-2.
Hutchison, Yvette 1997. Theatre and drama in francophone Africa, by John Conteh-Morgan. Reviewed in: South African Theatre Journal, 11(1&2): 290-292.
Hutchison, Yvette. 1999a. Black South African women: an anthology of plays, by Kathy A. Perkins. Reviewed in: South African Theatre Journal, 13: 206-208.
Hutchison, Yvette 1999b. Memory is a weapon: the uses of history and myth in selected post-1960 Kenyan, Nigerian and South African plays. Stellenbsosch: University of Stellenbosch. (D Phil (Dram) dissertation.) D Phil (Dram),
Hutchison, Yvette 1999c. Present trends in South African theatre. In Smit, J.A. (ed.), The dancing dwarf from the land of spirits. Durban: CSSALL. p. 119-130.
Hutchison, Yvette 1999d. The seductive dance between history and literature: The Moremi legend by historian Samuel Johnson and playwrights Duro Ladipo and Femi Osofisan. South African Theatre Journal, 13(1&2): 32-47.
Hutchison, Yvette. 2000. Township plays, Port Elizabeth plays and Interior plays, by Athol Fugard.. (3 volumes re-published in 2000). Reviewed in: South African Theatre Journal, 14: 225-229.
Hutchison, Yvette 2002a. African theatre and the unmaking of colonial marginality, by Bhekizizwe Peterson. Reviewed in: South African Theatre Journal, 16: 244-247.
Hutchison, Yvette 2002b. Beyond the echoes of Soweto: five plays, by Matsemela Manaka; Born in the RSA: four workshopped plays, by Barney Simon; Ubu and the Truth Commission, by Jane Taylor. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds.); Plastow, Jane (reviews ed.), African theatre. Women. Oxford: James Curry. p. 158-161.
Hutchison, Yvette 2003. Barney Simon: brokering cultural interventions. Contemporary theatre review, 13(3): 4-15.
Hutchison, Yvette 2004a. Memory and desire in South Africa: the museum as space for performing cultural identity? In Banham, Martin, Gibbs, James & Osofisan, Ferni (eds). African theatre: Southern Africa. Oxford: James Currey. p. 51-67.
Hutchison, Yvette 2004b. South African theatre. In Banham, Martin (ed). A history of theatre in Africa. Cambridge: Cambridge University Press. p. 312-379.
Hutchison, Yvette 2005. Truth or bust: consensualising a historic narrative or provoking through theatre. The place of the personal narrative in the Truth and Reconciliation Commission. Contemporary theatre review, 15(3): 354-362.
Hutchison, Yvette 2008. Theatre, performance and new media in Africa, edited by Susan Arndt, Eckhard Breitinger & Marek Spitczok von Brisinski. Reviewed in: South African Theatre Journal, 22: 210-211.
Click on the appropriate letters of the alphabet in the sub-list below.
H-Hat Hau Haw-Her Hes-Hol Hom-How Hug-Hun Hut Hy-Hz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance