Difference between revisions of "ESAT Bibliography Hom-How"

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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
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Homann, Greg 2009. Landscape and body. South African Theatre Journal, 23: 149-176.
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Honegger, Gitta; Patipatpaopong, Rassami; Schechter, Joel 1984. An interview with Athol Fugard. Theater magazine, 16(11): 32-39.
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Hookham, John 1991.  We the rhino:  Ethnographic aggies and the representation of the Bushmen. South African Theatre Journal, 5(1):24-34.
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Hookham, John 1993.  The aesthetic sheen:  Reflections on banality and grace in the films of Paul Schrader. South African Theatre Journal, 7(2):105-116.
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Hoosain, Mohamed Faruk 1992. Alternative cultural practices in drama studies : an exploratory study. Unpublished master’s thesis. Durban: University of Natal.
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Hope, Kim 2005. ‘I love you—you're my woman!’. Research in drama education, 10(2): 241-245.
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Horn, Andrew 1985. Ideology and Melodramatic Vision in Black South Africa and Nineteenth Century America. English in Africa 12/1:1-10.
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Horn, A. 1985. Ideology and the melodramatic vision : popular theatre in Black South Africa and nineteenth-century America. English in Africa, 12(1) : 1-9.
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Horn, Andrew 1986a. South African theatre; ideology and rebellion. Research in African literatures, 17 (2): 211-233.
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Horn, Andrew 1986b. South African theatre; ideology and rebellion. In Barber, K. (ed.) Readings in African popular culture. Bloomington, Ind: Indiana University Press. P.73-80.
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Horn, Andrew 1990. Introduction to Z.Mda The Plays of Zakes Mda. Johannesburg: Ravan Press.
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Horn, M. 1988. Theater as a weapon. U.S. news & world report, 105(1): 50.
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Horn, Peter 1996. What is a tribal dress? The ‘imbongi’ (praise-singer) and the ‘people’s poet’. Reactivation of a tradition in the liberation struggle. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 115-131.
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Horne, H. 2008. Kaburu: ‘n drama vir die verhoog, D. Opperman. Reviewed in: South African journal of cultural history, 22(2): 155-156.
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Horne, Hannes 1978. Van dramateks tot toneelopvoering. Scenaria, June/July: 63-64.
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Horne, Hannes 1985. Die Suidwes-Afrikaanse Raad vir die Uitvoerende Kunste (SWARUK: 1966-1983). [The Performing Arts Council of South West Africa]. In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 101-105.
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Horne, Jacobus Johannes 1970. Anna Neethling-Pohl se bydrae tot die Afrikaanse verhoogkuns. Pretoria: Universiteit van Pretoria. (M A Thesis).
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Horne, J.J. 1987. Anna Neethling-Pohl. Lantern, 36(1): 3-13.
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Horner, David 1967. Speech and drama. Fiat lux, 2: 297-300.
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Horner, D. 1972. Theatre in the hills. Fiat lux, 7(1): 27. February.
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Horner, D. 1976. All the world’s a stage – so pity the poor player. Journal of the University of Durban-Westville, 2(4): 33-42.
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Hough, B. 1981. Interview with Athol Fugard – Port Elizabeth, 30 November 1977. Theoria 55: 37-48.
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Hough, B. 1979. Fugard’s Boesman and Lena in perspective. Crux, 13(1): 29-36.
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Hough, B. 1985. Exit the king [Dawie Malan]. De Kat, 1(2) : 95-98. August.
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Hough, Barry. 1995. Fugard staan poedelnakend. Insig, 09/95: 43.
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Houliston, Victor 1989. Shakespeare not our contemporary: classical rhetoric and the teaching of Shakespeare. Shakespeare in South Africa, 3: 67-77.
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Howells, Stefan A. 1990. Cultural practice and powerful meanings: a study of black urban theatre in South Africa. Harvard University. (B.A. thesis).
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Howlett, Leslie 2002. A midsummer night’s dream directed by Fred Abrahamse for the Maynardville Open Air Theatre, 11 January to 23 February 2002.  Shakespeare in Southern Africa, 14: 50-51.
  
  

Revision as of 15:35, 2 December 2010

Click on the appropriate letters of the alphabet in the sub-list below.

H-Hat Hau Haw-Her Hes-Hol Hom-How Hug-Hun Hut Hy-Hz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance



Homann, Greg 2009. Landscape and body. South African Theatre Journal, 23: 149-176.

Honegger, Gitta; Patipatpaopong, Rassami; Schechter, Joel 1984. An interview with Athol Fugard. Theater magazine, 16(11): 32-39.

Hookham, John 1991. We the rhino: Ethnographic aggies and the representation of the Bushmen. South African Theatre Journal, 5(1):24-34.

Hookham, John 1993. The aesthetic sheen: Reflections on banality and grace in the films of Paul Schrader. South African Theatre Journal, 7(2):105-116.

Hoosain, Mohamed Faruk 1992. Alternative cultural practices in drama studies : an exploratory study. Unpublished master’s thesis. Durban: University of Natal.

Hope, Kim 2005. ‘I love you—you're my woman!’. Research in drama education, 10(2): 241-245.

Horn, Andrew 1985. Ideology and Melodramatic Vision in Black South Africa and Nineteenth Century America. English in Africa 12/1:1-10.

Horn, A. 1985. Ideology and the melodramatic vision : popular theatre in Black South Africa and nineteenth-century America. English in Africa, 12(1) : 1-9.

Horn, Andrew 1986a. South African theatre; ideology and rebellion. Research in African literatures, 17 (2): 211-233.

Horn, Andrew 1986b. South African theatre; ideology and rebellion. In Barber, K. (ed.) Readings in African popular culture. Bloomington, Ind: Indiana University Press. P.73-80.

Horn, Andrew 1990. Introduction to Z.Mda The Plays of Zakes Mda. Johannesburg: Ravan Press.

Horn, M. 1988. Theater as a weapon. U.S. news & world report, 105(1): 50.

Horn, Peter 1996. What is a tribal dress? The ‘imbongi’ (praise-singer) and the ‘people’s poet’. Reactivation of a tradition in the liberation struggle. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 115-131.

Horne, H. 2008. Kaburu: ‘n drama vir die verhoog, D. Opperman. Reviewed in: South African journal of cultural history, 22(2): 155-156.

Horne, Hannes 1978. Van dramateks tot toneelopvoering. Scenaria, June/July: 63-64.

Horne, Hannes 1985. Die Suidwes-Afrikaanse Raad vir die Uitvoerende Kunste (SWARUK: 1966-1983). [The Performing Arts Council of South West Africa]. In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 101-105.

Horne, Jacobus Johannes 1970. Anna Neethling-Pohl se bydrae tot die Afrikaanse verhoogkuns. Pretoria: Universiteit van Pretoria. (M A Thesis).

Horne, J.J. 1987. Anna Neethling-Pohl. Lantern, 36(1): 3-13.

Horner, David 1967. Speech and drama. Fiat lux, 2: 297-300.

Horner, D. 1972. Theatre in the hills. Fiat lux, 7(1): 27. February.

Horner, D. 1976. All the world’s a stage – so pity the poor player. Journal of the University of Durban-Westville, 2(4): 33-42.

Hough, B. 1981. Interview with Athol Fugard – Port Elizabeth, 30 November 1977. Theoria 55: 37-48.

Hough, B. 1979. Fugard’s Boesman and Lena in perspective. Crux, 13(1): 29-36.

Hough, B. 1985. Exit the king [Dawie Malan]. De Kat, 1(2) : 95-98. August.

Hough, Barry. 1995. Fugard staan poedelnakend. Insig, 09/95: 43.

Houliston, Victor 1989. Shakespeare not our contemporary: classical rhetoric and the teaching of Shakespeare. Shakespeare in South Africa, 3: 67-77.

Howells, Stefan A. 1990. Cultural practice and powerful meanings: a study of black urban theatre in South Africa. Harvard University. (B.A. thesis).

Howlett, Leslie 2002. A midsummer night’s dream directed by Fred Abrahamse for the Maynardville Open Air Theatre, 11 January to 23 February 2002. Shakespeare in Southern Africa, 14: 50-51.



Click on the appropriate letters of the alphabet in the sub-list below.

H-Hat Hau Haw-Her Hes-Hol Hom-How Hug-Hun Hut Hy-Hz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

Retrieved from "https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Hom-How&oldid=6643"