Difference between revisions of "ESAT Bibliography Gl-Go"
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
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+ | Glasser, Mona 1960. King Kong: a venture in the theatre. Cape Town: Howell. | ||
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+ | Gleuck, Germaine 1984. Standard Bank Festival of the Arts: 10th anniversary celebration. Scenaria, (45): 19—23. | ||
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+ | Glueck, Germaine 1985. Frank Rogaly : South Africa’s ‘Mr Theatre’. Scenaria, (49) : 41-43. | ||
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+ | Gleuck, Germaine 1986a. Dance takes centre spotlight at Grahamstown Festival. [includes mime]. Scenaria, (65): 9-15. | ||
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+ | Glueck, Germaine 1986b. The Port Elizabeth Opera House : past and present. Scenaria, (62) : 6-11. | ||
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+ | Glueck, Germaine 1986c. The Port Elizabeth Opera House : the interior. Scenaria, (62) : 16-18. | ||
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+ | Goddard, Kevin 2009. Romeo and Juliet, Helen Wilkins: theatre review. Shakespeare in Southern Africa, 21(1): 87-88. | ||
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+ | Gomes, L. 1980. Ons klein sterre maak groot geld. Huisgenoot, 140-143. October 9. | ||
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+ | Goodall, Sallyann 1979. Theatre workshop: a report on the theatre workshop for Natal schools, organized by SAITT Natal Branch, on 10th Feb. Scenaria, (13): 38. | ||
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+ | Goodman, L. 1984. Sholem Aleichem and the Yiddish theatre. Jewish affairs, 39(11): 18-20. | ||
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+ | Goodman, Lizbeth 1994. Teaching feminist theatres: Stages between theory and practice. South African theatre journal, 8(1): 3-23. | ||
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+ | Goodman, Ralph 2002. Fools, Bells and The habit of eating; three satires, by Zakes Mda. Reviewed in: South African theatre journal, 16: 241-243. | ||
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+ | Goosen, H. 1985. Bard of the Baakens. South African panorama, 30(9) : 18-23. | ||
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+ | Goosen, Helena 1986. Campus theatre ’86. South African panorama, 31(8) : 10-17. | ||
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+ | Gorak, Jan 1989. Nothing to root for: Zakes Mda and South African resistance theatre. Theatre journal, 41(4): 478-491. | ||
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+ | Gordon, A. 1990. The role of cultural expression in the struggle for non-racial democracy in South Africa: with particular emphasis on music, theatre and the changing philosophy of of the cultural boycott in South Africa. Cambridge, Mass.: Harvard Law School. (Ll.M. thesis). | ||
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+ | Gordon, Robert John 1974. Some aspects of symbolic form in drama. Durban: University of Natal. (M.A.-Speech and Drama thesis). | ||
+ | |||
+ | Gordon Robert 2007. Guilty secrets and cultural blind spots: Miller's plays in South | ||
+ | Africa. In Brater, Enoch (ed.) Arthur Miller's global theater. Ann Arbor, MI: University of Michigan Press. p. 66-77.; | ||
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+ | Gosher, Sydney Paul 1988. A historical and critical survey of the South African one-act play written in English. Pretoria: UNISA. (D Litt-thesis.) | ||
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+ | Gous, Martha Susanna 1990. Die Afrikaanse aktualiteitsdrama van die tagtigerjare. Pretoria: Universiteit van Pretoria. (M.A. (Dramakunde) thesis). | ||
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+ | Gouws, John 1990. Foucault and Shakespeare’s pedants, dotards, and drunks. Literator, 11(3): 29-41. | ||
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+ | Govender, Krijay 2000. Challenging the identity of South African Indian women through playwriting, and theatre : a look at three South African Indian women playwrights within the KwaZulu-Natal region post-1994. Durban: University of Natal. (MA (Drama & Performance Studies) thesis). | ||
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+ | Govender, Kubeshni 1996. Exploring text and con-text: analysis of Ordinary people: the peacemakers (1993); television review. Reviewed in: South African theatre journal. 10(2): 193-199. | ||
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+ | Govender, Ronnie 2008. In the manure: Memories and reflections. Claremont: David Philip. | ||
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+ | Government White Paper on the creative arts. 1986. Scenaria, (65): 20. | ||
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Revision as of 14:47, 2 December 2010
Click on the appropriate letters of the alphabet in the sub-list below.
Ga-Gi Gl-Go Gra Gre-Gri Gro Gru-Gz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Glasser, Mona 1960. King Kong: a venture in the theatre. Cape Town: Howell.
Gleuck, Germaine 1984. Standard Bank Festival of the Arts: 10th anniversary celebration. Scenaria, (45): 19—23.
Glueck, Germaine 1985. Frank Rogaly : South Africa’s ‘Mr Theatre’. Scenaria, (49) : 41-43.
Gleuck, Germaine 1986a. Dance takes centre spotlight at Grahamstown Festival. [includes mime]. Scenaria, (65): 9-15.
Glueck, Germaine 1986b. The Port Elizabeth Opera House : past and present. Scenaria, (62) : 6-11.
Glueck, Germaine 1986c. The Port Elizabeth Opera House : the interior. Scenaria, (62) : 16-18.
Goddard, Kevin 2009. Romeo and Juliet, Helen Wilkins: theatre review. Shakespeare in Southern Africa, 21(1): 87-88.
Gomes, L. 1980. Ons klein sterre maak groot geld. Huisgenoot, 140-143. October 9.
Goodall, Sallyann 1979. Theatre workshop: a report on the theatre workshop for Natal schools, organized by SAITT Natal Branch, on 10th Feb. Scenaria, (13): 38.
Goodman, L. 1984. Sholem Aleichem and the Yiddish theatre. Jewish affairs, 39(11): 18-20.
Goodman, Lizbeth 1994. Teaching feminist theatres: Stages between theory and practice. South African theatre journal, 8(1): 3-23.
Goodman, Ralph 2002. Fools, Bells and The habit of eating; three satires, by Zakes Mda. Reviewed in: South African theatre journal, 16: 241-243.
Goosen, H. 1985. Bard of the Baakens. South African panorama, 30(9) : 18-23.
Goosen, Helena 1986. Campus theatre ’86. South African panorama, 31(8) : 10-17.
Gorak, Jan 1989. Nothing to root for: Zakes Mda and South African resistance theatre. Theatre journal, 41(4): 478-491.
Gordon, A. 1990. The role of cultural expression in the struggle for non-racial democracy in South Africa: with particular emphasis on music, theatre and the changing philosophy of of the cultural boycott in South Africa. Cambridge, Mass.: Harvard Law School. (Ll.M. thesis).
Gordon, Robert John 1974. Some aspects of symbolic form in drama. Durban: University of Natal. (M.A.-Speech and Drama thesis).
Gordon Robert 2007. Guilty secrets and cultural blind spots: Miller's plays in South Africa. In Brater, Enoch (ed.) Arthur Miller's global theater. Ann Arbor, MI: University of Michigan Press. p. 66-77.;
Gosher, Sydney Paul 1988. A historical and critical survey of the South African one-act play written in English. Pretoria: UNISA. (D Litt-thesis.)
Gous, Martha Susanna 1990. Die Afrikaanse aktualiteitsdrama van die tagtigerjare. Pretoria: Universiteit van Pretoria. (M.A. (Dramakunde) thesis).
Gouws, John 1990. Foucault and Shakespeare’s pedants, dotards, and drunks. Literator, 11(3): 29-41.
Govender, Krijay 2000. Challenging the identity of South African Indian women through playwriting, and theatre : a look at three South African Indian women playwrights within the KwaZulu-Natal region post-1994. Durban: University of Natal. (MA (Drama & Performance Studies) thesis).
Govender, Kubeshni 1996. Exploring text and con-text: analysis of Ordinary people: the peacemakers (1993); television review. Reviewed in: South African theatre journal. 10(2): 193-199.
Govender, Ronnie 2008. In the manure: Memories and reflections. Claremont: David Philip.
Government White Paper on the creative arts. 1986. Scenaria, (65): 20.
Click on the appropriate letters of the alphabet in the sub-list below.
Ga-Gi Gl-Go Gra Gre-Gri Gro Gru-Gz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance